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#31 |
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diyAudio Member
Join Date: May 2006
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Hi, tubee thanks for your reply,
As you already noticed, I have been working on a new kind of NOS DAC. I just completed a perfect working version of a 4 X TDA1541A NON oversampling Direct Interpolation DAC. I corrected an error this morning that was bugging me for some days, when I was writing the posts yesterday I knew inverting WS and swapping the L and R outputs had a drawback, a forum member had discovered it as well, confirming my misstake. When I switched on the DAC and played the familiar test CD's I just couldn't believe it, I then knew, this is it! Due to this technique you will get both, a higher resolution and a higer virtual sample rate. Remember, there is no digital filter, no oversampling, just a mild 2nd order Bessel filter. The technique can be used for both tubes and transistors and the number of DAC's can be increased to 6 or 8 (this is limited by BCK). for even higher resolution and higher sample rate (higher sample rates makes mild filtering much easier). We did some extensive measurements and listening tests with High-End enthousiasts that were very sceptic about this, they brought their own "TEST" CD's. From their reaction you could see they never heard their music like this before. They noticed an abundance of details that are normally filtered out or masked out by ultrasonics. The high frequency range had an unbelievable resolution, midrange was warm, bass reproduction was very accurate due to increased resolution and DC coupled design. I ran the system with a very high volume setting too, it was really impressive, no harshness whatsoever, just clear clean very realistic sound. The problem with a tube stage is the distortion in the passive I/V stage (the tubes are fine) as the voltage drop across the resistor get's way to high, causing destortion (see philips datasheet 25mV drop is maximum). that is "camoufaged" by the tube. But with 4 DAC's you can reduce resistor values...Furthermore you need capacitors an/or transformers in the signal path, so no DC coupling (bass). I think it is certainly worth a try. I saw you live in Holland too, so perhaps you could listen to this DAC yourself one day. |
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#32 |
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diyAudio Member
Join Date: Mar 2002
Location: diepe zuiden
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Mmm,
This all sounds familiar... So (in the example of the previous pages) you have two dac's, were the second one gets the previous sample of the first one (delay of one sample). Right? >>> If not, i'll be interested what you did build. If so, did you measure your freq response ?? theory: non os : -0.8 dB at 10kHz, -3.5 dB at 20kHz. shift -2.5 dB at 10kHz, -16 dB at 20kHz. Somebody that knew what i was doing wrote me this (i didn't back then): > Hi Guido, > Your DAC would implement the equivalent of a 2-point moving > average filter, i.e. with impulse response h=[1 1]. You can read > more about those here: http://www.spectrumsdi.com/ch15.pdf > This filter will have a lot of high frequency roll-off, -2.5dB at > 10kHz, -16dB at 20kHz, so I am not sure what you mean > with "high freq rollof of a true non-os dac is gone". On the > other hand this filter has a very good time-domain response > with no ringing, and it will reduce aliasing distortion quite > significantly. I would think, although I have never heard one, > that it makes a non-os DAC sound much more pleasant. As for the dac i build, it has one 1541 working the left channel and one the right and i could switch on the fly between non-os and this shift mode. I could hear the high freq's dissapear and it was too much for my likings. Wonder what happens if you use more dacs, even earlier roll-off ?? While your here, search on DEM reclocking and the tda1541 info thread. You will discover that there are a lot of improvements to be made. Unfortunately i don't have enough time at the moment to make any progress (even listen so much to music Groetjes,
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GuidoB |
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#33 |
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diyAudio Member
Join Date: May 2006
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Hi, guido
Thanks for your reply. This DAC creates steps from one and the SAME sample by creating multiple slightly delayed images from the sample (so the delays ALWAYS stay within that sample). By doing so it creates both, more steps and more samples within a single sample. Note the delays will only occur within one sample time (64 BCK) as far as I can measure this will cause no phase shifts in the signal itself since all "interpolations" stay within one sample. So with 2 DAC's you get an image at 1-32BCK and one at 32-64 BCK effectively doubling the "sample rate". Important to know is that the sample is placed on the output on the trailing edge of WS, so by delaying both WS and DATA, you can determine when the next of the 4 DAC's will output the same sample (I used 12 synchronous serial shift registers 74HC166 clocked by BCK). With 4 DAC's you get the original sample at 1-16 BCK, and copies at 16-32 BCK, 32-48 BCK and 48-64 BCK. But since the DAC outputs are added, you get (for the 4 DAC example) 1-16 I out = DAC1, then the second DAC outputs it's sample at 16-32 I out = I