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#1 |
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diyAudio Member
Join Date: Mar 2003
Location: Southwest, UK / York, UK / Edinburgh, UK
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Hi there,
I'm looking into building my first DAC and have settled preliminarily on the CS4398 (I hear it's used in the Lynx sound cards and they have a reputation you don't mess with). Choice of DAC chip is not the issue, or at least not just yet, anyway. I listen mostly to CDs so all my data is 44.1kHz. However I'm interested in the idea of upsampling to 176.4kHz (or 192kHz if that's not too nasty) before sending to the DAC to take advantage of the fact that the anti-alias filter is now well out of the way. The SRC chips I've found are all aynschronous in nature, such as the CS8421 and the AD/TI equivalents. However, everyone here seems to use them primarily for jitter reduction purposes and it's hard to know what people think of their actual resampling performance. I use an RME sound card as my source (for digital crossovers, see the thread(s) started by shinobiwan for the general idea - many thanks to him by the way for his inspiration) so my source component can be sync'd to the clock inside the DAC. This puts me in what I think is a rather unique position: * I will be able to use the ARSC chip in a truly "synchronous" 1:4 upsampling manner by generating all the relevant fixed-ratio clocks inside the DAC * I like the idea of clocking backwards from the DAC for all the reasons outlined in other threads - jitter is nipped in the bud. All you're left with is the jitter of your master clock, which can be made nice and low (I've been looking at the Analog Devices' emerging line of clock generators, and the jitter they produce is of mouth-watering <1ps proportions). And the clock source is now physically close to the actual DAC ICs to maximise this effect. What do people think of this approach? I can't see anything in the datasheet of the CS8421 relevant to this particular method. Hope someone has some tasty ideas Thanks
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Wingfeather |
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#2 |
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diyAudio Member
Join Date: Dec 2005
Location: Atlanta
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Are you going to use the MCLK from the RME card?
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#3 |
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diyAudio Member
Join Date: Mar 2003
Location: Southwest, UK / York, UK / Edinburgh, UK
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Nope.
The idea is the generate a master clock for 176.4kHz playback (so, some multiple of 11.2896Mhz) on the DAC board, then divide this down to provide a suitable word clock for the RME card to work from. That way the card and therefore the whole playback system is slaved to the DAC's clock, and the DAC can rejoice in low-jitter heaven. Besides, how would you get the MCLK from the soundcard anyway? Thanks.
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Wingfeather |
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#4 | |
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diyAudio Member
Join Date: Jan 2002
Location: Belgium
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Quote:
2) Oversampling = Upsampling. Exactly the same thing, exactly the same class of filter required. The CS4398 internally does so to 352.8kHz for CD data. See Figures 20 and 24 in its datasheet.
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bring back dynamic range |
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#5 | ||
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diyAudio Member
Join Date: Mar 2003
Location: Southwest, UK / York, UK / Edinburgh, UK
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Quote:
Quote:
I've heard people raving over this and that digital filters (most notably the PMD200 and the DF1704/DF1706 chips) - will the oversampling quality of the 4398 DAC match the 32-bit (24-bit dithered) process of the 8421? Nothing on the filter implementation seems to get a mention in the datasheet. Could filter quality be a valid reason for using an external upsampler? Thanks
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Wingfeather |
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#6 | |
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diyAudio Member
Join Date: Jan 2002
Location: Belgium
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Quote:
Could filter quality be a valid reason for using an external upsampler? [/QUOTE] Probably. Most filters on silicon are crap (*), compared to what is really (mathematically) required of them. Most are a result of trade-offs, and it is not inconceivable that some trade-offs sound better than others. Datasheets won't tell, although you'll have noticed that your DAC chip on its own already offers two flavours of filter. (* Like short FIR length, ~100-200 taps, lower internal accuracy, economic half-band design with only 6dB attenuation at fs/2, insufficient stop band rejection, excessive pass band rippling, ... With over 1000 taps and internal 32 bit or better processing you can make a perfectly monotonic filter with over 140dB of stop band rejection ... off-line on a PC. But this is all sort of moot as non-oversampling DACs prove that you can do without. Sort of.)
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bring back dynamic range |
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#7 | |
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diyAudio Member
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Quote:
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#8 | |
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diyAudio Member
Join Date: Jan 2002
Location: Belgium
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Quote:
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bring back dynamic range |
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#9 |
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diyAudio Member
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take a look at our website, linked in my profile..
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#10 |
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diyAudio Member
Join Date: Mar 2003
Location: Southwest, UK / York, UK / Edinburgh, UK
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Werner,
Thanks for your replies, they are interesting reading. Am I to take it that you are a fan of non-OS DACs? I guess this is one of those times when it's difficult to make any real arguments one way or another without more solid data on filter implementations, etc. But I can well imagine that the implementation of the oversampling filter in the DAC is not optimal. One option (for me, at least) is to resample in software on the source computer. I would have to do this in advance of my crossover filters and thus it would seriously increase their CPU requirements, however it should be possible. I would probably end up using FFDshow's resampling for non-music and a winamp plugin (there are several) for music. Or even write a winamp plugin of my own to understand the process better. Of course, on a PC the processing resolution can be huge, with only a final dither down to 24-bit. Would this provide a better end result? One immediate problem I can see is that it's not possible to entirely defeat the oversampling process in the 4398 (or indeed most DACs for that matter) and so that even if I were to feed in nicely resampled 176.4kHz data it would still perform its oversampling function, albeit there would be less of it. Do you have any idea what differences (if any) would result? Thanks.
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Wingfeather |
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