Building the ultimate NOS DAC using TDA1541A

Hi James :wave:

Dear Dady, your email doesn't work for me...message rebounds.

It seems I won an oscilloscope, two channels, 60MHz bandwidth. :cool:
2012 will see my return to the fields :devilr:

Best wishes to all.
M.

PS: the two Kingston SD cards I own are very annoying to work with...:mad:
I hope newer ones are more reliable...perhaps we will have to a Wiki with tips on SD cards... ;)
 
PS: the two Kingston SD cards I own are very annoying to work with...:mad:
I hope newer ones are more reliable...perhaps we will have to a Wiki with tips on SD cards... ;)

Kingston have given no trouble in my SD player; I've had to return a couple of Sandisk 16GB. I like the KomputerBay 32GB Class 10: Reliable so far, fast and cheap.
Perhaps if others are going to chip in we should start a new thread?
 
hi studiostevus,

I am currently running on Salas shunts, and playing around with the local decoupling of the power supply lines. What are your findings there?I see you only use a 1uF acrylic at the tda.

Voltage regulators have limited bandwidth, this means that output impedance is likely to rise above this bandwidth. The inductance of wiring between regulator and load is likely to further reduce effective bandwidth.

These effects can be compensated with a correctly dimensioned decoupling cap. If the decoupling cap value is too high or too low, bumps or dips are created in regulator output impedance. This in turn can lead to undesired effects in connected loads and can lead to different perceived sound quality.

The coupling cap properties are also important here, two caps with exactly the same value can still have different impedance properties.


I use large bandwidth voltage regulators with approx. 7 MHz bandwidth (LM78xx has around 10 KHz bandwidth), so decoupling cap values can be relatively low. This enables the use of film caps.

I made some mistakes in common mode capacitance multiplier and pre-regulator. Here I used 470uF decoupling caps, this value is too high of course, so I replaced these with 1uF film caps for now.

I use a sweep generator and a scope to check voltage regulator impedance between 10 Hz and 10 MHz. I connect the sweep generator (50 Ohm output impedance) to the regulator output using a 180R series resistor.

The scope is triggered by the sweep generator by connecting sync out with the scope external trigger input. The scope input is connected to the voltage regulator output.

The scope now displays a real-time scan of the regulator impedance over approx. 10 MHz bandwidth.

The decoupling cap was tuned for flattest frequency response and lowest ringing / overshoot. Fine tuning was done using listening tests.


The DEM decoupling caps are part of a RC filter (R is located inside the TDA1541A), here C will also determine filter response.

Compromise has to be chosen between maximum capacitor value and capacitor impedance at the DEM clock frequency that is used. The impedance of caps with larger value / size is likely to increase with increasing frequency.

The 1uF film decoupling caps I am using offer low impedance (small size / stacked film) and relatively high value (1uF).

The wiring between cap and TDA1541A DEM decoupling pins increases impedance and reduces filter efficiency. That's why I soldered the SMD film decoupling caps directly to the TDA1541A decoupling pins as close to the chip package as possible.
 
Hi maxlorenz,

PS: the two Kingston SD cards I own are very annoying to work with...
I hope newer ones are more reliable...perhaps we will have to a Wiki with tips on SD cards...

When you are experiencing problems with SD-cards in SD-players, the card could have too low throughput (it is not able to provide sustained high data rate), or it is a fake SD-card.

Major brands are often copied, these fake cards cause a lot of problems. I have already tested some of these fake cards that looked almost identical to the original.

Original SD-cards from Kingston for example have (bar) codes printed on them that can be used to check (Kingston website) if the card is original.

I use 32GB (rating 4) Kingston SDHC cards that are assembled in Japan. These work excellent and offer room for up to 54 CDs in WAV.


It seems I won an oscilloscope, two channels, 60MHz bandwidth.

