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#21 |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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The most common misconception is that people are believing that the response to a pulse can't immediately be seen at the output of a filter. And this is WRONG.
If it really were like that, mankind wouldn't have flown to the moon, there were no modern aircraft with autopilot and much less of electronic assistance in cars etc etc Regards Charles |
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#22 | |
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diyAudio Member
Join Date: Apr 2004
Location: BE/NL/RW/ZA
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Quote:
First you calculate what loop gain characteristic you want. Then you design the loop filter to do precisely that. Then you build your amp. If the closed-loop gain, THD and/or output impedance aren't what you expected, you've done something wrong. Conversely, if the measurements do match the calculations, loop gain is certain to match the design within a fraction of a dB. |
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#23 |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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Maybe it is the gain of the modulator/switching stage combination that Mike is curious about.
For the classic PWM amp it is simply the ratio of output_supply_voltage/peak_voltage_of_triangular_reference for instance. Regards Charles |
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#24 | |
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diyAudio Member
Join Date: Apr 2004
Location: BE/NL/RW/ZA
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Quote:
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#25 | |
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Account Disabled
Join Date: Jun 2004
Location: Animal farm
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Quote:
Why would you consider it pointless to measure loop gain in such a system...? One would have thought that in view of the significant phase shifts introduced by the output filter, (for feedback sampled after the filter), judicious measurement, or at least SPICE simulation of the loop transmission path would allow one to compensate for the filter's poles with precisely placed zero's in the loop.. ...This should allow feedback to be maximized without compromising stability.... |
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#26 | |
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diyAudio Member
Join Date: Apr 2004
Location: BE/NL/RW/ZA
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Quote:
Poles in the filter become zeros in the error transfer function as a matter of fact! Ergo:no such thing as explicitly compensating poles by zeros need be done. If it were, it would be impossible to do, as merely changing the load would obliterate the compensation scheme. So, we must thank mathematics for the fact that it happens automatically. Class D amplifiers with correctly designed loops are extremely insensitive to changes in load or filter values. I would like to invite you to perform simulations to see this for yourself. You will also appreciate the fact that to try and find the correct transfer function, by measuring actual hardware or even by simulating it, is a hopeless endeavour. The reason why so relatively few amplifiers with good post-filter feedback are made, is precisely because designers are afraid of doing the analysis first. You will understand therefore that the phrase "to compensate for the filter's poles with precisely placed zero's in the loop" suggests you yourself are rather new to the subject of class D loop control. This is not a problem - I welcome anyone willing to become acquainted with the subject - but to try and teach me (or charles) how to roll a control loop while obviously being unexperienced at it oneself is not expedient to a fruitful exchange. I hope you will understand my mild irritation and rest assured that no offense is meant. |
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#27 | |
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Account Disabled
Join Date: Jun 2004
Location: Animal farm
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Quote:
This included an indepth quantitative analysis of control loop (DSP and analog) schemes......including practical verification..... Indeed, placing singularities in the feedback path to ameliorate those generated by the filter in the foward path has been quantitatively and practically demonstrated in JAES....I just cannot remember the author of the article at the moment....
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#28 | |
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diyAudio Member
Join Date: Apr 2004
Location: BE/NL/RW/ZA
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Quote:
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#29 |
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Account Disabled
Join Date: Jun 2004
Location: Animal farm
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Hi Bruno,
A simple low THD design would of course be interesting.... Complexity versus relatively poor linearity is the most discouraging facet of full-range class-d arrangements... Simpler concoctions may be implemented for sub-woofer applications of course.... In respect of audio power amplifiers, i am a linear class-B/AB person really, but would be interested in your class-d design philosophy....and the sort of linearity obtained by its implementation... |
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#30 | |
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diyAudio Member
Join Date: Apr 2004
Location: BE/NL/RW/ZA
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Quote:
Lower THD figures (-110dB) are readily realised, but so far the improvement on sound quality produced by this has proved zip (not a surprise considering loudspeaker distortion), so for the time being there are no plans offer these "improved" modules commercially. Cheers, Bruno |
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