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#1 |
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diyAudio Member
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I'd brought this up in responses to other threads... I thought I'd document it here seperately with a hard measurement. The ubiquitous advice with respect to caps is 'film is always better-- if you can afford it'. That's not actually true; you'll probably not be able to measure the THD contribution from just about any cap, ceramic and tantalum excepted. Also, huge film caps pick up noise. Case in point below.
I've been constructing a small fleet of gainclones for some self-powered monitors. These are intended to be refined, thoroughly debugged 'milking what you can from a great little chip'. I'll post a schematic if AndrewT demands, but for now suffice to say it is a pretty standard little gainclone with a Panasonic FC blocking cap for Ci and an Orange Drop .22uF input coupling cap (big dipped polypropelyne film/foil). The initial prototype fired up and with the inputs shorted produced the following self-noise graph: [The vertical scale is dBV mesaured at the driver. The gray line is the measurement, the red line is the sampler self-noise reading] Good-- but not great. That's just audible in a quiet room. The foil cap turns out to be coupling hum and hash noise coming from the PSU. Although shileding the input cap helps, eliminating it entirely or using an electrolytic yields: ...much better. That's the output of 30dB of amplification from a chipamp with +/-35V rails. The only difference is avoiding using a obscenely large film cap. Presented for nothing more than illustrative/documentation purposes.
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"My name's Monty, and I break things." "Hello, Monty!" |
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#2 |
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Electrons are yellow and more is better!
diyAudio Member
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My statement is: Better to use a physically small cap than a large one if HF propertiers are essential. I'll guess you proved me right here.
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/Per-Anders (my first name) or P-A as my friends call me |
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#3 |
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diyAudio Member
Join Date: Oct 2005
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I find these results very interesting.
I (like many others) have found teflon caps to have the cleanest HF reproduction of any type of cap I've tried. But teflon caps are huge compared to other types... hmmm... All the teflon caps I've tried have been russian military types with a metal case. Perhaps the case helps to shield the cap against noise...? Either way, non-shielded teflon caps also seem to be liked for their clean HF reproduction (not that I've ever listened to one). Please don't think I'm questioning your results - I'm genuinely intrigued :-) |
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#4 | |
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diyAudio Member
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Quote:
The problem with claims like 'teflon has the cleanest HF' and 'film is more transparent than electrolytic' is that in small signal coupling applications, I can measure zero-- and I mean zero-- performance difference between them up to 50kHz. The tools can tell the capacitors apart when measuring to performance extremes that have nothing to do with audio (amps of current flow, nonlinearity at 200V, impedence differences at radio frequencies), but in an audio signal coupling application the measurement tools say there is no difference whatsoever (measurement depth of 20 bits). Of course, at high power or other applications there are real differences. But for small signals, all the film and electrolytic caps are ridiculously overqualified.
__________________
"My name's Monty, and I break things." "Hello, Monty!" |
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#5 |
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diyAudio Member
Join Date: Oct 2005
Location: Vancouver, WA
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Slightly OT, but...
I don't recognize the look of the software. Judging by the UI, I'd say it's a Linux-based application? What is it? --Greg |
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#6 | |
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diyAudio Member
Join Date: Oct 2005
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Quote:
Xiphmont: Ignoring your measurements, do you actually hear a difference between different types of cap? |
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#7 | |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Quote:
__________________
regards Andrew T. |
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#8 | ||
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diyAudio Member
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Quote:
The source is at http://svn.xiph.org/trunk/spectrum The version there runs now but is incomplete (that's what I used to make the graph) Quote:
Even ceramic caps, which are avoided for some good reasons, show barely detectable THD contributions when used to couple microamps of line-level voltage. The noise coupling and microphonic characteristics of many caps contribute way more to signal degrdation than any other imperfection in the cap. I can easily measure a ceramic cap picking up room noise around it (acting as a condensor mic). And no, I don't hear a difference between the caps. Honestly, I've never gone looking to hear a difference. I already know my ears are not as sensitive as my measuring tools, and if the tools can't detect a difference, I'm fully confident any difference I hear will be imagined. Placebo effect is strong and unavoidable, even in people who are aware of it. It is human nature to find patterns and detect differences where none exist.
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"My name's Monty, and I break things." "Hello, Monty!" |
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#9 |
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diyAudio Member
Join Date: Dec 2002
Location: Houston
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I used to use huge film caps for coupling. The US made teflon caps in metal tubes were big faves. The surplus teflons seemed better than the approved boutique films caps. Now use many varients, small electrolytics such as Silmics and BG, 50 volt polycarbonate film, and the lowly Epco mylar.
To my ears, the smaller the coupling cap the better. Decoupling is the same. I use a lot of 20 cent ECR 1% polycarbonates in recent builds. They have mid 80's date shift codes. I used to throw all steel leaded caps in the trash too. Cannot honestly hear the non linearities of coated steel lead component versus a copper lead. Short lead length may help here. A better design and layout is much more important than the brand of caps used to build. George
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Cheapest is bestest |
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#10 | |
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diyAudio Member
Join Date: Apr 2004
Location: Northern California
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Quote:
You assume that the quality that makes one type of capacitor sound better than another is THD. There's little evidence to support this assumption, but if true, many have measured significant distortion differences in various capacitor types. See this thread in this forum Capacitor Distortion |
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