The 'Ci' DC blocking cap in the LM3886 Feedback Loop

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Why does everyone use a ~highish voltage electrolytic here? It should never see but 1/20th the voltage of the rails at most. A lot of folks even use polar caps here, which would pop if anything more negative than a volt or so went across it.

Can I use a teeny little 6.3V rated cap here?
 
The lower the frequency is, the higher is the resistance of that capacitor. The higher the resistance is, the more voltage will drop across it. Next to 0 Hz nearly all the voltage drops across Ci. Ci should therefore withstand the rail voltage. It does not need a safety margin like e. g. the PSU capacitors, because hardly any current flows though it, and that is also, why it does not matter, if the voltage across it is reverse.
At audio frequencies the voltage drop across it should be next to zero. At DC no current flows at all. In between those two states there are little, if any signals present. You can get away with a too small voltage rating. Is it worth the risk, when you look at the price of such an electrolytic? Once you had to cope with the disgusting smell of a blown capacitor you won't think about it again.

Rule of thumb: the next voltage rating below the PSU capacitors.
 
i'm going to make LM3886 too, but i will not use 10K (pot.).
and i will use 3,3uF DC blocking caps.
the amp will play direct to my PC soundcard, so i don't need volume control.

is there need modification for the original schematic (datasheet) ?
if yes, can you draw for me (skecth) please.

Thank's
 
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Any specific reason why, Andrew?

I have a very heavily modded E-mu 1212m going directly into a P2P LM3886, and it's pin-drop silent, even with my ear inside the tweeter, literally. Even a Buffalo DAC used this way sounds simply great, with absolutely no noise at the speakers. The amp is set up for 26dB gain, and directly coupled to the card, with not even a series cap. I also don't use bandwidth control, or push the volume too high even though my speakers are only 85dB efficient.

With poor construction and power supplies some noise may leak through and I've experienced this myself when I struggled to fix a ground loop issue with my Delta66, but if the construction is properly handled I see no issues. Actually I love the sound this way and would never again use a volume pot, as even a reasonably high quality stepped attenuator I used degraded the sound from this arrangement. Pots simply sound bad, IMHO.

I do know about bit resolution loss at lower volume and noise performance of soundcards being another reason, but with a sufficiently high quality card this should not be a problem. I have checked the outputs from a X-Fi feeding a LM4766 (again, set up with 26dB gain) and the results are better than using a pot.

I have seen the Alien DAC create a bit of hiss when used this way, so I prefer a pot on that source, but I think that's relatively low-spec so the pot doesn't harm it too much anyway.

But I'm sure you have your reasons - I'm keen to know what they are.
 
sangram said:
Any specific reason why
...................would never again use a volume pot, as even a reasonably high quality stepped attenuator I used degraded the sound from this arrangement. Pots simply sound bad, .............
..............I do know about bit resolution loss at..........volume ....................but with a sufficiently high quality card this should not be a problem. I have checked the outputs from a X-Fi feeding a LM4766 (again, set up with 26dB gain) and the results are better than using a pot.
I find your conclusions that the digital attenuation being better than analogue attenuation, whether stepped or pot, to be surprising.
That would have been one of my reasons.

The lack of HF attenuation would be another.

The lack of DC blocking at the input would be a third.
 
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I can understand, I never expected the same results myself.

I believe the mixer on the soundcard also has an effect, with the regular windows kmixer obviously being a pretty grave offender in this regard.

I think the professional cards mix internally at 32-bits (mine does) so this may have an effect on the precision of the amplitude calculation. I would not know about this right now, but I'll do my research before I commit to an answer.

Most soundcards have DC blocking of some sort. The E-mu has them right before the output opamps, the m-Audio has them right at the output itself (after opamps), which is the position I've almost always seen them in. The Buffalo DAC, of course, has none but it has no output offset either, so not sure they're always needed.

I agree with your observation about HF attenuation. I use none myself and no zobel on the output so it is a bit hairy in my head (I wish I had some more outside but meh) at times, but the few times I have checked, with reasonable loads and some attention to layout this is not usually a problem. Again, I don't use a PCB so the only stray inductance I have to deal with is the lead inductance of a few millimeters of each component. I've never had a single case of oscillation since I started laying the grounds out correctly. On stereo chips this is a nightmare!

I think HF attenuation is pretty much compulsory in all cases though, and I do not advocate running without , but it seems to be pretty easy to leave those bits in when connecting directly. A simple RC filter should do, cornered at about 100KHz or so.
 
i used the lm3886 without this cap initialy running it from my own xfi sound card and the sound was pretty good, then i changed it and am now using a 10uf 50v elna cap as the ci and seem to have a cleaner sound, not hitting the spike protection like ti used to... interesting. also dc coupled no input caps and no volume pots. xfi sound cards are pretty good!:)
 
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