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#61 |
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diyAudio Member
Join Date: Oct 2009
Location: Hong Kong
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Hi, I am new in using oscilloscope, I just got a Tektronix 20MHz scope. I was told 20MHz is good enough to use for most audio applications. Is that true or it is better to get a 50MHz or even 100MHz scope? I am still playing around with it to perform some square and sine waveforms for the amplifiers I had built.
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#62 |
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diyAudio Moderator Emeritus
Join Date: Oct 2007
Location: Santa Cruz, California
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Well, it's a tektronix so it will have clean amplifiers and steady trigger and a GENUINE 20MHz bandwidth which is 90% of what you need. 20MHz will only be a limit if you are working on high frequency class D amps, SMPS's or debugging stability issues on amplifiers - even then it will still be useful. For GP audio work it will get all your audio projects working well enough.
Enjoy your new tool! |
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#63 | |
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diyAudio Member
Join Date: Sep 2008
Location: Oregon
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Quote:
I have a set of those ebay cheapo probes you mention in #4. They look pretty cheap. I haven't actually tried one yet. I just got them because I was curious. I will plug one into my 465 and see if I can get it to compensate etc. But maybe not until this weekend. |
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#64 | |
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diyAudio Member
Join Date: Sep 2008
Location: Oregon
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Quote:
The other pros on these little digital gems are the super easy set and usage. I can take it out of the drawer and acquire a trace in a minute (mainly slowed down because the scope has to boot up). There are gobs of math functions you can do on the traces, including FFTs to look at the spectrum distribution (poor man's spectrum analyzer). Having a color one is sweet because the traces are color coded with the color rings on the probe. Sweet. The cons are that these, and most digital scopes, are only 8bits of resolution, though they sample at 1-2Gs/sec. So you can't simultaneously look at as much amplitude resolution as a good analog scope. But, ya know, I must have a dozen Tek scopes including 7854's, 2445, 7834, 7904 and even a 547 (best analog scope ever made, as long as convenience isn't a parameter) and the one I grab the most is the TDS. Then probably the 465 or the 2246A, then a 7854...depends on what I am looking for. The high sample rate is useful for time-domain events allowing for better triggering. The faster the better, although it means a larger data set and smaller capture window, always the tradeoffs. As to screen resolution. Well....there are times in audio design when being able to recognize the type of fuzz on a trace is valuable and then you want the best trace you can get. So I pull out the 547 watch the lights dim while it powers up it's 50 tubes. Or I grab the 465, if a smaller screen is ok, or the 2445. Yup an top rate analog scope rules the trace war, hands down. Unless you want to sell your house and get one of the big screen power scopes. But, hey, it's digital. Say you are looking at some crap on a AC power line. Just demodulate it by subtracting a pure sine wave and presto, crap all by itself. I wouldn't be afraid of a 2200 series Tek scope though. If it works well when you get it, it will stay that way unless you kill it. Sorry, rambling. From what you state as your needs, I would think a TDS2000 series would be perfect. Last edited by funkytek; 2nd February 2010 at 11:21 PM. |
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#65 | ||||
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diyAudio Member
Join Date: Sep 2008
Location: Oregon
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