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#3321 | |
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diyAudio Member
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Quote:
![]() I haven't done this yet because other projects are first,but this is what I was going to do Try one channel and see ![]() I had a pic but it's not on this computer,but the pot 10K goes right at the same spot as mute transistor,here's a link( Digital Line Level DACs, Digital Crossovers, Equalizers, etc. ) NS Last edited by noSmoking; 9th September 2012 at 04:57 PM. Reason: found the link |
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#3322 | |
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diyAudio Member
Join Date: Jan 2004
Location: Split
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Quote:
...thanks
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#3323 |
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diyAudio Member
Join Date: Dec 2011
Location: The Dells, WI
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Looking at the Behringer manual it seems that all the attn/gain structure is done in the digital domain. Might be why everybody says these are noisy.
An EV I have does this a little differently. Input sensitivity is done in analog prior to ADC. Internal (digital) clip levels are set here. Gain/Attenuation can be had in the digital domain ... but as the EV also has individual output controls after DAC ... attenuation is best done here. Driver level equality, etc. Gain can be done digitally ... but if the internal processor is clipped (as a result) you'd need to attenuate the input level (in the analog stage prior to ADC) to realign the input sensitivity as to not drive the internal (digital) processor into clipping. As it looks with the DCX, having no analog attenuation capability, any attenuation with that unit will result in raising the noise floor. You do have more headroom with 24bits ... but as this unit is not likely being used in the recording process, I'm not sure of the "extra bit" benefit here. Program material in the audible range doesn't use all 24bits ... so any perceived headroom (by specification) isn't there anyway. You're still bound by the programs playback structure. |
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#3324 |
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diyAudio Member
Join Date: Oct 2006
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That's why you go digital in, xfmr coupled out into passive attenuator with buffer. Get the most out of the fairly-well-done digital/DSP section, and maximum analog S/N. easy to do with simple mods (no board level soldering required).
IMO anything else is compromised, or adds additional complexity needlessly. Strong vote for Jensen or Cinemag line out.xfmrs. |
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#3325 |
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diyAudio Moderator
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Why not just passive RC couple outs? That's what I've been using (balanced), better for gain structure at domestic line levels.
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If there's a sucker born every minute, where do the rest of them come from? |
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#3326 |
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diyAudio Member
Join Date: Dec 2011
Location: The Dells, WI
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SY ... gain structure should be established right up front. Boosting or attenuating the post processed signal is another matter. I don't see that as part of "gain structure" per say.
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#3327 |
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diyAudio Member
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Hi yoke,
Go to the forum,digital line level,Dcx2496,volume controls start on post 22,I was going to use one pot per channel as I have 2 dcx2496 each channel has it own dcx 3 way and a sub,You can also use a ultra link, I'm doing that now for level adjustment,Jan Didden has made a board for the volume control,also Apox and several other Just google it dcx2496 mods,a ton of articles out there,if you need the schematic it's in google groups(DCX2496) and alot of good info there too! Good luck, NS Last edited by noSmoking; 10th September 2012 at 01:03 AM. |
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#3328 |
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diyAudio Moderator
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#3329 | |
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diyAudio Moderator
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Quote:
Pano, recall that I use a preamp with input transformers. No OPTs needed.
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If there's a sucker born every minute, where do the rest of them come from? |
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#3330 |
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diyAudio Member
Join Date: Jan 2004
Location: Split
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