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#1 |
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diyAudio Member
Join Date: Sep 2004
Location: Kaspar Sinding Meyer @ DTU in Lyngby
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I here present a scheme that can be used for Nth order noise shaping suitable for Class D amplifier feedback.
In the example here, I’ve made a 4th order feedback, but more blocks can easily be added or removed. ![]() The cut-off frequency is controlled by the ratio between the four capacitors and R6, R8, R9 plus R10. The ratio between R6, R8, R9 and R10 controls the poles. I have not optimized the ratio. By doing so, it’s possible to get a flat output magnitude and phase response. As long as the opamp open loop amplification is large, this resistor ratio has no influence on the order of feedback. Only stability and the magnitude ripple around cut-off will be affected. Opamp U1 dominates the noise generated by the feedback system. Therefore only one low noise opamp is necessary to construct an outstanding feedback system. Bode plot FFT analysis I've olso made good progress in making feedback after a 2nd order LC output filter. I'll write a post about this later. Happy noise shaping. |
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#2 |
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diyAudio Member
Join Date: Dec 2002
Location: Australia
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looks great to me
A few quesitons though.... Are there 7 opamps used in that diagram?? Have you tried simulating using 'real' component models? |
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#3 |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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It shouldn't be too difficult to take NFB from an output filter even with SD (I wonder why Sharp didn't do it).
At what sampling frequency do you want to run it ? I am aware that this topology here is the one that makes it easier to take an output filter into account. OTOH I like the loop topology with only one feedback path because you would have to change only one resistor if you want to adapt for different supply voltages. Be aware that you might need much better noise suppression in practice than theory predicts (just think of that Sharp amp with a 7th order modulator that only achieves 100 dB of SNR). Have you ever run it as a discrete-time model (like the one that I posted within the "Analog devices thread"). Since my version of SPICE is very limited I did have to use a trick to do it. Regards Charles |
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#4 | |||||||
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diyAudio Member
Join Date: Sep 2004
Location: Kaspar Sinding Meyer @ DTU in Lyngby
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Quote:
Quote:
Resistors and capasitors are linear and they have no deviation. Quote:
Quote:
Quote:
If you want to change to feedback often anyway. You could place a noninverting amplifier first in the feedback path and use it's gain to compensate for different supply voltages. This can be done with only one resistor. Quote:
Quote:
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#5 | |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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Do I get it right that you want to use PWM and not delta-sigma then (because you are talking of a switching frequency of 350 kHz?) ?
Quote:
I once tried the topology intended to be used as SD modulator, as a feedback network for a PWM amp (on the simulator only), and the results looked indeed promising. Regards Charles |
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#6 |
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diyAudio Member
Join Date: Sep 2004
Location: Kaspar Sinding Meyer @ DTU in Lyngby
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Yes I'm talking about a PWM. In a PWM configuration my carrier frequency is know and I'll be able to suppress it with an passive LC filter. I'm not sure how this will work out in a delta-sigma configuration.
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#7 |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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If you have a PWM modulator with good linearity you would not necessarily need such a high order of NFB loop (though in simulations at least one can achieve fantastic THD values).
you would not need to remove the carrier signal completely either. And yes, also a delta-sigma amp would show some switching residual. The difference is that the SD amp's residual is noise-like (see attached simulation) and the PWM's resembles something like a distorted sinusoidal. Regards Charles |
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#8 |
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diyAudio Member
Join Date: Sep 2004
Location: Kaspar Sinding Meyer @ DTU in Lyngby
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Do you have a picture of a nonfiltered delta-sigma sinus and also a FFT analysis of it?
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#9 |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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At your service:
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#10 |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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Et voila the modulator output:
I did intentionally use 10 kHz because the modulation pattern is much easier to recognise (I would just look like a green lump on the screen), though the performance would be better at 1 kHz input. Regards Charles |
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