|
|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Digital Source Digital Players and Recorders: CD , SACD , Tape, Memory Card, etc. |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
|
|
Thread Tools | Search this Thread |
|
|
#1 |
|
diyAudio Member
Join Date: Jan 2004
Location: Texas
|
I am upgrading an old cd player (Ariston CD Player, $800 in 1990), whose analog output stage has two dual opamps. I like the sound of OPA637 a lot, but it is only stable when the gain is >5. There is no way I can find a schematic of this player and therefore I can't figure out the gain. But I did do a test-run with OPA2228s, which are also said to work when the gain is >5. For eight hours straight, the chips seemed to perform fine as the sound coming out of them was great, without any audible distortion. The chip was not hot also, unlike the two pairs of AD843s I put in previously, which became too hot to touch in about 10 min. (I suspect that there is the class-A bias).
So here are my 2 questions: Based on the information that the player uses one TDA1541A (S1) chip and has an output about 3V (stronger than normal CD/DVD players), can someone estimate the gain for the opamps in the output stage? If a opamp is outputing good sound, does that mean that it is stable? Or stability can not really be heard? Many thanks! |
|
|
|
#2 |
|
diyAudio Member
Join Date: Jun 2004
Location: Warsaw
|
It is hard to tell. How much circuitry is around?
Maybe an opamp works simply as I-V converter. If so I would use unity gain stable one or add a small capacitor between output an -input. How about opa627 ? |
|
|
|
#3 |
|
diyAudio Member
Join Date: Jan 2004
Location: Texas
|
Thanks for your reply. They not I/V converters (which I have replaced with a couple LT1364s). I am certain that those are final stage of amplification -- they are next to the RCA outs and the traces on the PCB show that too.
I am currently using OPA627s, but I prefer the sound of OPA637 more -- to exaggerate a little bit, it's like comparing a river (637) to a creek (627). The capacitor between output and input is used to avoid oscillation, am I right? Is instability mainly about oscillation? Would such a capacitor make OPA637 stable even when gain is less than 5? Thanks a lot! |
|
|
|
#4 | |
|
diyAudio Member
Join Date: Jun 2004
Location: Warsaw
|
Quote:
cheers |
|
|
|
|
#5 | |
|
diyAudio Member
Join Date: Jan 2004
Location: Texas
|
Quote:
Cheers! |
|
|
|
|
#6 | ||
|
diyAudio Member
Join Date: Oct 2003
Location: Ottawa, Canada
|
Quote:
1. locate pin 6 and pin 2 of the opamp (assuming a single opamp). There will be a resistor connected between the two. Locate it and determine it's value; we'll call it Rf. (Do not use an ohmmeter; calculate the value based on the color bands or digits printed on the resistor. If you need help determining the value of the resistors, google it.) 2. from pin 2 to either ground or the signal input, is another resistor. Determine its value, we'll call it Ri. If the resistor from pin 2 went to ground, the opamp is a non-inverting amp, so gain = 1 + (Rf/Ri) If the resistor went to the signal source, then the opamp is an inverting amp, and gain = -Rf/Ri If you find that the gain (absolute value of gain) is at least 5, then feel free to use OPA637 or OPA228. Otherwise, you should use OPA627 or OPA227, which are the unity-gain-stable equivalents to the others. Do you realise that the OPA637 is a single opamp and the OPA2228 is a dual? I guess not. They are NOT pin compatible. You can only replace a single with a single or a dual with a dual. The AD843 is also a single. You didn't mention what was in there originally. I don't suppose you would recall? Quote:
Instabiliy is all about oscillation, and this oscillation can be caused in many ways. That cap will not (necessarily) make the OPA637 stable, though you may get lucky. Generally, a cap is required across the inverting and non-inverting input pins. You can probably find some great tech notes at TI concerning opamp stability. |
||
|
|
|
#7 |
|
diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
|
Hi,
I have not seen a schematic for the Ariston. But being made in the UK, like my Arcam, it may do things similarly. In the Arcam the 5534 is used as a 2pole filter and the gain is near 1.5 times without any Ccomp.
__________________
regards Andrew T. |
|
|
|
#8 | |
|
diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
|
Quote:
I don't. The op-amp needs an internal (to the open loop) compensation capacitor. if the op-amp doesn't have pins for this it cannot be made unity gain stable with anything connected output to input outside the feedback loop. /sreten.
|
|
|
|
|
#9 | |
|
diyAudio Member
Join Date: Jan 2004
Location: Texas
|
Quote:
Yeah, actually I know. Two positions use dual opamps. I used Browndog adapters for the AD843s, and will be using the same adapters for OPA637s as well. As far as looking at the resistors, I have also tried that but couldn't figure all the traces. I will try it again. |
|
|
|
|
#10 | |
|
diyAudio Member
Join Date: Oct 2003
Location: Ottawa, Canada
|
Quote:
|
|
|
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
|
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Different Gains Correction (VAS solution) | Stee | Solid State | 2 | 8th September 2008 02:49 AM |
| Reading Rockford Fosgate Gains | Flyin11 | Car Audio | 2 | 22nd January 2008 05:21 PM |
| gains with lm3886 | Doovieman | Chip Amps | 6 | 13th July 2005 05:04 AM |
| how to compensate diffrence in amp gains in 3-amp system | futiboho | Solid State | 7 | 15th October 2004 09:06 AM |
| doubling driver numbers/spl gains? | RobWells | Multi-Way | 63 | 9th December 2002 03:31 AM |
| New To Site? | Need Help? |
| Page generated in 0.12356 seconds (81.42% PHP - 18.58% MySQL) with 11 queries |