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#1 |
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diyAudio Member
Join Date: Feb 2011
Location: Maryland
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First off, this question is regarding instrument amplifiers, and not any amp of the super-high-fidelity variety. Clipping is welcome by many musicians, as long as it isn't constantly sounding like a shaking sack of chainsaws.
Solid state amps, in my opinion, are great for everything except tone and distortion. Regarding the latter, are there any ways that one could reliably reduce the harshness of overdriven solid state amps, but not totally remove it with a limiter or compressor? I'm pretty sure a tube buffer would work, but then the amp would be a mutt. Another possibility I think would work is having anode-to-anode zener diodes in a feedback loop somewhere after the main amplification stage, which would make the signal less jagged. Just FYI, I'm planning to modify a Fender Rumble 15 bass combo (which sounds like crap if I have the volume up to any enjoyable level) and currently have no high-power plans. |
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#2 |
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diyAudio Member
Join Date: Jun 2004
Location: South Carolina
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You can use the zener diodes along with a small series resistor (for amplifier feedback loop stability). This is similar to what I do - except I run the feedback from the VAS to the input; the output stage runs as an open-loop buffer.
Do note the zener diode voltages you select have to be similar (and less) to the output swing of your power amplifier. |
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#3 | |
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diyAudio Member
Join Date: Feb 2011
Location: Maryland
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Quote:
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#4 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Most solid state amplifiers you have heard (and overloaded) will be using a Global Negative FeedBack loop.
The feedback tries very hard to minimise all the aberrations you don't want to hear. It does this brilliantly until they simply give up and say I can't do this anymore ! They then let out the distortion of a clipped signal without correction from the NFB. If you use a SS amplifier that has at least one stage that is not inside a NFB loop then that stage will gradually change in sound character as the signal level is increased. This is already done with valve amps. Do the same with SS and you can to some extent copy the valve soft overload sound. A SE stage (without feedback) develops 2nd harmonic from quite low levels and this becomes stronger with increasing level.
__________________
regards Andrew T. |
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#5 |
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diyAudio Member
Join Date: Jun 2004
Location: South Carolina
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Exactly what Andrew says - the VAS stage is our Class-A amplifier, and using the zener diode feedback loop there also prevents the stage from "sticking" during clipping.
The rule-of-thumb I use is to select the zener diode to be no higher than 15V, and use the series resistor to shape the overload threshold. And yes, you can use different values; Crate did the same trick in their ValveTube series. I believe they used 3.3V and 6.8V - I just used 4.7V (this is in the PREAMP stage). |
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#6 |
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diyAudio Member
Join Date: Feb 2011
Location: Maryland
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could i use a pot and resistor to control the effective voltage breakdown voltage, or would that interfere with the feedback (or not work at all)?
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#7 |
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diyAudio Member
Join Date: Feb 2009
Location: Greater Seattle Area
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You don't need zeners. Regular diodes will work. Stare at attached....
~Tom |
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#8 |
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diyAudio Member
Join Date: Feb 2011
Location: Maryland
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yes, i realize that. but i want to use zeners so that i can have a MUCH higher clipping threshold, and keep more of my signal. i think. theres a good chance that i have no idea what i am talking about DX
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