I have the 1985 Robert W. Adams AES paper too about the 18bit ADC , it speaks about the 18 bit burden using different conversion techniques ~ I can upload / send.
anthonybisset said:I want to build a simple combined ADC/DAC with the focus being on the ADC's accuracy. The DAC's bit depth is not as important as the ADC although matching them makes for an easier circuit. Secondly which chips I use are not of concern as long as they are not sigma-delta and are along the lines of Sign-Magnitude, SAR or R2R.
What’s your objection to sigma-delta? I don’t like it because it tends to make natural acoustic music sound like a digital synthesizer. What I hear sounds sliced, diced, chopped, and homogenized. The sound is too smooth and the complexity and subtle variation in timbre and texture is missing. On the other hand, if I were making music with synthesizers, as it appears you are doing, I don’t think I would be able to identify the sonic signature of a sigma-delta DAC. That said, I think a good multi-bit sigma-delta ADC/DAC combo with no intervening conversion would be very good; probably the next best thing to amplifying and listening to the microphone feed. My objection to sigma-delta comes mostly from the castrated dynamics of a 1-bit data stream (DSD/SACD) and from the application of FIR filters, which replace each sample with a weighted average of many surrounding samples, to convert the format and sample rate. AFAIK, most recording studios these days are using multi-bit sigma-delta ADCs. After that, the signal goes through multiple digital conversions and filters and that’s where I think most of the damage is done.
anthonybisset said:It seems to me that NOS designs at 44.1 khz heavily involve the speaker and amplifier in approximating/filtering the digital steps.
It’s unfortunate the term non-oversampled (NOS) usually implies no reconstruction filter (NRF), as well. I believe a properly designed analog reconstruction filter does a better job of removing the HF sampling noise without distorting the signal then do amps and speakers. In other words, a filter in between nothing and a brickwall. Whenever I hear a NOS/NRF DAC in a high-resolution audio system I can hear a cloud of white noise that envelops the music. Sometimes the noise is obtrusive and sometimes it is barely noticeable but it always there.
whatsup said:
It’s unfortunate the term non-oversampled (NOS) usually implies no reconstruction filter (NRF), as well. I believe a properly designed analog reconstruction filter does a better job of removing the HF sampling noise without distorting the signal then do amps and speakers. In other words, a filter in between nothing and a brickwall. Whenever I hear a NOS/NRF DAC in a high-resolution audio system I can hear a cloud of white noise that envelops the music. Sometimes the noise is obtrusive and sometimes it is barely noticeable but it always there.
Hello
Since you eard a cloud of white noise, it's mean that there is harmonics quite under 20khz.
Did the non-os Dac using a 20khz low pass filter was without that
cloud of white noise ?
I'm thinking to made a non-os Dac using TDA1541 and a I/V op-amp with a 3rd order 20khz low pass bessel filter.
Thank
Gaetan
abzug said:you need much more than bessel for non-os
Hello
I know that Bessel have slow slope but they are the best for transient response.
Any suggestions ?
Thank
Gaetan
gaetan8888 said:Since you eard a cloud of white noise, it's mean that there is harmonics quite under 20khz.
Either that or I can 'hear' >20KHz or I am otherwise aware of the HF noise.
gaetan8888 said:Did the non-os Dac using a 20khz low pass filter was without that cloud of white noise?
Among my collection of DACs is an Audio Note 1.2 NOS that uses an AD1865. It includes a LP filter and I don't 'hear' any white noise. Some time ago I auditioned an Audio Note 3.1x; the latest generation that has no formal LP filter other than a transformer, or so I understand. With it the HF noise was hard to ignore. The same with a Scott Nixon DAC I heard in a different system. Often I don't consciously hear a cloud of white noise but I get a very strong sense that something is wrong with the sound. For example, I also have an 8xTDA1543 NOS/NRF DAC. With it I don't notice any white noise, per se, but I get very uncomfortable listening to it.
The OP, being in Japan, might want to track down the Sony CX20018, a late 80's vintage pre 1 bit ADC. 192kHz may prove a bit ambitious though.
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