|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Digital Source Digital Players and Recorders: CD , SACD , Tape, Memory Card, etc. |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
![]() |
|
|
Thread Tools | Search this Thread |
|
|
#1 |
|
diyAudio Member
Join Date: Apr 2002
|
I've been trying to study CD Audio (Red Book) error detection, flagging and correction strategies in audio cd players (and cdrw drives).
I have already waded through Pohlman's "Principles of Digital Audio", Watkinson's "Introduction to Digital Audio" and Sony's "Digital Audio Technology" books on relevant issues. However, I find the whole C1 / C2 error detection, flagging and correction strategies a very mysterious arena. It seems that different manufacturers use different ways to detect especially E21, E31 and E22 and E32 errors (and consecutively, a large number of errors per symbol). According to what has been told to me in another forum, some can accurately detect and flag up to 3 errors and some up to 4 errors per symbol depending on chosen strategy. However C1 level strategy may have further effect on C2 detection efficiency (and hence, correction accuracy). Is there anywhere in available literature a decent explanation of how these things work? I can understand that not all detection/correction circuits are made equal and that esp. in cdrw drives some chipsets show superior accuracy in practical tests. I'd just like to get a little more information on the issue (no, I'm not designing/building my own transport, at least not yet ![]() I'm really curious, but apparently not curious enough to start building my own CIRC implementation ![]() Anyone? regards, Halcyon |
|
|
|
#2 |
|
diyAudio Member
Join Date: Apr 2002
|
Nobody knows?
I think this information could be more useful than dimishing jitter from 1000 picoseconds to 100 picoseconds. I mean, jitter can often be almost imperceptible noise at 90 dB below signal, but gaps or badly interpolated pieces of original audio signal during transients... urgh! I know there *must* be information on this out there, I just haven't been able to find it. regards, Halcyon |
|
![]() |
| Currently Active Users Viewing This Thread: 1 (0 members and 1 guests) | |
| Thread Tools | Search this Thread |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Need info on my Onkyo, can't find any info anywhere. | gixxierific | Digital Source | 0 | 19th April 2009 03:49 PM |
| Audiophile - Cream of the crop choices, strategies and opinions | MLDV | Car Audio | 7 | 25th April 2008 05:54 PM |
| Bad CIRC or some sort of DSP ? | percy | Digital Source | 2 | 19th September 2007 09:52 PM |
| Copper pour layout strategies | Wodgy | Digital Source | 1 | 23rd August 2004 03:05 AM |
| Help w/ opamp circ to remove DC from DSD | ljordan | Solid State | 0 | 21st February 2004 07:02 PM |
| New To Site? | Need Help? |
| Page generated in 0.07407 seconds (75.43% PHP - 24.57% MySQL) with 10 queries |