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#11 |
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diyAudio Member
Join Date: Jul 2004
Location: Northern Colorado
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The Win Analog 833 single-ended triode amplifier, with the 845-based linestage between the two monoblocks. Very powerful at 100 watts per channel, which is huge by SET standards. Another room with excellent sound.
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#12 |
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diyAudio Member
Join Date: May 2004
Location: Niwot, CO
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You know; I heard many speakers at the show and this one struck me in particular as not being one of the better ones. I guess different strokes for different folks.
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Nihilism is best done by professionals. |
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#13 |
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diyAudio Member
Join Date: Jul 2004
Location: Northern Colorado
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An appropriate symbol for the show - Back To the Future, with the Denver Tech Center Marriot in the background.
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#14 | |
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diyAudio Member
Join Date: May 2004
Location: Niwot, CO
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Quote:
I guess if I am going to say that then I should say why. To my ears these speakers had no high end detail or definition. They sounded down right muffled and veiled. And they are supposed to be omnidirectional. But to me they had no sense of any type of imaging. Rather than an omni or spacious image, the image was seemed ill defined, unsettling and vague as if they were connected out of phase.
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Nihilism is best done by professionals. Last edited by audiosteve; 7th October 2009 at 08:02 PM. Reason: Typos!! |
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#15 | |
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diyAudio Member
Join Date: Jul 2004
Location: Northern Colorado
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Quote:
You could walk in a room and hear great sound, then awful sound with the next track, then silence as the exhibitor fooled around with the myriad settings on the computer - as shown below. After I took this picture, a third guy showed up to fiddle around with the computers. The track-to-track variability of the server-based exhibitors - and RAAL was one of them - was dismaying. I wonder if there was a software-based 44.1 -> 48 kHz sample-rate conversion in there that the exhibitors didn't know about - or various other computer-based glitches that bit the unwary. Computer playback can range from the glorious heights of Keith Johnson-recorded 176/24 to the depths of MP3's that have been sample-rate-converted by Kmixer or the Apple equivalent. You had to ask for high-res (176 or 192 kHz) sources - and most exhibitors didn't have them on the server, just an assortment of downloads from their favorite CD's. For all I know, they could have been playing MP3's. The rooms that sounded consistently good were playing LP's or analog tape. The digital sound was all over the place. Last edited by Lynn Olson; 7th October 2009 at 08:22 PM. |
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#16 |
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diyAudio Member
Join Date: Jul 2004
Location: Northern Colorado
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Some of my favorite rooms, echoing the comments of "mor2bz" on the Loudspeakers forum. First, the Janszen room, with the unusual-looking hybrid electrostats (sorry about the motion blur, it was very dim inside this room).
Last edited by Lynn Olson; 8th October 2009 at 01:15 AM. |
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#17 |
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diyAudio Member
Join Date: Jul 2004
Location: Northern Colorado
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And another photo of the Feastrex/AESpeaker dipole speaker, this time more of a long-shot that gives a better sense of scale.
Usually, the digitally-equalized rooms were my least favorite, but this one had a smooth, silky sound with no sense of digital edge and grain. The Feastrex drivers also have the unusual property of not sounding like Fostex, Lowthers, or AERs, despite appearances. One of the few where the looks matched the sound. Last edited by Lynn Olson; 8th October 2009 at 01:10 AM. |
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#18 |
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diyAudio Member
Join Date: Jul 2004
Location: Northern Colorado
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The Harbeth room was enjoyable, too. The kind of balance I like, and very musical.
Last edited by Lynn Olson; 8th October 2009 at 01:40 AM. |
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#19 |
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diyAudio Member
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Thanks for sharing the photos !
Very lucky you guys in the US have such event. What are those "buldges" behind the feastrex dipoles? Are they cables???
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http://gainphile.blogspot.com Last edited by gainphile; 8th October 2009 at 01:42 AM. |
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