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#1 |
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diyAudio Member
Join Date: Apr 2003
Location: PA
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Hi All,
I've built several Gainclones of differing topologies and up until now haven't had the need to use an input coupling cap. I recently aquired a Behringer DCX 2496 which I believe is direct coupled and can potentially produce a dc offset, so I want to add an input cap to my GC's until I know for sure about the DCX. I'm just not sure of the correct location for this cap. I've seen schematics showing it either before or after the input resistor. Does it make a difference? These are your basic NIGC's with a 50k input resistor to ground, no volume control. Any help will be greatly appreciated
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#2 | |
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Banned
Join Date: Mar 2003
Location: Lisbon, Portugal
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Quote:
In your case (non-inverting) you have to use the cap before the 50k resistor to ground. Use a 1uf film cap. |
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#3 |
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diyAudio Member
Join Date: Jan 2005
Location: The Nebraska Panhandle
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I've recently been doing some searches, and it appeared to me that most use a 4.7uf input cap and some a 2.2uf. I have relatively little knowledge, but my understanding was that a higher value has a lower cut off frequency but is worse in terms of sonics, $$ and physical size. Help me if I'm way off on this, as I'm planning on ordering some parts tomorrow.
I'm planning to use caps on only one set of inputs of my NIGC 3875 project (linear pot and 33k to ground). My usual sources don't pass any DC, but I sometimes need to listen to a portable device. In that instance the sonics of that aren't particularly important, so I was planning on using a 4.7 electrolytic to save $$ and space. If 1uf is more appropriate that's good to know. thanks, Paul |
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#4 | |
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Banned
Join Date: Mar 2003
Location: Lisbon, Portugal
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Quote:
I suppose that you use a "passive pre" (a direct pot to the chip), so why not protect the pot from DC too? Put the cap before the pot. If the pot is 50k, the 1uf cap suggestion remains. |
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#5 | |
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diyAudio Member
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Quote:
![]() The rumour is that 47 Labs were using BC Components electrolytics for coupling application. I never tried them though.
__________________
www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#6 | |
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Banned
Join Date: Mar 2003
Location: Lisbon, Portugal
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Quote:
Quite happy with them. Peter, if you use a 4.7uf coupling cap and have a 22k resistor to ground, that will help removing DC, but not much. That is fine for a 10k input impedance. The results you have depend on the resistor you have from input to ground, 4.7uf can't be considered a "universal" value. For a 50k resistor the 4.7uf cap will do nothing. |
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#7 | |
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diyAudio Member
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Quote:
__________________
www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#8 | |
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Banned
Join Date: Mar 2003
Location: Lisbon, Portugal
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Quote:
Peter, the cap + resistor to ground is a first order high pass filter. 4.7uf with 22k is a high-pass filter at 4.5Hz, not very effective. 4.7uf + 50k is a high-pass filter at 1.99hz ![]() 1uf + 50k = 9.3hz, a value at around 10 to 15hz is fine. Even lower than 1uf could be used, with 50k. 680nf + 50k = 13.76Hz This cries out for a quality film cap.
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#9 | |
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diyAudio Member
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Quote:
__________________
www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#10 |
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Banned
Join Date: Mar 2003
Location: Lisbon, Portugal
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Aren't we talking about the input coupling cap?
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