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#1 |
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diyAudio Moderator
Join Date: Jan 2003
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I accidentally found this website a few weeks ago and, curious to find out how my cd collection would stand the test, I can only confirm what the author wrote.
I ripped a few cd’s with EAC and imported them in CoolEdit. Many tracks, all from different labels, artists, have clipped samples but don’t show up in the statistics window of Cooledit. Zooming in, however, clearly shows many flatten tops. CoolEdit’s clip restoration feature recommends to convert the data to 32bit and run the tool with certain parameters. Doing so results in a frightening amount of clipped samples that can be brought back into range with the build in hard limiter. The main question is why the clipping doesn’t show up in the stats window although the clipping is clearly present. A bug or do I overlook something? Picture below of a 16 bit sample showing the clipped samples. /Hugo |
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#2 |
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diyAudio Moderator
Join Date: Jan 2003
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Statistics window:
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#3 |
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diyAudio Member
Join Date: May 2001
Location: London UK
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[QUOTE]Originally posted by Netlist
[B]I accidentally found this website a few weeks ago and, curious to find out how my cd collection would stand the test, I can only confirm what the author wrote. I ripped a few cd’s with EAC and imported them in CoolEdit. Many tracks, all from different labels, artists, have clipped samples but don’t show up in the statistics window of Cooledit. Zooming in, however, clearly shows many flatten tops. CoolEdit’s clip restoration feature recommends to convert the data to 32bit and run the tool with certain parameters. Doing so results in a frightening amount of clipped samples that can be brought back into range with the build in hard limiter. The main question is why the clipping doesn’t show up in the stats window although the clipping is clearly present. A bug or do I overlook something? Picture below of a 16 bit sample showing the clipped samples. ------------------------------------------------------------------------------------ I have found this even on test CDs. This is why I always attenuate level by 1 to 3 dB |
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#4 |
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diyAudio Moderator
Join Date: Jan 2003
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Thanks fmak.
I’m getting a grip on how things behave. Somewhere along the line, that is the mastering or at my side the ripping process has hard limited the waveform to about -0.01db. That is just below clipping and probably the reason why the bad samples are not detected. If things went wrong while ripping the track it can probably be fixed. If an engineer did a bad job, shame on him. Attenuating the signal doesn’t really help as the flat lines are not corrected in that process. Only converting the waveform to 32bit and restoring the samples seems to bring some relief. This practice leaves me with peaks of +6 to +8db sometimes. Attenuating the entire wave with –8db or a bit more looks like the best solution I can come up with for now. /Hugo |
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#5 |
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diyAudio Member
Join Date: Oct 2004
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You can't restore it as you don't know whats gone missing.
As the stats show the peak values at 32392 and -32393 these are still within the limits of 16bit PCM. The signal was clipped before it was mastered. |
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#6 |
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diyAudio Member
Join Date: May 2004
Location: Leeuwarden
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Attached is an older elektor design, meant to detect those clippings on cd's.
I sure want to build it some day to test my cd collection. Sorry, it's only in Dutch. hmm.... file is too big to post. Anyone interested, I can send it by mail. |
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#7 |
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diyAudio Member
Join Date: Nov 2002
Location: Netherlands
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Hi Stranglove,
Know that circuit but that looks only at the digital limits. Not much of help because many CD’s do clip below maximum level. Nowadays there are many wave viewers/editors out there to do it more accurately like i.e. Goldwave ( http://www.goldwave.com/ ) Cheers |
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#9 | ||
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diyAudio Moderator
Join Date: Jan 2003
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Quote:
Quote:
/Hugo |
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#10 |
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diyAudio Moderator
Join Date: Jan 2003
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This math looks nice (and complicated to me) but how to integrate it in a working application?
/Hugo |
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