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#11 | |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Quote:
This allows you to measure what is happening without having to dismantle the circuitry to get it to start up.
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regards Andrew T. |
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#12 | |
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diyAudio Member
Join Date: Jun 2004
Location: the Netherlands
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Quote:
An way to do it is with a relais between the PSU rails. I once saw this in a Peavey design. By DC faults, the PSU rails get shorted which in turns blows the circuit breaker. However there is a change this is not rapid enough to spare your expensive speakers. I will study your suggestion ![]() I am agree, I don't want a relays in the output. With kind regards, Bas |
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#13 |
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diyAudio Member
Join Date: Feb 2007
Location: Midwest in the USA
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I used to run a mixer board for some live performance events. One of my pet peeves were those pro-sound amps that would shutdown FOREVER when an a catastrophic event occurred, like acoustic feedback that overloaded it. The only way to get it back on-line was to cycle power. Not too convenient when the amps were backstage. At that point I decided that any amplifier I designed would NEVER shutdown unless it was absolutely necessary to do so. A large DC offset demands that the amp does shutdown and be repaired. Blowing the PSU rail fuses or popping a breaker is a good idea. I think it will be fast enough to protect the speakers. Fuses...fast. Breaker...not that fast. Overcurrent? Muting for a second or two should do it.
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#14 |
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diyAudio Member
Join Date: Jun 2004
Location: the Netherlands
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Dear,
I built a first prototype of this amplifier. Of course there is so much to tweak and to experiment with to tune and make the sound of an amplifier. However, I didn't like the sound as much as my previous LME49811/Sanken STD03 design. I found the (simple) design with the Sanken STD03 darlingtons far superior in 3D imaging, sustain and speed. (I don't talk about measurement speed in slewrate, frankly I don't care about that value, but I talk about speed of percussion, the ability to hear where the drummer hit on the snare drum, the ability to separate the kickdrum from the bass guitar). I was figuring out, that it might be the 3rd stage in this 3 stage EF design that make the sound less. The Darlington's with the ME49810 are a 2 stage EF, and this is possible because of the high hFE of the STD03's. However I don't give up on the thermaltrak's. They must be great! and it must be me who didn't come up yet with a good enough design. So I hope with your help I can get the best out of them, and I feel it is time for a different approach. Obvious we need current, and with 2 stage EF we don't get the current we need with the hFE's of this transistor set. However their might be another solution to stay with two stages and still get the required current. If memory serves me well, The Spectral amplifiers and the (nightmare? Please take a look at my new schematics. I parallel 3 identical EF stages. Ecch power transistor has its own driver transistor. Every pair should be biased separately, cause of the hFE differences. Would this approach be possible? And if this would be possible, would the LME49811 see to much capcitange due the many driver transistors? Ever pair is bypassed with a 10uF/100nF cap set. This in attempt to improve switch off behavior. I would like to get some input. Thanks in advance. If I design and order the PCB's any interest for cost-price? See schematic here: http://img11.imageshack.us/img11/4223/thermaltrak2.gif With kind regards, Bas
Last edited by Sebastiaan; 8th February 2010 at 11:43 PM. |
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#15 |
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diyAudio Member
Join Date: Jun 2004
Location: the Netherlands
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Dear,
One correction, I see I twisted the power supply indicators in the drawing. The correct way must be of course, The output transistors work on 27VDC. The driver transistors and the LME49810 on 37VDC. With kind regards, Bas |
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#16 |
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diyAudio Member
Join Date: May 2008
Location: On the moon.
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You compensate from the source pin instead of the sink one?
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#17 | |
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diyAudio Member
Join Date: Jun 2004
Location: the Netherlands
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Quote:
No Please see the corrected schematic with also the voltages corrected. http://img683.imageshack.us/img683/5...rmaltrak22.gif With kind regards, Bas |
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#18 |
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diyAudio Member
Join Date: Mar 2005
Location: Midwestern US
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Sebastiaan,
A provocative design; essentially a scalable "chip amp" that combines the LME49811 as a simple-to-implement, high-quality front-end and an inherently simple/stable ThermalTrak output-stage. I haven't yet experimented with the ThermalTrak output-stage devices, so my observations may be way off. However, now that you've reduced the output device configuration to a two-stage Darlington EF, I believe that you need to alter your output-stage biasing scheme to account for the reduced number of cascaded devices in the EF output. Currently, you have three ThermalTrak bias diodes configured on each half of the push-pull EF output stage, which appears to me to leave the output stage seriously over-biased into Class-A operation (approximately 6-7A idle-current per output device). Or is my lack of experience with the ThermalTrak devices showing? ![]() Perhaps reduce the design to just two pairs of output devices per side of the balanced amplifier? Or would it be appropriate to reconfigure for four pairs of output devices per side, running the ThermalTrak diodes as two parallel strings of 4 diodes?
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Mullard EL34 |
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