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#1 |
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diyAudio Member
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I have balanced signals from my pre-amp and would like use them.
What's the best way of implementing a balanced topology with a LM3886? There are plenty of kits and boards around, would it work if I just got myself a dual set of boards and hooked the speakers up between the two terminals (+/-)? It would be similar to the bridged amplifier but with still different since I have two inputs per channel? |
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#2 |
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diyAudio Member
Join Date: Nov 2005
Location: UK
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Markus
You could always configure the LM3886 as a differential amp using one of the standard circuits for op-amps available in text books - after all the LM3886 is just a big op-amp. However, I'd suggest a separate high CMRR balanced-to-unbalanced coverter using one of the many op-amp circuits freely available or, preferably, a decent transformer, with the single ended output of the converter feeding a standard (i.e. single ended) LM3886 circuit. The transformer setup has the advantage of higher CMRR and galvanic isolation than the op-amp at the expense of somewhat higher (but still more than acceptable) LF distortion. What you describe using two LM3886 amps is a bridge circuit if you have balanced (hot/cold) inputs. This arrangement is often used for headphone amps and is described as 'balanced' but it isn't since it offers no CMRR. It does offer other advantages over a single ended setup, however, mainly related to isolating power supply ground currents from the speaker return path, but if you arrange your grounding appropriately that becomes a non-issue. Last edited by Gopher; 3rd November 2010 at 09:03 AM. |
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#3 |
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diyAudio Member
Join Date: Dec 2005
Location: Kuala Lumpur
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The 3886 has some restrictions on minimum gain and feedback resistor values that make it very unsuitable as a balanced input amplifier.
Best to use a transformer or a decent instrumentation amplifier on the input |
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#4 |
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diyAudio Member
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I guess transformer/SE sounds like the easiest route.
In the end I'm not looking for a high-end amp, I'm looking for something small, easy and cheap that's still good enough while I build my "big" amp.
Last edited by markusA; 3rd November 2010 at 12:46 PM. |
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#5 |
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diyAudio Member
Join Date: Dec 2009
Location: Oslo
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Here's another idea:
GC SuperSymmetry By the way, I'm about to build a few balanced/bridged LM4780s. The chip is unstable with less gain than 10x, but setting gain to 11x - 13x should work. That will give a fairly normal amp gain of 21 - 30 dB overall. Some distortion components and DC offsets may also be cancelled across the bridge, if the two amps are reasonably well matched. I expect the biggest issues will be heat management and current capacity into low-ish load impedances. See also the datasheet and the application note. Both demonstrate the improved distortion performance of the bridged configuration ("BR100"). http://www.national.com/ds/LM/LM4780.pdf http://www.national.com/an/AN/AN-1192.pdf Last edited by asbjbo; 3rd November 2010 at 03:58 PM. |
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#6 | |
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diyAudio Member
Join Date: Sep 2007
Location: Hangzhou - Marco Polo's 'most beautiful city'. 700yrs is a long time though...
Blog Entries: 46
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Quote:
__________________
I think ideas are what you want to get rid of. I don't really like songs with ideas. - Leonard Cohen |
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#9 |
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diyAudio Member
Join Date: Oct 2003
Location: Ottawa, Canada
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The bridged amp shows improved distortion over a single amp mainly when the bridged amp is built from an inverting stage and a non-inverting stage. If you use two similar amp stages with an inverted signal driving one of them you do not get the same benefit. The improvement comes from the fact that certain distortion products appear with the same (or similar) phase for both inverting and non-inverting topologies, so they appear at the speaker as a common mode signal and effectively cancel each other out. You also get the benefit of reduced ground noise because speaker currents go from supply to supply, not into ground.
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#10 |
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diyAudio Member
Join Date: Dec 2009
Location: Oslo
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You will find updated schematics later in the same thread. I haven't built something like that myself, but I found it intriguing. As far as I can tell, the supersymmetric configuration passes noise and distortion from one amp to the other, where it cancels at the loudspeaker, while the current source lifts the crossover point and should get rid of some distortion.
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