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#31 |
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diyAudio Member
Join Date: Feb 2007
Location: London
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Since someone asked earlier when this would make it into a product which they might be able to hack/play with, here's an answer I just picked up from a Google news alert -- but probably not the one hoped for...
http://www.twice.com/article/CA6659474.html I guess nobody's going to spend $5000 on one and then pull it to pieces :-( Ian |
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#32 | |
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diyAudio Member
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#33 | |
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diyAudio Member
Join Date: Feb 2007
Location: London
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If you think that simply simulating lots of modulator clock cycles (on a notebook, in an hour or two) and doing an FFT will give you the right answer, then you really don't understand the problem -- after all, you were the one who correctly pointed out that this is an analogue system, not a digital one :-) To get an accurate prediction of this level of performance you need to do a high-accuracy (microvolt resolution with around 1ps timestep) mixed-signal (analogue+digital) simulation of the closed loop, including package and chip parasitics (inductance and capacitance, and pin-to-pin coupling) as well as the complete analogue circuit and the digital modulator. Like I said, this really isn't a simple design problem that amateurs can deal with -- I have access to the best design and simulation tools available and it was still a very difficult task to simulate (more than 1 week of CPU time per run on a multiprocessor system with 64G of RAM). If you still don't understand how a feedback system like this can avoid PWM sideband aliasing -- in spite of the clues I've given you about architecture and ADC sampling rate, all of which are in the published patents and papers -- then you're never going to get it. You said (many posts back) that the problem with DDFA was "the feedback". This is completely missing the point, "the feedback" -- done correctly -- is precisely the reason *why* it works. And I'm not advertising anything; there are other feedback-type PWM systems around which may be as good, but I'm only talking about the one I have detailed knowledge of. What I am doing is providing evidence as to why your "feedback is bad" posting is demonstrably wrong. If you don't believe me, go and measure (and listen to) the NAD amplifier :-) |
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#34 | ||
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diyAudio Member
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As I understand (without exact knowledge from patents and papers) basically the ZXCD works with a Sigma-Delta control-loop structure and uses a high-performance DAC to make clean reference audio signal for the error signal determination. This has the benefits of no digital filters needed inside the chip for this noise-shaping purpose and very clean reference audio signal can be reached. Then the error signal is integrated by an analog integrator which can suppress the out-of-audio band artifacts (e.g. PWM) wideband and assures the differentiator characteristics of the overall amplifier output noise-spectra. Then this error signal is sampled directly with 1-bit resolution, like it would be a digital signal, at the PWM clock frequency or higher (this is what I'm not sure about because then the power supply noise can disturb the input pad and can do amplitude modulation on the fed-back signal. Once I've considered to try this structure in FPGA but this was the retention for me from doing that. Probably in a mixed-signal IC it can be avoided. And an experienced Chip Designer is needed to design that chip, who can hold the clock jitter in ps range and have already designed the best mixed-signal ICs on the planet). Then this 1-bit sampled input can be decimated for a digital regulator. And for the best performance a very high slope PWM output is needed in order to keep the output clean from harmonics caused by the rise and fall times. This PWM also has to be fed by a stable and clean clock to avoid the intermodulation of clock jitter. I think these are the key features and most of these are about the feedback. This is why I wrote that the feedback is the real deal in DDFA. As you are one of the designers, may I ask you some technical questions? I wrote that I think (without any information) ZXCD applies Sigma-Delta control structure. If it's right, how did you equalize the transfer functions of the two feed-in path (one to the reference DAC and the other for the PWM after the regulator) to the output? Could you post some link where the bode plots of the overall system can be found? I think the ZXCD is a very interesting and pioneer great performance audio chip. But It can only be used for a standalone fed-back modulator like TI's TAS series and it can't be developed or modified by diyers for a better performance because its analog-related drawbacks (e.g.: It's a mixed-signal chip which can't be diy-ed). I would prefer to have here at diyaudio.com such an all-digital design, an RTL code or something, to be shared that could be downloaded to a configurable harware by anybody on his diy-ed PCB, and could perform at a similar performance level as ZXCD. Then anybody could make a little PCB with configurable hardware and feedback ADs and download his own fed-back digital amplifier core into that and get a similar performance all-digital amplifier much cheaper than ZXCD. The RTL code could be modified by anybody. Anybody could add new functionality or modify the existing ones as he would like to do. And on this way everybody could be introduced to the design of digital logic, digital signal processing, PCB design and analog electronics, and everybody could learn about many design support tools for digital logic and digital signal processing. I think it would be a great improvement for diyers and would give much encourage for young students to develop on these fields what is a common world economy interest. The entry functionalities of this shared code could be e.g.: dead-time control, duty-cycle limiting for short circuit protection, equalizer, dinamics compression, crossover, 8 S/PDIF inputs, 8 I2S inputs, USB input, Ethernet WEB-page and LCD for settings. I think such a design could fit in a 1 - 1.5 M gates configurable hardware, and everybody could use it, modify it, develop it, and add more functions for free. Of course simpler ones with less extra but same performance level could fit in a few hundred k gate hardware what costs about a few dollars and could give ZXCD-like performance with diy capability. |
