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#1221 |
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Banned
Join Date: Oct 2009
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Returning to the headphone amp... well I got further proof that the Rubycon ZL/ZLH sound great (burnt in). They (together with the excellent LME49721) have added tonal richness, and naturalness to my "C&C BOX V2".
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#1222 |
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diyAudio Member
Join Date: Jun 2004
Location: paris
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the LME49720HA is now at my DAC output stage
it's for me the first integrated op amp that sound right , very neutral and transparent you put it and you forget it |
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#1223 | |
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Banned
Join Date: Oct 2009
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Quote:
I think I'll put the LME49720HA inside my Pioneer.. |
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#1224 | |
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Banned
Join Date: Oct 2009
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Please take a look at what the golden ears of head-fi.org are saying right now:
Quote:
OPA627 sterile and relatively artificial, OPA827 almost as sterile and a bit thin, LT1028 clearly has more life and magic despite being maybe a tad lean sounding, AD797 definitely more lifelike than the sterile OPA627 and almost sterile OPA827... and so on ![]() And the most funny part is that the guy hasn't yet understood that the OPA1611 is the real deal in the latest generation of audio opamps; the OPA211 also being better than OPA827, OPA627.. ...just a bit of evil mockery. ![]()
Last edited by Andrea:; 29th December 2009 at 11:25 AM. |
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#1225 |
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diyAudio Moderator
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Your suggestions are noted
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#1226 |
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Banned
Join Date: Oct 2009
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Maybe in the Pioneer I cold put a pair of LT1028. Otherwise, I have got Browndogs with the OPA132UA, LME49720HA, LME49723, OPA827...enough to start playing.
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#1227 |
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Banned
Join Date: Oct 2009
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One speaker I'm interested in is the Celestion F15. I owned the F10 and it was very musical. From reviews, the F15 seems to be better and that makes it interesting...
...also by virtue of the titanium dome tweeter (I've always preferred metallic tweeters, though the silk/polymer tweeters of my Monitor 30's are surprisingly good). |
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#1228 |
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diyAudio Member
Join Date: Nov 2006
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Andrea, since you're a notorious ground channel hater, I can't understand how you can have an oppionion on synergism between ground and L/R channels.
I always judge an (op)amp on how it colors the sound when added to a system and try to be objective. I can't understand your negative view on OPA627 while liking eg OPA132. I think you're rather alone on this. |
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#1229 | |
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Banned
Join Date: Oct 2009
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Quote:
audio channels, no? Sorry if I misunderstood?Anyway... it's always a bit of an exaggeration when it comes to words... I don't have an entirely negative view on the OPA627. It has its qualities. On the other hand, I prefer the OPA132UA even inside a 24V-powered CMOY. The OPA2132 (P version) is pleasant, nothing too special. I'd really prefer to use 2 OPA132UA since they sound more open and transparent.. And I recently got the OPA132U to try as well, when I have a chance
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#1230 |
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diyAudio Member
Join Date: Nov 2006
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To mock a mocker:
I've reported about issues using LT1028 where it oscillated when "dropped" in one of my amps. That was when using a single to dual SOIC to DIP adapter. This time I tried LT1028 DIP version "dropped" in another amp completely stable with a nice square wave when using OPA827. This is how LT1028 looks with and without proper compensating caps. Andrea, guess which channel that's not properly compensated ![]() So, LT1028 is NOT a drag-and-drop opamp. It has to be properly compensated. How does it sound? Not neutral. No doubt it's brighter than neutral and slightly sibilant. Details and soundstage are good. More fun and alive than LM4562 but the latter is more neutral. Not as good as OPA827 or AD797. This is with no burn-in time, but I don't really believe in burning in parts other than for a few minutes. |
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