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#641 |
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One Seriously Addicted to Audio and Electronics
diyAudio Member
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Hi Andy,
No, I didn't use a 2SK170. I have 2N5457, but they gave only 2.7mA. So I tried J309/310, which I have from building the Kwak-clock, but they gave too much. So I put a resistor in the source to adjust the current. 2N5484 looks o.k. These FET's have so much tolerance in spec's, I just put it in and raised the B+ voltage slowly and see what happened. There is the risk that your FET will not have enough voltage to work on. Since you use 50V, the kathodevoltage will also be lower, because the tube will need less Ugk at 50V for this current. You can get around this by using a negative voltage (-12V from the player?) to tie the FET to, instead of ground. You need some voltage headroom on the kathodes for the signal. Ray. |
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#642 | |
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Magneto the Gravity Man
diyAudio Member
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Quote:
Thats what I was planning to do with the redundant i/c psu. I have a circuit for a tube op-amp which uses +-24v. Andy |
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#643 | |
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diyAudio Member
Join Date: Nov 2004
Location: sydney
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Quote:
I hoped it my help ps I built the headphone amp with 6922's and 40v does sound very good seems the higher to B+ the less distortion but maybe distortion is less of a problem in this application? allan
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Indecision makes the world gone round. Maybe |
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#644 | |
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diyAudio Member
Join Date: Jun 2004
Location: Bern / Switzerland
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Quote:
Kind regards Franz |
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#645 |
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Magneto the Gravity Man
diyAudio Member
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#646 |
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diyAudio Member
Join Date: Apr 2005
Location: Coventry,England
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A question for the tube guys
We all seem to agree that good things have come from the removal of unnecessary parts (output caps, muting trannies, Hdams). Does the addition of a tube stage effectively take a step backwards? It can't add transparency, which as far as I can tell is the goal of higher-end gear. I accept tubes add a 'flavour' that can benefit a system, but is this not done better at the preamp stage where you have more room to play with to allow better layouts and circuits?
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I w isH i cuold typpe bettr |
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#647 |
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diyAudio Member
Join Date: Nov 2004
Location: sydney
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6h5c
"buffer Thorstens filter circuit" I like the look of that circuit and it should be fet'able plus or i do have a heap of bc550/bc560's doing nothing at present (all C's) and yes i don't like the opamps "just me" but the HDAM ciruit looks promising will have to investigate further also "The differential input stage and current source are already there in the HDAM" I made the CC-CCS-X-BOSOZ preamp and it is very good and "balanced and/or single ended in and/or balanced and/single ended out" But diff pair / cs got me thinking. ps has anyone got a picture of the pcb track layout? "cd67" thinking of using unwanted circuit's as extra earth's also help in using HDAM layout allan just to ad more confusion
__________________
Indecision makes the world gone round. Maybe |
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#648 | |
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diyAudio Member
Join Date: Nov 2004
Location: sydney
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Quote:
but some people may like them. what i prefer is discrete out ie loose opamps allan
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Indecision makes the world gone round. Maybe |
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#649 | |||
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Magneto the Gravity Man
diyAudio Member
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Hi,
Quote:
Quote:
What's a CC-CCS-X-BOSOZ?? Quote:
Since trying the tube output stage, however, I am going this route. Anyone want to buy some opa627's?? Andy |
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#650 | |
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One Seriously Addicted to Audio and Electronics
diyAudio Member
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Quote:
The goal is to get rid of the opamps that have an open-loop gain that's sky-high, and that needs to be restrained with lots of feedback to keep things stable. The nice thing of a simple discrete solid state OR tube stage is that no feedback is needed to get things working properly. It is in my opinion the feedback that kills the transparency in most circuits. When feedback was invented in the old days, it was seen as the great all purpose medicine to make an amp 'better'. But the concept is stupid actually. You take the (distorted) signal from the output and subtract that from the input signal, so that gets distorted too, and use that to feed the amp .So i'm trying not simply to add a tubestage, i'm trying to replace the nasty opamps by a tubestage, or a transformer, or a discrete SS stage. Ray. |
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