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#91 |
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diyAudio Member
Join Date: Nov 2007
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Question: Since Lm1875 is an opamp, can it be used in a circuit like this, but yet scaled up to drive a speaker?: HDOA - High Dynamics Op Amp
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#92 |
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diyAudio Member
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yes, of course. It's a standard circuit you find in textbooks. Mostly done as power amp with TDA2030 which is almost equal to the LM1875.
Just an OT question Daniel, you are writing or have written your bac paper/thesis? What's your discipline? Regards |
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#93 | |
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diyAudio Member
Join Date: Nov 2007
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Quote:
Okay, so how do we do both "slightly more dynamics" and also less noise at the same time? |
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#94 | |
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diyAudio Member
Join Date: Nov 2007
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Quote:
Discipline is computer network engineer. As a theme, I'll either push a problem until it breaks or is repaired and either way gets repaired--half measures grieve me greatly. The reason that I would obsess over LM1875 is because it doesn't fall short on anything except for output power. And, except for output power, its the chipamp that doesn't compromise fidelity. Usually, the harmonic output of LM1875 amplifiers is just the sort that you'd like to increase by bridging, but the current rating is too little unless you have 16 ohm speakers. |
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#95 | |
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diyAudio Member
Join Date: May 2008
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Quote:
-> higher rail voltage in all load situations = big transformer and big low ESR capacitors. -> efficient speakers. Less noise -> big capacitors or -> cascaded RC circuits as per your post #88 or -> LC circuits as recommended by Nelson pass or -> regulated power supplies with noise at different frequencies, where it is less audible or easier to reduce.
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If you've always done it like that, then it's probably wrong. (Henry Ford) |
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#96 | |
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diyAudio Member
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Quote:
But I don't think, it would preserve the 'harmonic output'. Regards |
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#97 | |
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diyAudio Member
Join Date: Nov 2007
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Quote:
If so, that's the TDA2030A (unity stable version) and does about 120 watts of music. Perhaps that schematic could be revised to use LM1875's on regulated power and perhaps parallel output devices, maybe fets? I don't know. What I do know is this: Once the new owner of an LM1875 amp hears it, he or she will want to crank it up. . . and then there's a problem unless the speakers are very efficient indeed. A possible alternative is an array speaker with as many LM1875's as there are speakers. |
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#98 | |
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diyAudio Member
Join Date: Nov 2007
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Quote:
The following post contains comments about K50 and refers only to K50. A to220 size mica with thermal compound should work a bit better. This also needs a plastic "shoulder washer" to insulate the screw. The K50 has typically a feedback resistor (R5) clear up at 180k, which is a bit bizzare. A value that's not so hindersome is 120k. You can set the gain with its partner, R4, whereby a smaller value at R4 will increase the gain or a larger value at R4 will decrease the gain. R4 on the K50 kit is AC coupled for safety. Unfortunately its coupled to a very low quality capacitor, C3, of a too-small size. A better quality cap of 47uF or more is recommendable than a poor quality cap of 22uF. However, you may choose to leave the factory-provided cap in place and parallel (add to it) a tiny value polyester/mylar capacitor to level out its frequency response. Choices on the value of this cap affect the mid-bass versus low-bass contour and thus the choice of size is speaker-reliant. C1, the input filter cap at 1uF is somewhat undersize unless your woofers are tiny indeed. Choose this cap size based on your speaker's abilities as there is no need to waste power for what a given speaker cannot produce. To maintain the classic sound, you can use an electrolytic if you wish; however, classic hifi with electrolytic input caps did, historically, also use a tiny value polyester/mylar "bypass cap". One possible improvement is 3.3uF electrolytic with 10nF (0.01uF) polyester added. There are many, many options for C1, but a low quality 1uF isn't optimal. The factory standard K50 LM1875 kits have a nice frequency response but a "pancake flat" soundstage. The above mods are for the purpose of alleviating the soundstage issue so that you can enjoy both mono and stereo in a hi-fi presentation. In a nutshell, I recommended un-doing the factory treble boost by swapping their 180k for a more reasonable value of 120k (afterwards correct the gain with its partner resistor, if necessary). Then, putting the treble boost back into place via adding tiny value polyester/mylar capacitors to both the NFB cap and the input cap to complete their bandwidth. You should be able to "break even" on the frequency response and the LM1875 will now operate within tolerances, better able to obey the signal at its input. In that case, each speaker will be able to project in 3d, instead of flat up against the speaker driver. Materials to fix K50 kit: Variety pack of resistors, including a 120k Better cap for the nfb cap Better cap for the input cap Cheap polyester bubble/dip caps in the range of 4.7nF, 10nF and 22nF for the purpose of paralleling (adding) to input caps and NFB caps. Mica of TO220 size plastic shoulder washers thermal compound There are many other options available, but LM1875's are so very good that this simple touch-up can give it a chance to show off.
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#99 |
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diyAudio Member
Join Date: Nov 2007
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Just starting out? Perhaps this chart is helpful.
Last edited by danielwritesbac; 8th November 2009 at 06:14 PM. |
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#100 |
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diyAudio Member
Join Date: Mar 2009
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