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#1 |
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frugal-phile(tm)
diyAudio Moderator
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kelticwizard asked for more on this topic in another thread. From August 1954 Radio Electronics magazine.
dave
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community sites t-linespeakers.org, frugal-horn.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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#2 |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hi,
Isn't the same principle still used to combat earthquakes in Japan? Cheers,
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Frank |
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#3 |
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The one and only
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The concept was used for the Shadow, marketed by
Threshold under the Phantom Acoustics label. Worked pretty well, but was poorly understood and expensive. pass/ - still got a pair of those. |
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#4 |
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diyAudio Member
Join Date: Dec 2001
Location: Australia
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The same principle is used in noise cancelling Safety Ear Muffs to null out constant machine noise, but enable the user to hear some calling for them.
Hey, if your Misses nags repeatedly these would be handy Ian |
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#5 |
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diyAudio Moderator Emeritus
Join Date: Jan 2002
Location: Michigan
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This principle is also heavily researched and implemented in various forms in road noise reduction techniques in the automotive industry.
Rodd Yamashita |
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#6 |
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diyAudio Moderator
Join Date: Apr 2002
Location: Chatham, England
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It was also the reason behind the NEXT panel speaker, it was developed by the British MOD for noise cancelling in helicopter cockpits.
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Al I conceive of nothing, in religion, science or philosophy, that is more than the proper thing to wear, for a while. Charles Fort |
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#7 |
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diyAudio Senior Member
Join Date: Aug 2002
Location: Belgium
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Hi,
It would be interesting to use this to cancel room resonances amongst other things. Maybe Nelson would be so kind as to shed some light on how Treshold implemented this interesting theory. Cheers,
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Frank |
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#8 |
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diyAudio Member
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I ran those beasties for a trial run years ago! Nelson's right, they were pretty amazing. Actually on par with the cost of RPG or similar baffling of the listening room. I liked them, and they did look very cool.
It played tricks on the mind to shut them down and note the subtle differences! I think such a device is the ticket for difficult situations. The Pacific Symphony Orchestra benefitted immensely from this method (active suppression) in the fitting of the OC Performing Arts Center. Before it, I was being bombarded with stray reflections...actually nasty like a pair of those Bose thingies hanging from the ceiling. Bob |
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#9 | |
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diyAudio Member
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Quote:
An April Fool's Day joke. Amazing.
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#10 |
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The one and only
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It's worth noting that we are talking about 2 different
approaches. The standard noise cancelling stuff used in industry and headphones is generally done by digital circuitry and is used to remove repetitive waves by analyzing them with DSP and creating their opposites. This doesn't work with non-repetitive signals. It's great for noise reduction, but not suitable for music. The acoustic feedback as described by Olson and used in the Shadow is direct: microphone to amplifier to speaker, and works on instantaneous signals. It's great for audio, but not as effective for noise reduction. The patent cover page for the Shadow can be seen at the www.passlabs.com web site. You can get the full text and drawing version elsewhere. By the way, it may be that the original concept was from Arthur C. Clarke, in his story "Silence Please" / Tales from the White Hart pass/ - listening to Zappa's "The Orange County Lumber Truck" of which he has 4 versions. |
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