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#1 |
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diyAudio Member
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I have known about async reclocking for a long time but never was too motivated to really bother really getting into it (never considered actually building a DAC). but recently I began considering it, read some postings here and there and something stroke me: it looks like my understanding of this thing was not accurate. I always thought that the only logical way to implement this is to reclock with a multiple of Fs right before the DAC. but some seem not to do it like that and I'm wondering why would anyone do it any other way. please enlighten me.
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#2 |
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diyAudio Member
Join Date: May 2007
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I am puzzled by this too. It seems to guarantee that some samples will either be dropped or repeated, possibly several times a second, as the two clocks will not be at exactly the same speed. I would expect that to sound worse than a little jitter.
Jitter gives a tiny error on every sample. Async reclocking gives a much smaller error on most samples, but a whacking great big error on a fairly regular basis. |
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#3 |
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diyAudio Member
Join Date: Mar 2004
Location: Budapest, Hungary
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Could be financial reason: a 100 MHz low-jitter clock might be cheaper than a 11.2896 or 16.9344 MHz low-jitter master clock. Also the absolute jitter at 100 MHz is less than the absolute jitter at 11... or 16... MHz. It is absolute jitter that matters at reclocking. Synchronous reclocking to the low-jitter master clock is the perfect solution.
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#4 |
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diyAudio Member
Join Date: Oct 2003
Location: Ottawa, Canada
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You are not missing anything; your better judgement has not failed you and you are correct to be suspicious of this kludge called Async reclock.
Async reclock increases the jitter to one period of the new clock. At 100 MHz as suggested above, that's 10 ns, or 10000 ps. Async reclock increases jitter. Full stop. |
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#5 | |
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diyAudio Member
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Quote:
so you're basically saying that it's hard to find a "N x Fs" clock that has low enough a jitter so that we're not defeating the porpose? what about the Tent clock? I was considering a minimalistic (not that I'm an adept of the concept but rather I'm going for the effort/results ratio) approach, asynchronously reclocked with Tent XO, NOS, filterless PCM56 or whatever R2R, Pass I/V stage, battery powered, S/PDIF-fed DAC. |
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#6 |
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diyAudio Member
Join Date: Oct 2004
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There was a long thread several years ago by one of the founders of Silicon Labs describing how this works. I've summarized the theory here: H I F I D U I N O: How Asynchronous Rate Conversion Works and here: http://hifiduino.blogspot.com/2009/0...nchronous.html
There is a big difference between "reclock" and "resample"
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www.hifiduino.wordpress.com |
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#7 | |
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diyAudio Member
Join Date: Apr 2003
Location: Eastern Pennsylvania
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Quote:
__________________
Ken |
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#8 | |
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diyAudio Member
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Quote:
I'm talking about reclocking done in order to reduce jitter, and nothing more. the situation that I'm describing in the original posting has nothing to do with resampling, this issue is treaded separately and not part of the question. |
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#9 |
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diyAudio Member
Join Date: Oct 2004
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OK, sorry. Didn't want to imply that you were confusing the two.
__________________
www.hifiduino.wordpress.com |
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#10 | |
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diyAudio Member
Join Date: May 2006
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Quote:
The first D flip-flop output can only change on the positive going edge of the low jitter clock. This theoretically blocks source jitter. But one cannot make sure that the input signal on the D input is always fully stable at the moment the sample is taken (both clocks don't run synchronous / drift). So there are situations where the output of the D flip-flop still contains jitter because the input signal wasn't stable (1 or 0) when the sample was taken. In order to fix this, a second D flip-flop is added that re-samples the output of the first flip-flop. Now the input signal for the second D flip-flop is always stable during sampling. In short, for asynchronous reclocking we need at least 2 D flip-flops. With synchronous reclocking we can make sure that the input signal at the D input is stable the moment it is sampled, so here we only require a single D flip-flop. There is a catch, since the low jitter clock has limited frequency, the resampled signals fall into time slots of 1/f. For a 50 MHz low jitter clock this means time slots are 1 / 50,000,000 = 20 ns. During asynchronous resampling no samples are lost and bit-perfect playback is guaranteed. But since the reclocked signals have to fall into 20ns time slots (example), unwanted harmonics are added to the resampled signals. These are caused by the fact that two non-synchronized clocks of different frequency inter-modulate. This is not the case with synchronous reclocking where both input clock and low jitter sampling clock have to run in sync and thus can't inter-modulate. In order to achieve lowest jitter levels, it is best to synchronously reclock the I2S signals just before they enter the DAC chip. This basically requires slaving the source. The D flip-flops aren't perfect, and thus add jitter to the reclocked signal. This jitter can be minimized by choosing D flip-flops with lowest possible propagation delay, operating at lowest possible voltages (in order to minimize ground-bound that also increases jitter). This means that the popular 74HC(T) series D flip-flops are less suitable as they have too high propagation delay (check clock to Q propagation delays in the datasheet). Fastest available D flip-flops are (P)ECL versions, however there are also few suitable ultra high speed CMOS D flip-flops. Also make sure to use single D flip-flops, each located in a separate IC package, each with a separate power supply decoupling in order to minimize crosstalk between D flip-flops. Last edited by -ecdesigns-; 4th March 2011 at 09:54 AM. |
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