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#101 | |
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Banned
Join Date: Mar 2003
Location: Lisbon, Portugal
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Quote:
It looks on paper very similar (if not the same) to the OPA2132, but there must be a reason for the price difference and the existance of these op-amps. The best op-amps are usually single, sometimes without any double equivalent. But the LM6172 gets too close, it's really good. You could use this one. I've recently tried the LM7171 and very good indeed. Single...
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#102 | |
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diyAudio Member
Join Date: Mar 2004
Location: Stuck in the 80's
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Quote:
I am using the AN version of the AD823. AN is simply the designation for a DIP, AR is the designation for a SOIC. At DigiKey the AR and AN versions are the same price. It's hard to quantify the size of the improvements that can be had by swapping op-amps. It depends on a number of factors; like the quality of the stock chip relative to the replacement chip. The resolution of the system is obviously important, as are the ears of the listener. Also synergy must not be ignored, op-amps can have a unique sonic signature, and can alter the overall balance of a system to good or bad effect. Compared to upgrading speaker cables and interconnects op-amp swaps offer alot of bang for the buck. I should point out I was using the more expensive P (performance spec) version of the 2132 which may account for some or all of the sonic difference between it and the PA version of the 2134 I compared it with. I haven't tried the PA version of the 2132 and as far as I know there is no P version of the 2134. The 2132 and 2134 are both duals. I really like the AD823, it may not be as full bodied or dynamic as some but its amazing detail and lush top-end make it my general favorite. Good luck with your XO.
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#103 |
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Banned
Join Date: Mar 2003
Location: Lisbon, Portugal
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The AD843 is very good too.
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#104 | |||
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diyAudio Member
Join Date: Apr 2004
Location: Planet Earth
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. Lot's of stuff to figure out. I thought a custom active xo was elementary when I started this project. I've been doing passive xo's only before this and had the impression that losses were of no concern in active xo's compared to the losses in high level passive xo's. But it seems there are very little straightforward details (layout, buffering, choice of components) in designing an active xo. Having fun though
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#105 | |
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diyAudio Member
Join Date: Mar 2004
Location: Stuck in the 80's
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#106 | |
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Banned
Join Date: Mar 2003
Location: Lisbon, Portugal
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Spot on! |
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#107 |
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diyAudio Member
Join Date: Aug 2003
Location: Prague,Czech Republic
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To Gaucho : What is " musical bass " ? Are you talking about musical instrument or about bloody piece of silicon ? Are better these impresionistic neverending discussions ? Have you explanation, WHY ?
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#108 |
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diyAudio Member
Join Date: Mar 2004
Location: Stuck in the 80's
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Another observation worth noting is that TI's 5532s sound a little better then the Philips. On a similar note; PMI's OP275 had decent bass and were fairly smooth sounding but AD's OP275 is quite grainy!
Another op-amp that might be a good choice for a low-pass XO is the AD712. It has a similar tonal balance to the 823, it lacks the ultra-refined mid/trebble but it's not laid back like the 823. The 712 is very immediate sounding and the bass extension is truely excellent. |
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#109 | |
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diyAudio Member
Join Date: Mar 2004
Location: Stuck in the 80's
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#110 | |
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diyAudio Member
Join Date: Mar 2004
Location: Stuck in the 80's
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Quote:
Our ears always tend to agree! |
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