I lost my brand new Hameg 1500-2 scope (it ceased functioning correctly after few times of use). Over two months after returning it for repair I was told by the dealer that it couldn't be repaired and this type is already taken out of production. :(

I also lost my older Hameg scope (loud bang in the power supply, resulting in a very bright, 1cm wide trace). It couldn't be repaired either. :(

So that basically left me without suitable analogue scope. I lost my confidence in new measuring instruments for now, so I bought a second hand Philips/Fluke PM3065 (2 x 100 MHz) scope on ebay and that one works fine.
 
Hi dear -EC-

I lost my brand new Hameg 1500-2 scope (it ceased functioning correctly after few times of use). Over two months after returning it for repair I was told by the dealer that it couldn't be repaired and this type is already taken out of production.

I also lost my older Hameg scope (loud bang in the power supply, resulting in a very bright, 1cm wide trace). It couldn't be repaired either.

So that basically left me without suitable analogue scope. I lost my confidence in new measuring instruments for now, so I bought a second hand Philips/Fluke PM3065 (2 x 100 MHz) scope on ebay and that one works fine.

Ouch! Sorry to hear.
Unfortunatelly, the used scope market here is narrow and good scopes are very expensive. I got this one with little use and at fair price. I hope it works OK and lasts. I will install some protection.

Cheers,
M.
 
Hi John, thanks for your elaborate reply.

I made some mistakes in common mode capacitance multiplier and pre-regulator. Here I used 470uF decoupling caps, this value is too high of course, so I replaced these with 1uF film caps for now.

Are you replacing all 470uF electrolytes with SMD film caps? So the only large cap is the 4700uF electrolyte....

-edit: just re-read...I gather that only the "last" cap is replaced (the decoupler)...

Could you share a picture of your power supply board?

I use a sweep generator and a scope to check voltage regulator impedance between 10 Hz and 10 MHz. I connect the sweep generator (50 Ohm output impedance) to the regulator output using a 180R series resistor.

The scope is triggered by the sweep generator by connecting sync out with the scope external trigger input. The scope input is connected to the voltage regulator output.

The scope now displays a real-time scan of the regulator impedance over approx. 10 MHz bandwidth.

The decoupling cap was tuned for flattest frequency response and lowest ringing / overshoot. Fine tuning was done using listening tests.

I lack the equipment and, more importantly, the skills and knowledge to go as deep and thorough as you do on the design. I will just shut up and listen (and probably ask some questions as usual....)... this is all about the learning for me...

Thanks very much!
 
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I have my email on service

Hi James :wave:

Dear Dady, your email doesn't work for me...message rebounds.

It seems I won an oscilloscope, two channels, 60MHz bandwidth. :cool:
2012 will see my return to the fields :devilr:

Best wishes to all.
M.

PS: the two Kingston SD cards I own are very annoying to work with...:mad:
I hope newer ones are more reliable...perhaps we will have to a Wiki with tips on SD cards... ;)

Dear Mauricio (Max Lorenz) my email is on service. Thanks for your salutations.
For the excelent team of this eminent forum.
Best Wishes for Christmas time and Happy New year.
 
Best Wishes to All on DIY Audio!

Although we see a lot of barbs traded and a few heated discussions from time to time, the spirit of giving and sharing is evident all over on this forum. Love, peace and joy are the messages of Christmas, and I hope it finds each of you at this time and in the New Year.

Merry Christmas, all the best in 2012!

Gary

:xmastree:
 
Hi studiostevus,



This year I have been busy building a new workshop, so I had very little time for audio projects. This workshop has now been completed.

Yesterday I completed common mode power supply schematics and routing of the PCB. The module will hold 5 separate common mode power supplies and fits on a euro size PCB.



Capacitance multipliers are located on the power supply module, pre / post regulators are on the MK8 DAC module.

I attached common mode power supply concept schematics. When combining it with the MK8 schematics I posted earlier (post #4008 on page 401) you can see how I split up the power supply sections.

