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#1 |
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diyAudio Member
Join Date: Mar 2007
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Hi All,
I've been thinking about doing this for a while. I wanna build something like the Keiga 2.1, except chipamp based. Targets: -Single stereo input (RCA or 1/8") -Summed (stereo>mono) lowpass filter to subwoofer amplifier. -Highpass filter to bookshelves/mains/small computer speakers -Linkwitz Riley 4th order crossovers all around. -Single chipamp for each top (or a LM4780 half for each side) -Chipamp based amplfiier for sub (2 parallel or 2 bridged, or 4 bridged-parallel). Tentative crossover is attached. Uses 12 opamps, to be determined. Pulls a LOT from sound.westhost.com I'm currently thinking point to point since I've never done PCB prototyping, but I dunno how well that'll work. R and C are chosen for crossover frequency. Right now I'm thinking ~120-160 Hz, kind of high but I'm thinking about using CHR70's from Markaudio/CSS. Sub is some small 8"/10" (Tang Band or Dayton Reference or something from CSS) Questions: How necessary are the input and output buffers for the crossover? Assume fed directly into chipamp input. For opamps, how necessary is regulation (other than just plain caps) on the power lines? Could I use rectifier>caps + bleedoff and use that for rails. Should I add a zobel? A zener? Some chip based rectifier (LM78XX or LM188/388)? For the sub, I have an inverting summing amp, a MFB LP (inverting), and a Sallen Key (noninverting). Are there issues with cascading different filter topologies? I'm thinking I can use chipamp kits for the amplifiers. For tops, probably two single 3785 kits, or a 4780 (for convenience). I'm kinda torn on the sub amp. Choices: -Parallel 4780 -Bridged 4780 (with DRV134) -Bridged-Parallel 2x4780 (with DRV134). Thoughts? Thanks! Justin |
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#2 |
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diyAudio Member
Join Date: Apr 2004
Location: Vancouver, B.C.
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If you get a DVC sub, you can always drive each coil with its own amp. This simplifies the circuit, as you basically end up with 2 left channels and 2 right channels and one of each goes to the sub.
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#3 |
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diyAudio Member
Join Date: Dec 2005
Location: Los Angeles
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Strictly speaking regulators aren’t necessary for op-amps, they have excellent power supply rejection at lower frequencies, and a Pi filter can be used to smooth-out the upper harmonics from the bridge/capacitor sawtooth waveform. Just watch that the supply cannot exceed the op-amps maximum ratings (+/- 12 volts is usually safe, depending on the amps used). Using regulators will change the sound of the system, but for the better I’m not so sure anymore (when I was younger I was big into regulation, but I’m finding that I’m perfectly happy with Pi filters, just be sure to use big enough caps to get the line/load ripple down to manageable levels). One thing regulators will allow you to do is squeeze every last volt of headroom out of an amplifier. Doesn’t sound like this would be important in your case, as you plan to feed the power amps directly from the x-overs. Opinions will vary though.
If you’re feeding your active x-overs directly into your chip amp’s input, you may want to consider a muting relay for the output of either the x-overs or the chip amps themselves, as many op-amps will exhibit some really obnoxious sounds at power-up and power-down. |
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#4 |
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diyAudio Member
Join Date: Sep 2004
Location: Minneapolis, Minnesota, USA
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Before sharing my thoughts on your ideas, understand that what you are thinking of building won't be easy to get right without a major investment in time and effort.
A better approach IMHO would be to simplify the design. A computer speaker/subwoofer system using two simple full-range speakers and a small sub is a very good start, but I'd recommend you avoid the overly complex crossover plan. Instead, a simple summer circuit followed by a single 2nd order low pass filter for the subwoofer, tuned to the natural roll-off of the main speakers would be more likely to get you there successfully. I also think it would make more sense to forget the parallel or bridge amp idea, and just use three single chip amp channels, one for each driver(you don't need a lot of power in this situation.) I'd be happy to elaborate further at a later time, but right now I'm busy with my own over-blown, overly complex, project from hell(I'm actually finished with it, but there's this #$%&@! ground loop issue that I need to figure out.) Cheers |
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#5 |
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diyAudio Member
Join Date: Mar 2007
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Moose-
I haven't seen too many of the DVC subs in the smaller sizes. I'll look into that though, thanks! kaos- Haven't looked much into Pi filters. This is the CLC filter right? Would you recommend this for the filter board only, or for the filter and amplifiers? What range/sort/type of caps and inductors should I be looking at? Michael- I can see what you mean about the overly complex. Issue I've generally had with fullrange mains (especially small ones) is that their amp tries to reproduce the lower frequencies, and you end up losing overall headroom. (does this sound correct? something like that). I have a similar set of speakers - two speakers and a sub - and when I don't highpass the mains, they start bottoming out with any decent amount of LF material. I may consider second order though. Would LR2 work better, or would an asymmetrical configuration work better? I don't think the bridge/parallel adds too much complexity to the design, since I can just use the audiosector LM4780 board and add a few resistors to it for either one. Main reason I'm doing the dual is because of the overall lower sensitivity of various subs, and the fact that I'll have two mains to one sub. What's your current overly complex project? Also, general question. What is the recommended wiring method for something like this (without PC board)? Straight point to point (seems like it would get ridiculously complicated with the number of filters)? Perfboard? Something like this: prepunched circuit board ? Approx how much is a one-off set of PCBs (similar to chipamp ones)? 20 dollars apiece? 50 dollars apiece? Just kind of curious to see if it'd make sense. If you have multiple PCBs in a system, how do you star ground? One star ground connected to each of the individual PCB grounds? Thanks! Justin |
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#6 |
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diyAudio Member
Join Date: Dec 2005
Location: Los Angeles
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For the op-amps I was thinking in terms of the CRC style Pi filter (4 caps and two resistors in a split supply). Easier than using inductors. The right values would depend on the specifics of the op-amps used and the rest of the power supply, but a crude rule of thumb is 470 uF per cap per op-amp. So in your circuit’s 12 op-amp case 4,700 uF caps and something around 10 ohm 5 watt resistors (while not needed for normal operation, using the bigger resistors gives the supply some tolerance for grazing shorts). It also usually helps to parallel the output caps with some smaller value like 22uF. Some people also tack on a small value film (around .1 uF) cap, but in my experience that’s a case-by-case sort of thing.
For typical power amps I just use a regular bridge/capacitor power supply. High current inductors are just too bulky for my taste, and resistors cut into the available power to some degree. |
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#7 |
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diyAudio Member
Join Date: Mar 2007
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PSU like this?
How necessary is a zobel? |
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#8 |
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diyAudio Member
Join Date: Mar 2007
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If supply rails are too high for the opamps, would a voltage divider like this work?
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#9 |
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diyAudio Member
Join Date: Mar 2007
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What's a good simple startup mute relay?
Thanks! Justin |
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#10 | |||
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diyAudio Member
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Quote:
Quote:
Quote:
Don't worry too much about the power demands either. Your subwoofer will probably reach its mechanical limit much earlier than even a single chipamp runs out of steam with the right power supply.
__________________
If you've always done it like that, then it's probably wrong. (Henry Ford) |
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