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#11 | |
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diyAudio Member
Join Date: Jun 2001
Location: UK
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Bruno,
Quote:
The reason I ask is is it feasible, or beneficial given the often complex nature of the speakers impedance, to optimise a given amplifier installation for a given speaker? Andy (waiting for his UcD180's to arrive )
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#12 | |
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diyAudio Member
Join Date: Apr 2004
Location: BE/NL/RW/ZA
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Quote:
Besides, the modulator is covered in epoxy resin, so it's not intended to be modified by the user. |
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#13 |
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diyAudio Member
Join Date: Nov 2002
Location: Netherlands
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Hi,
With any load (i.e. the speakers) the load impedance is part of the feedback function. If you want to keep this part constant (that is, independent of frequency) you need to correct the speaker impedance itself with zobel networks. If this is of much audible benefit? Maybe Bruno can say ![]() Cheers
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#14 |
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diyAudio Member
Join Date: Apr 2004
Location: BE/NL/RW/ZA
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The whole point of UcD is to make the output of the amplifier as independent of the attached load as possible, such that nobody need bother about using zobel networks and all that. Other class D amps produce marked frequency response aberrations when not driving a pure resistive load. The effects of several dB's worth of response error on perceived sound can be very significant.
By contrast, the variations in modulator linearity discussed in this thread are fairly academic, and not very relevant to practical use. Linear amplifiers (be they tube or solid-state based) also produce different distortion behaviour in different loads, and few people care - for good reason. Class D amplifiers without post-filter feedback will also exhibit variations in distortion with variations in load, although the source of the effect is different. So, the import of this discussion lies in providing a deeper understanding of modulator behaviour, not so much in looking for anything practical to do or try out ![]() To answer your question directly: the effect of adding a zobel network is very small. You're more likely to hear the tonal character of the type of capacitor used than a change produced by the mathematical effect of its presence. |
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#15 |
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diyAudio Member
Join Date: Nov 2002
Location: Netherlands
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Thanks Bruno,
More or less what I expected
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#16 |
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diyAudio Member
Join Date: Mar 2005
Location: Purmerend
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Adding to Bruno's post I'd like to comment that from my simulations and measurements on a number of class-D topology prototypes (including UcD) I often noticed an increase of the THD when a zobel is used at high output power into a pure resistive load. Furthermore although a zobel is often employed in a class-A/AB amplifier to guarantee stable operation (i.e. prevent the amplifier from self-oscillation) this is inherently not desired with a self-oscillating class-D amplifier for obvious reasons.
I've often ascribed the perceived changes in the 'sound' of an ampifier with different loudspeakers to be caused by the specific load of the loudspeaker attached and its interaction with the amplifier. Obviously not all amplifiers cope well with a reactive load at their outputs and suffer from this in a number of ways including increasing the THD, exhibiting a 'wobbly' frequency response or suffering from poor control due to high currents circulating between the amplifier and the reactive load. I therefore subscribe to Bruno's notion that a zobel might well influence the 'sound' of an amplifier and hence are best left out, which yields one parameter less to worry about. From the number of different class-D topologies I've experimented with UcD exhibits the least amount of ill effects from connecting a reactive load however. But maybe Bruno has some further comments on this? Best regards, Sander Sassen http://www.hardwareanalysis.com |
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#17 | |
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diyAudio Member
Join Date: Apr 2004
Location: BE/NL/RW/ZA
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Quote:
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#18 |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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Apart from what has been mentioned so far: While there might be better feedback topologies out there than UcD - regarding the feasibility of mass production of decent amps at good prices it is a clear winner.
What advantage would be in an advanced feedback topology when practical amplifiers get too expensive and/or impractical to manufacture ? Would they SOUND better at all BTW ? Regards Charles |
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#19 | |
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diyAudio Member
Join Date: Mar 2005
Location: Purmerend
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Charles,
Quote:
Obviously one can do without feedback on a class-D amplifier as well, but that puts the emphasis on excellent linearity and impeccable phase response throughout the audio band. Although it is possible to build such an amplifier the complexity and cost would probably yield it impractical. There have been commercial examples of this in the past that have all come and gone without even leaving a ripple in the water. Best regards, Sander Sassen http://www.hardwareanalysis.com |
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#20 | |
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diyAudio Member
Join Date: Nov 2002
Location: Netherlands
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Quote:
I meant compensation networks to make the speaker impedance resistive and constant at the side of the speaker, although that is seldom done for woofers anyway. Not the network that sits in most common amplifiers for stability reasons. Cheers
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