I am working on a shopping list to try your power supply concept.... 16v caps right after rectified 12v ??
 
Hi Ecd
Consider a smps power supply.

I still be some confused about the next,
first, De-emphasis, is there anyone who can explane what this mean?

second, In the data-sheet is stated that the system clock is X time Fs.
For example, the system clock is 22,5792 Mhz ( 512 Fs. Fs=44.1Khz).
But one can play cd's both with 44.1or 48 Khz data. Here is the point why I am confused. Because 512 x 48 Khz = 24.576 Mhz. Is there anyone who can explane?
Regards,
Zjaakco
 
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Hi zjaakco,

Hi Ecd
Consider a smps power supply.

It is already extremely difficult to design an ultra low noise linear power supply without switching noise and ripple produced by a SMPS.

The noise needs to be so low to ensure low masterclock jitter and prevent modulating the masterclock jitter spectrum with more noise. It is also required to minimize interference in the DAC and connected equipment.

In general the SMPS mains filter performance is very limited in order to save cost, so first the mains and all connected (audio) equipment get polluted with RF interference. Rf interference has no problems passing power supplies (stray capacitance) and safety earth.

So my personal tip, never ever use SMPS in or anywhere near high performance audio equipment.

I still be some confused about the next,
first, De-emphasis, is there anyone who can explane what this mean?

De-emphasis - Wikipedia, the free encyclopedia

Emphasis was used in few early CD recordings, and is rather seldom.

second, In the data-sheet is stated that the system clock is X time Fs.
For example, the system clock is 22,5792 Mhz ( 512 Fs. Fs=44.1Khz).
But one can play cd's both with 44.1or 48 Khz data. Here is the point why I am confused. Because 512 x 48 Khz = 24.576 Mhz. Is there anyone who can explane?

The system clock is usually the highest clock frequency present in a (DAC) circuit.

system clock equals fs * oversampling factor * number of bits / frame * fixed factor.

fs equals the sample rate, the fixed factor is usually 1 but could also be a different number depending on clock distribution system and standard crystal frequencies.

So a CD player with 44.1 KHz sample rate, 8 times oversampling and 48 bits / frame would require 44,100 * 8 * 48 = 16.9344 MHz system clock. The system clock would be 16.9344 / 44,100 = 384fs.

NOS DAC running on 44.1 KHz and 64 bits / frame would require 44,100 * 1 * 64 = 2.8224 MHz system clock. The system clock would be 2.822,400 / 44,100 = 64fs.

Digital audio source with 44.1 Khz sample rate, 8 times oversampling and 64 bits / frame would require 44,100 * 8 * 64 = 22.579 MHz. The system clock would now be 22,579,000 / 41,100 = 512fs.

Digital audio source with 48 Khz sample rate, 8 times oversampling and 64 bits / frame would require 48,000 * 8 * 64 = 24.576 Mhz. The system clock would now be 24,576,000 / 48,000 = 512fs.

The amount of bits / frame determines the number of bits that can be processed. With 32 bits / frame 16 bits for L channel and 16 bits for R channel. With 48 bits / frame 24 bits for L channel and 24 bits for R channel, and with 64 bits / frame 32 bits for L channel and 32 bits for R channel.

SAA7220 digital filter for example uses 32 bits / frame, together with 4 times oversampling and 44.1 KHz sample rate. Required system clock would be 44,100 * 4 * 32 = 5.6448 MHz. But the SAA internal circuits require a higher system clock of 11.2896 MHz, this means the fixed factor is now 2.
 
Hi Ecd
Thank you very much for your explanation.

The point for a smps was as follow.
A few months ago I read again the review of the linn cd12 on the side of stereophile .One of the remarkable points was the use of a smps. If a professional use it. why don't a diy'er use it?
The nice thing of audio is in my opinion one must make choices, like real life. With a result one like it, another don't like it. And you explane your choices.
Ecd, again, thanks.
Regards
Zjaakco