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#91 | |||
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diyAudio Member
Join Date: Oct 2011
Location: Amsterdam, The Netherlands
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#92 |
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diyAudio Member
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#93 |
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diyAudio Member
Join Date: Oct 2011
Location: Amsterdam, The Netherlands
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I have no need for such a product, as my components all have a low enough output impedance, and for "harmonic profiling" most off-the-shelf DSP units are more than enough. Anyway, I am into diy audio, not products.
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#94 | |
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diyAudio Member
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Low output impedance is not what everyone wants. Some like low, some like mid, some like high. Maybe your preference is served by an nCore, but others may not think highly of such an amp, and prefer a tube amp. Also, how do you know that your nCores are not colored? There are just too many factors. In a live setting, with room reflections and longer travel for the sound waves, the harmonics are higher than what gets to the microphone. How is one to say that lower harmonics is always more realistic reproduction of the live event? |
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#95 | |||
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diyAudio Member
Join Date: Oct 2011
Location: Amsterdam, The Netherlands
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Any that allow a non-linear transfer function.
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#96 |
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diyAudio Member
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Julf, can you give a link to a DSP product that does this (higher output impedance emulation, adding harmonics)? Something that can either work standalone (hardware) or interface with the operating system (if this was easy to do, I would have programmed it myself).
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#97 |
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is choosing a less facetious title...
diyAudio Member
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I suppose next we'll be wanting to simulate rail sag like with guitar effects processors?
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#98 |
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diyAudio Member
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My point is, if the people here would rather argue about the OP's desire to use tubes in the DAC, then they should propose a better solution. They propose DSP instead of tubes. If that's viable solution, then good. If not, then why question the OP's desire to have tubes in his DAC? Just to feel superior because they themselves prefer opamps that measure better?
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#99 |
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diyAudio Member
Join Date: Oct 2011
Location: Amsterdam, The Netherlands
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As I wrote, adding harmonics is simply done with a non-linear transform. No fancy processing needed, any DSP can do it. The guitar fuzz/distortion pedal is the simplest example. The effect of output impedance is mostly a simple frequency deviation, but depending on your speaker, the effect of a lower damping factor can be analyzed and replicated - again, the DSP part is not demanding.
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#100 | |
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diyAudio Member
Join Date: Oct 2011
Location: Amsterdam, The Netherlands
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