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#21 | |
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diyAudio Member
Join Date: May 2004
Location: Saratoga NY
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Quote:
The point is the A/D chip has one max input level - say 2V, in many cases it must be balanced. That's not very friendly, so the instrumentation "front end" has to add quite a bit of "other" capabilities - AC,DC coupling, 50ohm/1Mohm inputs, filtering, triggering, and gain/attenuation. In most cases, the bandwidth of the scope will be determined by the front end choices. That why it's so hard to build an equivalent type instrument DIY. And yes, sound cards are also poor in the front end capabilities, but the 24 bit range gives them lot of dynamic room. |
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#22 | |
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diyAudio Member
Join Date: May 2004
Location: Saratoga NY
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Quote:
Turns out when you measure effective bits, which includes noise, THD, etc, it measures great at low frequency, and poor at high frequency. The quoted number is usually in the BW of the scope, or broken out for different frequencies. So a 500MS/s scope has really GOOD effective bits in the 10MHz range and below, and will be significantly worse at say 250MHz. A perfect 8 bit scope would have 8 effective bits, but it's not that uncommon to see 7 or 7.2 bits for low frequencies like 10MHz - hence the "ballpark" number of 45dB above. Also, you can use averaging to increase the effective bits, and FFT techniques to extend the spur free dynamic range beyond the 45dB number. And yes, scope front end design separates the men from the boys. When not done correctly, it can add a lot of unwanted "things" to the signal. The best companies know how to do it right. |
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#23 | |
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diyAudio Member
Join Date: May 2004
Location: Saratoga NY
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Quote:
Unless you are talking about whopper voltages, like way over 50V, and then there are other problems where bandwidth usually suffers as compared to 50 ohm bandwidth at lower voltages. |
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#24 |
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diyAudio Member
Join Date: Apr 2004
Location: MN
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Can I ask a couple of questions for my general understanding of scopes and spectrum analyzers –
Does this all apply to spectrum analyzers also ? I am assuming spectrum analyzers have a similar input gain/att setting as well ? And is it possible to export data from a digital storage oscilloscope out to a PC where a third party program can be used to do spectrum analysis on it ? Thanks. |
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#25 |
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diyAudio Member
Join Date: Jan 2008
Location: Virginia
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It's all about the ADC real resolution (not equal with the number of bits). Faster ADC's like the ones in oscilloscopes will have less bits than a dedicated audio ADC. Digital scopes have usually 8-12 bit ADC. Noise floor is usually around -50...-90dB depending of the modes (slow average gets better SNR).
A high quality scope costs 10-50 times the amount that you pay for a professional sound card. So it's all about what you really need to measure. Last edited by SoNic_real_one; 8th March 2012 at 10:53 PM. |
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#26 | |
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diyAudio Member
Join Date: Mar 2011
Location: St Louis, Mo
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Quote:
Dale |
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#27 |
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diyAudio Member
Join Date: Jan 2008
Location: Virginia
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That low-end costs some $1000, has 8 bit resolution (except on 2mV/div). It's great for some things, but lousy for high-end audio measurements
Last edited by SoNic_real_one; 8th March 2012 at 10:59 PM. |
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#28 | |
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diyAudio Member
Join Date: May 2004
Location: Saratoga NY
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Quote:
Any high resolution diy spectrum analyzers ? again, especially the 2nd part of the post looking to do measurements ABOVE 2MHz to understand what we are discussing here. |
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#29 | |
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diyAudio Member
Join Date: May 2004
Location: Saratoga NY
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Quote:
In general, if the scope has a disk drive, usb port, GP-IB, LAN, RS-232, etc. you can export the data. How it's done is a little different for all. Most people use Matlab, Labview, or something like that for extensive post processing. |
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#30 | ||
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diyAudio Member
Join Date: Jan 2008
Location: Virginia
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Quote:
Quote:
The oscilloscope is not closer of the original post requirements either. Last edited by SoNic_real_one; 9th March 2012 at 12:18 AM. |
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