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#11 |
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diyAudio Member
Join Date: Sep 2007
Location: Hangzhou - Marco Polo's 'most beautiful city'. 700yrs is a long time though...
Blog Entries: 62
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Well if the DMM is an average cheap one, it won't give you true RMS, just average but calibrated to RMS on a sinewave. Are these measurements with a sine wave or using music?
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When a measure becomes a target, it ceases to be a good measure. C.A.E. Goodhart |
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#12 |
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diyAudio Member
Join Date: Sep 2002
Location: India
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Square, actually, but what I do is I set the level to what the maximum comfortable listening level is, then retain the same volume setting and run a signal gen into the amp input. The source is a PC, so it's pretty easy to do this without changing anything.
Maybe building a small attenuator and make a PC oscilloscope is a good idea now that you mention it. |
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#13 |
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diyAudio Member
Join Date: Sep 2007
Location: Hangzhou - Marco Polo's 'most beautiful city'. 700yrs is a long time though...
Blog Entries: 62
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Sounds like a good idea. I don't have a PC handy near my amps so I recently got a Sony PCM-10 flash-card recorder and use this (with a 200:1 input attenuator) if I need to check distortion by looking at the recorded file in Audacity.
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When a measure becomes a target, it ceases to be a good measure. C.A.E. Goodhart |
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#14 | ||
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diyAudio Member
Join Date: Jun 2009
Location: Orygun
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Quote:
Vripple / Vsignal = 1 / (2 f C Zspeaker) where f is the mains frequency, C the reservoir capacitance supplying the output signal, and Zspeaker the impedance presented by the speaker+and passive crossover+whatever in a power spectral density weighted sense. With this model the ripple on 8 ohms at 60Hz should be around 20dB below signal, though your case is probably coming up against the limits of the small signal model's validity range. The above assumes a constant current draw over the discharge and using peak to peak ripple so it's a bit conservative; adjust as needed for sinusoidal current draws, different sorts of transients, or different definitions of ripple. I'm guessing you're using sinusiodal draws which are symmetric about 0A. In which case the measured ripple'd be more like 23dB down. Might be another +/-3dB in there depending on how exactly our capacitance accounting lines up. I think this gets into the mental model one uses to think about what's going on. We both agree the supply caps produce ripple that's a down modulation of the signal and the amp ends up with an output error that's the ripple attenuated by PSRR. Seems to me it's equally valid to think of the output error as additive noise or as a modulation of the input signal. I should go back and check the PSRR measurement conditions on the 3886; it's possible the supply induced output error's attenuated only by PSRR and not excess loop gain, in which case I've overestimated the part's performance. Quote:
How much bypass capacitance, what mains frequency, which chipamp (in my limited experience the 3886's somewhat unsual in its ability to drive close to the rails), and is the test being done within the DMM's passband? Posting the schematic wouldn't be a bad idea. |
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#15 |
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diyAudio Member
Join Date: Sep 2002
Location: India
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twest: I use the reference schematic, with 22K/1K feedback resistors, a 470uF Ci cap, DC-coupled input and no zobel (tried, makes no difference).
PSU has 10,000uF per rail per chip, separate rectifiers and separate cap banks but a single 48VCT transformer. I use a 1KHz square wave, so I guess it should be within the DMM's range. Mains here is 230V/50Hz, give or take about 20% tolerance depending on the power company. |
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#16 | |||
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diyAudio Member
Join Date: Sep 2007
Location: Hangzhou - Marco Polo's 'most beautiful city'. 700yrs is a long time though...
Blog Entries: 62
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Quote:
Quote:
Quote:
__________________
When a measure becomes a target, it ceases to be a good measure. C.A.E. Goodhart |
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#17 | |
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diyAudio Member
Join Date: Jun 2009
Location: Orygun
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Quote:
Also, if you look at the equivalent circuit of the 3886 you'll see it's not actually an op amp and hence has a few limitations around the input. tomchr and I found if the part's operated class XD there's no change in distortion, which confirms the problem is a control loop limitation and not crossover distortion in the output devices. Last edited by twest820; 9th July 2010 at 03:06 PM. |
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#18 | |
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diyAudio Member
Join Date: Sep 2007
Location: Hangzhou - Marco Polo's 'most beautiful city'. 700yrs is a long time though...
Blog Entries: 62
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Those are THD +N curves - to me, they look to be dominated by noise, not distortion.
Quote:
reducing the output power from 25 W to 250 mW, which is pretty drastic, only increases THD percentage by six times That's on pp178,9 of his 5th edition. So there's a two orders of magnitude reduction only giving six times. So we'd expect a bit under 2.5X, per order of magnitude, not quite as much as tripling. He also mentions a bit earlier in the chapter that at lower levels, the harmonic structure tends to be skewed away from the higher order ones so at lower levels the distortion becomes more and more benign. The thing to remember here is that Self's measurements were done on a deliberately underbiassed amp to maximise the distortion and one with considerably lower noise than a LM3886 with its heavy input LTP degeneration. <edit> I forgot to comment on your earlier remark that its the input stage which is causing the distortion. Clearly not, any crossover distortion will be caused in the output stage. Self says those measurements made above only became meaningful once other distortion mechanisms present had been sufficiently minimized.
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When a measure becomes a target, it ceases to be a good measure. C.A.E. Goodhart Last edited by abraxalito; 9th July 2010 at 04:14 PM. |
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#19 | |
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diyAudio Member
Join Date: Jun 2009
Location: Orygun
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#20 | ||
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diyAudio Member
Join Date: Sep 2007
Location: Hangzhou - Marco Polo's 'most beautiful city'. 700yrs is a long time though...
Blog Entries: 62
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Quote:
Quote:
I'll take the page 12 top right graph of 1kHz THD+N into 8R. Here we see the distortion plus noise figure touch 0.002% just before clipping, which is shown as being 39W. Let's assume initially that this figure is distortion dominated. Applying Doug Self's six times more distortion for a hundred times less power rule once, we reach 0.012% at 390mW. Apply it again and we obtain 0.072% for 3.9mW. The graph reads 0.035% for 10mW. Extrapolating the graph to 3.9mW we won't get double the figure as the slope of the graph isn't steep enough at 10mW. At 40mW it shows 0.017% - multiply this by 2.5 and we get a figure short of 0.072%. So I conclude its noise dominated here even if it was distortion dominated just before clipping - which is debatable. The story is rather different at 20kHz though, I'm not claiming that the graphs are noise limited there. Were you only referring to the 20kHz plots when you claimed the input stage was causing 0.5% distortion?
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