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#1 |
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diyAudio Member
Join Date: Feb 2004
Location: Pittsburgh
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Does anyone have thoughts on a SIMPLE input buffer, like one that involves an op amp, an input wire, a feedback wire and an output wire? (Well, not that simple, but you get the idea, I don't want a 10 component buffer). I posted this in the bottom of a thread below, but the more I think about it the more it belongs in its own thread.
the OPA627 was suggested, and the spec sheet looks like it can be used with no external parts, but that doesn't seem right in a practical application, but ok from a theoretical standpoint. As a side note, I have read a few commercial products that rave about using Burr Brown amps, which I found out were TI products. Anyone use these as buffers, and if so does anyone have a suggestion to which chip? Thanks, Adam |
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#2 |
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diyAudio Member
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buf634 ? nice buffer but it somewhat degrades sound quality when used outside of an opamp;s feedback loop (imho).
/matti
__________________
Si fractum non sit, noli id reficere! |
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#3 |
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diyAudio Member
Join Date: Oct 2003
Location: Ottawa, Canada
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The OPA627 would work fine. So would the OPA132, OPA134, OPA604, or their dual versions (OPA2132, -2134, -2604), or any other high quality opamp that is stable at unity gain. All that you need to do is tie the output pin to the -input pin, and put the input signal onto the +input pin. This creates a "voltage follower" configuration, where the output voltage is equal to the input voltage. Now you can set the input impedance as high as you want (within reason; note that higher impedance will mean higher noise) and drive the chipamp with a low input impedance. Just make sure that the opamp you choose can drive the impedance you choose for your chipamp's input impedance (most will drive 600 ohms or higher). Make sure to decouple your opamps with a small capacitor connected very close to the opamp.
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#4 |
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diyAudio Member
Join Date: Oct 2003
Location: Toronto
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I hope you don't want to connect the buffer in front of a NIGC.
/Greg |
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#5 | |
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diyAudio Member
Join Date: Mar 2001
Location: Brazil
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Quote:
There has been lots of discussions on whether keeping original phase is important or not for the music experience. So why not trying a basic inverter here? We would have a buffer and also get phase back to normal. Has anyone tried that? Pros and cons in that path? One con I can think of is how would I use a BUF634 inside the feedback ring on a basic inverter. Carlos |
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#6 | |
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diyAudio Member
Join Date: Oct 2003
Location: Toronto
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Quote:
/Greg |
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#7 |
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Account Disabled
Join Date: Apr 2003
Location: US
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wouldn't an emitter follower be a simple and effective solution here? I posted a simple (one transistor, 6 resistor and 2 caps) pre-amp circuit on the solid state forum and it can be easily set up as a follower and it works unmodified with a lot of transistors / rail voltages.
to me, that would beat out an IC buffer. |
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#8 |
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diyAudio Member
Join Date: Feb 2004
Location: Pittsburgh
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This is all thinking right now, but somewhere down the road, it'll be in front of a parallel lm3886 or a bridge/parallel config with the same chips. How are the buffers that National specs for the BPA200, the LF411?
Thanks, Adam |
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#9 | |
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diyAudio Member
Join Date: Apr 2002
Location: Prague, Kitakyushu, Fukuoka
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Quote:
I have checked invereted polarity vs. correct polarity many times. There is a considerable audible difference. For example - bass is lazy and worse defined, when inverting the phase. I would always recommend to keep the correct phase. Pavel |
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#10 |
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diyAudio Member
Join Date: May 2003
Location: Ft. Worth, TX
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In regards to buffer to amp, which resistor method would be best here?
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I enjoy my organic shapes..... |
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