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#1 |
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diyAudio Member
Join Date: May 2006
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I'm having some low-level distortion problems with my CMoy, but they only occur with two of the handful of op-amps I've tried: OPA2228 and LM4562. Both cause a slight pop when the amp is turned off, which leads me to believe that this may be a DC issue. None of the op-amps seem to be drawing an exceptional amount of current (checked with a DMM), but I do hear what sounds like ground hum when the amp is turned way up with no input connected.
It's strange... The distortion with LM4562 and OPA2228 made the music completely unlistenable with a pair of crappy Koss TD-60 headphones (32 ohm impedance, 95 dB sensitivity), but on my Sennheiser HD-497s (32 ohm, 112 dB), it's only noticeable in the background. Still, I'm worried about the potential of DC offset to damage the headphones, if that is indeed the problem. I really want to use these op-amps, because they sound very good apart from the distortion. Background info: The CMoy was built using a PCB from Head-Fi member Joshatdot that basically mimics Tangent's popular schematic, but with a single power capacitor and TLE railsplitter instead of one capacitor per channel as in Tangent's design. I have chosen to use resistors in place of input capacitors for the sake of sound quality (all devices feeding the amplifier should have output capacitors, in theory). I've also chosen to use amb's Mini3 resistor values to achieve a gain of roughly 5.5 instead of 11. The only hole not soldered on the PCB (shown below) is between V+ and V-; it's a VIA that links the top and bottom of the board. I was told that this wasn't essential to bridge. --------------------------------------------- Here is my parts list: Resistors 2 - R2, RES 100K OHM 1% 50PPM 1/2W, Vishay Dale [CMF100KHFCT-ND] 2 - R3, RES 332 OHM 1% 50PPM 1/2W, Vishay Dale [CMF332HFCT-ND] 2 - R4, RES 1.5K OHM 1% 50PPM 1/2W, Vishay Dale [CMF1.50KHFCT-ND] Power Section 1 - C1, CAP 470UF 35V ELECT FM RADIAL, Panasonic FM PSU capacitor [P12415-ND] 2 - C2, RES 332 OHM 1% 50PPM 1/2W, Vishay Dale [CMF332HFCT-ND] 1 - TLE2426CLP virtual ground rail splitter chip (TO-92) [296-1994-ND] Op-amps 1 - IC DUAL PRECISION OPAMP 8-DIP, OPA2228P Op-amp [OPA2228P-ND] 1 - LM4562 1 - OPA2107 1 - OPA2132 1 - AD823 1 - IC SOCKET 8 PIN .300 GOLD, DIP-8 Socket [ED90032-ND] Extra 1 - Alps RK0971221Z05 pot and switch, 10KΩ, from amb 2 - STRAP BATT ECON 9V I STYLE 4"LD, 9V Battery Straps [232K-ND] 2 - CONN JACK STEREO R/A 3PIN 3.5MM, In-out jacks [CP1-3533-ND] 1 - LED 3MM BLUE DIFF, Blue LED [350-1560-ND] 1 - RES 10.0K OHM 1% 50PPM 1/2W, Vishay Dale resistor for LED [CMF10.0KHFCT-ND] Here's a picture of the completed PCB: ![]() Since Head-Fi is down at the moment, I can't pull up Joshatdot's picture of the bare board itself to show the labels underneath the parts. I'll post it as soon as possible. The TLE2496 is underneath that huge 470 uF capacitor. |
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#2 |
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diyAudio Member
Join Date: Sep 2005
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Do you have any compensation on the feedback resistor with the opa2228?, those chips are unstable as hell without. Also if memory serves me correctly the resistors on input is specificaly advised against in datasheet.
google for the datasheet, and you will see why its not good for just dropping into a general cmoy topology/pcb. good chips for that pcb are NE5532, or opa2132 and 2134. Implemented correctly it is my favourite chip so far... I have no experience with the National chip, it still has to make its way across the globe. |
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#3 |
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diyAudio Member
Join Date: May 2006
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Thanks for the reply. I did notice that the input bias current for the OPA2228 was in the 2.5 nA range, as opposed to the OPA2132's 5 pA, so I thought it might have something to do with balancing the input bias currents, which I've never done before.
I don't have anything in the R5 position--it's jumpered at the moment. I'll consider adding input capacitors instead of resistors if they're necessary. What sort of modifications would I need to make this work with the OPA2228, and would those modifications affect the stability or sound quality of other less-cranky chips? |
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#4 |
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diyAudio Member
Join Date: Sep 2005
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Look at the datasheet, it has some suggestions... a small cap in parallel to fb resistor should keep things tight... also look at schematic to see which changes to hardwire into your board.
Make sure the chip is shielded from drafts and moveing air. |
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#5 | |
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diyAudio Member
Join Date: May 2005
Location: Riga, Latvia
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Quote:
Try connect pot shaft to ground. Try connect small film caps between opamp's +power leg and ground, and between -power leg and ground right under chip socket on boards other side. |
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#6 |
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diyAudio Member
Join Date: May 2006
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Thanks again Nordic, and welcome Zigis. I'm still new to electronics, so even simple schematics seem a little confusing to me--sorry if I need some spelling-out from time to time. I did read the datasheet and saw that it recommended 0.1 uF decoupling capacitors, just as you both said.
Sounds good to me... Can either of you recommend some good capacitors for this purpose, and are films better than ceramics for this application? I'll need to start a new order with Digi-Key, since I don't have any spares. I may add the NE5532 op-amp to my order, too, since I hadn't heard of that one before. Will adding these 0.1 uF decoupling capacitors negatively affect the performance with any of the other op-amps? Edit: I just noticed that the OPA2228 datasheet does say, "A resistor added to cancel the effect of the input bias current...may actually increase offset and noise and is therefore not recommended." Does this mean that I should jumper the input capacitor pads instead of using the resistors (and is this okay for other op-amps)? |
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#7 |
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diyAudio Member
Join Date: May 2005
Location: Riga, Latvia
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For audio filmcaps is better. In this place poliester is good enough.
If you don't use input cap, just replace it with jumper. Solder resistor leg or wire to pot's ground pin and connect with nut to pot's shaft. This big aluminium shaft sometime work like antena. |
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#8 |
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diyAudio Member
Join Date: May 2006
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Thanks again for the advice. I'll jumper the input capacitor pads and run a wire from the Alps pot shaft to ground.
Could you recommend any small film capacitors available on Digi-Key? The typical Panasonic and Vishday/Dale film capacitors seem a little large to fit on the underside of the board. |
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#9 |
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diyAudio Member
Join Date: May 2005
Location: Riga, Latvia
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I am not familiar with Digi-Key, I bay in Europe, maybe 3013PH ( from Tangent tutorial ), anyway, any metalized poliester box cap for 63V or 100V. Smaller voltage- smaller size. I use Wima.
In my CMoy boards I place El caps close to opamp power legs, opamp like it. I learn this from CarlosFM, ex- member. If space allow, better way is bypassing with two 10mf X 16V under PCB. Are shaft grounding help with noise problem ? |
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#10 |
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diyAudio Member
Join Date: Jun 2001
Location: Calgary
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For the decoupling caps that connect the opamp V+ and V- to ground, ceramic capacitors are best. They have lower impedance at high frequencies. Using decoupling caps are recommended, generally essential, for all opamps. Opamps may oscillate without these caps, which you may not be able to hear directly but could distort the audio.
Any of digikey's small ceramics are fine. You can also add larger caps (film or electrolytic) in parallel with them if you wish, though I don't think you'll hear any difference. Film caps are better for input coupling capacitors. |
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