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Old 10th March 2010, 09:23 PM   #21
cbdb is offline cbdb  Canada
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The one thing I wonder is how he will read while the mic is in front of him.
The reading material on a music stand (put a piece of carpet under the paper to reduce reflections and vibrations off the stand) with the mic hanging down above it (the capsule on the botttom) and angled back a bit. This is the usual practice. The guy in the pic is singing, he should be closer for narration. You might want some headphones for him also.
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Last edited by cbdb; 10th March 2010 at 09:25 PM.
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Old 10th March 2010, 11:26 PM   #22
boggy is offline boggy  Serbia
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Destroyer, if you really need a good sounding recording, choice of microphone and mic-preamp isn't straight forward, but you must do some experimentation. Good microphone with good mic-preamp matched to some particular voice are very individual. Price isnt always the measure of quality....
I think that you can buy couple of hours in some nice studio, where you can find many mic-preamps and many microphones, and try to find some that sound good with your grandfather.

hope this helps

boggy
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Old 11th March 2010, 05:50 AM   #23
cbdb is offline cbdb  Canada
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I disagree, 90% of close miced dialog (narration), in studios that can afford them are done with Neuman U-87s (the one in the picture), and any decent mic pre. As I said earlier the biggest factors are mic placement and the narrators mic technique then the room and then the processing (EQ/compresion). ( I have recorded thousands of hours of dialog in a studio with $100k worth of mics )
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