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#35 | |
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diyAudio Member
Join Date: Feb 2007
Location: London
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All I can say (because it's in the AES paper) is that the ADC sampling rate after the error integrator is the same (108MHz) as the digital PWM modulator clock frequency, and this is the key to getting the performance including all the effects from edge slew rates and dead time. The high ADC sampling rate means that the feedback loop is then fast enough to give very good power supply noise rejection. The AES paper describes some of this here http://www.aes.org/e-lib/browse.cfm?elib=13968 but it's not free; I have a pdf at work but it's too big (220kB) to add as an attachment. The original UK patent with more info is here http://v3.espacenet.com/searchResult...B&PN=GB2419757 The reference DAC is also noise-shaped PWM but with very clean edges and low jitter, this has to be better than the overall amp performance needed (>120dB SNR) so this does need a very clean supply, obviously it can't reject its own reference noise. Of course it would be nice for DIYers if how all this worked was made public -- but it would be even nicer for Zetex's competitors who can't achieve the same level of performance, which is why I somehow don't think it will happen... Ian P.S. If you think these ADC sample rates and jitter requirements are challenging have a look at www.chais.info ;-) |
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#36 | |
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diyAudio Member
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So I think the ZXCD is a great chip, maybe it could be a perfect solution for an all-digital high-power amp. But I would apply less duty-cycle modulation range than 100% and dead-time control input and duty-cycle limiting input for short-circuit protection. I think these are also key features for a commercial chip. |
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#37 | |
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diyAudio Member
Join Date: Feb 2007
Location: London
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I think the Zetex chip applies all those techniques you quote -- the maximum modulation range is somewhat less than 100% (I don't say by how much) with various types of clipping control in the DSP, I believe the dead-time control is adaptively set to get optimum performance/loss tradeoff (rather than being user-adjustable), and it can not only do short-circuit protection but also measurement of loudspeaker impedance (see their other AES paper). The only problem with DDFA for very high power amps (kW) is the high switching frequency, which makes it more difficult to get very high efficiency compared to other amps switching at 400kHz or so. Oh, and the fact that it's only available to OEMs :-( |
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#38 |
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diyAudio Member
Join Date: Feb 2003
Location: Helsingborg, southern sweden
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I have never understood the reason for an "all digital" class d amp. For me it seems much more straight forward to just combine a DSP with an analog class d amp in order to get the filtering and processing features. Adding an integrator around a globally modulated class d stage gives just as good performance at a fraction of the complexity. The DSP can have a much lower processing power.
Now, I am truly analog. I do not understand all the sampling theories etc. but my gut feeling is that the best that can be achieved is close to an analog amplifier. The only real advantage I see is that the switching frequency is constant. In a self oscillating topology the drop in frequency when increasing the output signal reduces the loop gain and also lowers the possiblity for the integrator to act effectively. But still, our analog amps perform just as good as the Zetex amps and they are really cheap.
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If something that measures good doesn´t sound good, measure again! |
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#39 |
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diyAudio Member
Join Date: May 2002
Location: Switzerland
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I think there are only real advantages if you're an IC manufacturer who can do this on a very large scale.
Regards Charles |
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#40 |
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diyAudio Member
Join Date: Feb 2003
Location: Helsingborg, southern sweden
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But the cost for developing and manufacturing an IC with millions of parts inside is very high. In the end the audio business (which is very cost sensitive) is not likely to be able to buy it in high quantities?
Still a mystery.
__________________
If something that measures good doesn´t sound good, measure again! |
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