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#1 |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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Hello guys
I was looking around for a low end DSO the other day, Rigol DS1052E and the like. The various displays shown are striking me as ''noisy'' compared to my trusty 20MHZ analogue. OK, low BW brings less noise but I have used American, Japanese and European analogue ones with much more BW and still looked much smoother. I fancy the portability, small size, the auto measurements and configs and usb stick .bmp saves etc. But, hey, are those little computers any good for evaluating a PSU's or high gain circuit's total output noise roughly at all? I have seen Agilent's arguments and techniques (Hint#4 see link below) about working around that somehow (in much more expensive DSO Agilent example units that is). What is your experience in low end DSOs? Noisy as hell, or there are same ways around noise also with those? Results? Do they equal a classic analogue scope of medium BW after application of such tricks? http://cp.literature.agilent.com/lit...989-7894EN.pdf |
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#2 |
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diyAudio Member
Join Date: Sep 2006
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Hi,
DSO's are great when you need math, FFT, memory, capturing single events, exporting waveforms, making eye-diagrams etc but, if youd need to check the smoothness of a sinewave, detect a minuscule crossover distortion or low level noise or oscillations, they are pretty worthless. I use a Combiscope from Fluke, this gives the best of both worlds, but it stays approx. 95% of the time in analog mode. |
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#3 |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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Was afraid so... thanks for your info.
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#4 |
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diyAudio Member
Join Date: Dec 2007
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You need a good analog scope, like Tek 7603 with some vertical plug-ins e.g. 7A22, 7A13 (single channel differential amplifiers) for low and high frequency differential measurements and a dual time base 7B53A. The combination has affordable prices, for a well preserved machine. It is easily repairable and full of free documentation (service and operators manuals). And you can buy additional plug-in to cover your future needs. Then you need a cheep digital scope like Rigol. You can use one input of the Rigol, connected to the analog output of the Tek 7603 (it has the appropriate output BNC in rear panel). This way you can digitize your signal, with the better or more convenient front end of the old analog scope. The total cost (both analog and digital) will be less than 800 euro. After 10 years.... you can throw away the Rigol and.....go on with the Tek 7603 and a new cheep (maybe better) digital scope.
The other solution is to buy a relative expensive digital scope (Agilent. LeCroy, Tek). For the same features you must pay a lot of money and you must take in account the additional cost of differential probes and the any options you need (like software). The high performance scopes can have everything from both worlds, analog and digital but unfortunately in a high cost. |
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#5 |
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diyAudio Member
Join Date: Apr 2011
Location: New York
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I recently bought a Chinese DSO with FFT to measure distortion from a power amp.
It shows about -60db at 1kHz, but I get about the same result from my signal source itself. I'm wondering if the problem is with my signal source or the DSO. I found this item on ebay, but hesitate to buy if the DSO is not up to the task. Any guidance much appreciated Ultra low distortion (<0.00005%) 1kHz sine generator assembled and tested PCB | eBay |
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#6 |
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diyAudio Member
Join Date: Mar 2007
Location: Canandaigua, NY USA
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IMO, low end DSOs are useless for analog work and I can't afford the high end ones. For starters, 8 bit vertical resolution is completely inadequate for seeing noise or producing a useful FFT. They're nice for troubleshooting common problems and especially digital and control stuff, but I'd take a boat anchor analog scope for analog design any day.
__________________
I used to be an audiophool like you but then I took an arrow to the knee. |
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#7 |
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diyAudio Member
Join Date: Sep 2004
Location: Lansing, Michigan
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Oh my, I feel silly. Around here, DSO means Detroit Symphony Orchestra. Imagine my confusion.
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#8 | ||
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diyAudio Member
Join Date: Apr 2010
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Part of the problem with digital scopes IS the bandwidth. Most good scopes, such as the Teks, both the older analog and the more recent DSO's, have bandwidth limit switches. Setting the bandwidth to 20MHz can substantially reduce the noise shown on the trace for both analog and digital scopes.
Also, what exactly are you measuring? If it's a noise floor with no signal present, the limitation may be the scope's analog preamplifier, regardless of whether the scope is analog or digital. You might make a 20dB preamp with a low noise opamp to go between what you're measuring and the oscilloscope. If you want to measure the noise floor with a signal present, I don't see where either an analog or digital scope would work (unless you make a high rejection notch filter for a single sine wave signal). A better option would be an audio interface for a computer. An oscilloscope is still a good idea for checking for RF oscillations in the MHz or higher range, frequencies beyond what the audio interface picks up. Quote:
Quote:
Take comfort that the Detroit Symphony Orchestra surely has much greater resolution than the other DSO's being discussed in this thread. |
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#9 | |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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Quote:
Got one 1052E in last year's summer anyway, and this on the pics is what it can show with probe X1 BW20MHz and 32X averaging. BW limit at 20MHZ does little compared to averaging, its only a (hacked) 100MHZ DSO. At X10 probe setting, hopeless at 4mV RMS trace noise with all the above aids. Otherwise it has good construction and parts, is very portable, used to be Agilent's OEM 1000 series. The screen is low analysis which I can't do anything about it, looks like a Sinclair ZX Spectrum video game, the other thing is its fan's annoying noise level, which I did something about. Very handy for many things due to modern automation and measuring, looks better screen wise if fed to the PC, I kept my old German CRT scope anyway. |
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#10 |
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diyAudio Member
Join Date: Nov 2008
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Enzo: uis funny. Next time we are in Motown we make sure we will get tickets. They better be good! E
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