DAC1 + I DAC2 (output is twice the sample value). At 32-48 output = I DAC1 + I DAC2 + I DAC3 (output is 3 times the sample value). At 48-64 I out = I DAC1 + I DAC2 + I DAC3 + I DAC4 (output is now 4 times the sample value). So I need multiple DAC's for creating copies of the original sample. When you view a sinewave (recorded on CD) and look at it on the oscilloscope it's waveform is still a sinewave, but it has a much higher resolution than a 44.1 KHz NOS-dac the steps are so small they only show at rapid signal changes, since the sample rate is 4 times higher, some higher frequencies noise is produced (very low amplitude) that is logical because I shift the mirrored image to a higher frequency to make filtering much easier. I used a 2nd order Bessel filter to make sure high frequency residu's are filtered out but maintaining phase linearity and excellent step responce. Note that during developing I always keep comparing the NEW DAC with a standard "reference" NOS-DAC by toggling between them during listening. I always use a a set of test CD's (chesky audio recordings, Diana Krall, Norah jones, Live Jazz recordings) so you get very familiar with the recordings and know when something improves or get's worse. |
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#34 |
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diyAudio Member
Join Date: May 2006
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Hi all,
Perhaps a graphical representation of Direct Interpolation says more than a thousand words The example shows 2 DAC's. The blue block (and blue lines) indicate one sample (64 * BCK).
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#35 | |
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diyAudio Member
Join Date: Jul 2004
Location: Netherlands
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Quote:
groetjes,
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Daisy Bell |
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#36 | |
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diyAudio Member
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Quote:
I have been playing with this concept already for a long time, but never made time to build something like this, so I am very glad to hear the concept works and sounds better. I do have one question. The "reference" DAC is exactly the same DAC, same componets etc etc, with the only difference that you do the timeshifting/interpollation thing ? So the 100% only difference in this A-B listening was the interpolation ? Or were there other differences as well ? doede |
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#37 | |
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diyAudio Member
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Quote:
I disagree that you get 17 bits resolution.... The output from the 1541 is not 16 bits, further more, the effect on adding samples is reducing the bit error by SQRT(2), so you gain part of a bit on top of the linearity of the 1541 which is not the theoretical 16 bit of course. You need 4 dacs for 1 bit. But never mind, just a detail. If it sound better it is better :-) doede |
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#38 | |
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diyAudio Member
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Quote:
doede |
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#39 |
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diyAudio Member
Join Date: May 2006
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Hi, dddac thanks for your reply. Yes I used exactly the same DAC but then without Digital Interpolation but with the same 2nd order bessel filter. When you read my previous posts you see I made a little misstake inverting WS, it works so it is good to get a rough impression but it isn't optimal. Both the WS signal and the D signal have to be delayed 32 BCK pulses, for that you will need 8 shift-registers type 74HC166. The resolution definitly increases, but it's the sound that counts
. I will post full schematic diagrams very soon including passive I/V (differential) tube output stage concepts that reduces distortion, so stay tuned, this will get very interesting!
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#40 |
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diyAudio Member
Join Date: Jul 2004
Location: Netherlands
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Ecdesigns: Beringe is near Venlo, had a vacation there last week, but normally i live in the north.
Few years ago i was reading a magazine old Audio &Techniek) and they discussed a Wadia dac with 4 pcm56's parallel. I was thinking to do this with the good old TDA1541 dac. This is the thread & first start with parallel dac 1541: project. four 1541,s parallel? I modified this schematic for 1541:http://www.diyaudio.com/forums/attac...amp=1091510412 Only Data and WS have to be shifted in time. The result is a non-os dac and the 4 dacs give an interpolated analog output signal, but in an other way then yours. But i haven heard one tune of it yet. Here a picture: ![]() The green pcb is PS, LM317/337 pre regulated and 12 shunt regs TL431's, pcb will be right underneath dacs, wired with beads to the 12 Vcc connections. TDA1541A's from group buy here on diyaudio. Yellow pcb (could get a double-sided perfboard!) has 4 dacs, and on the left the four 74HC163 shift registers Regards:
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Daisy Bell |
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