The VSPS was a side-project that grew out of the Phonoclone, and actually ended up first out of the gate as a working circuit.
Apart from the general design philosophy (low parts count, simplicity, careful layout and grounding) it has no particular link to 47 Labs. While the concept of a non-inverting op amp active phonostage is nothing original the circuit is mine, particularly the configuration and values of the RIAA filter which I calculated and simulated myself. The rest is an amalgam from a dozen or so different sources, textbooks, datasheets and application notes &c. All the values are quite carefully chosen.
That said I've always put the circuits and everything else on the internet, with source attribution as I felt necessary. The boards and kits came...
A thought has popped into my head ... I enjoy the process - well, most of the time, :D! - of refining systems so that they deliver what I call convincing sound - a quality beyond what people typically achieve with audio systems assembled and "optimised" in conventional ways. And I've been able to help others at times move in the right directions, to advance what they're currently achieving.
So, I'm curious whether there are any out there, lurking :), interested in having a one to one interaction with me in having a go at getting something better out of their systems. Before wasting any more time on pursuing a silly idea, I would be curious if anybody is interested? And if you don't like to "expose" yourself to the great unwashed, :D, just send me a PM!
Not sure why, but about a month ago I decided that I wanted to buy a turntable and get into listening to albums. So I did some research and bought an old used Technics SL-BD22 and a Sansui R99-Z.
Now I have been hitting up Goodwill looking for albums and I found an actual record only store about 45 minutes from me and I bought some records from them over the weekend.
The bad news is that I don't have any decent speakers, I used to have some old Yamaha home entertainment speakers for our old CD player however I sold them at a garage sale 3 years ago or so.
How have I been listening to my new to me albums? Well, I am using my speaker setup with subwoofer that supposed to be in my office connected to my computer. My kids are not happy to be watching YouTube videos with the old stock computer speakers!
Speaking of speakers, I bought the Parts Express MTM TriTrix speaker kit...without the wood.
I built this up to see how the TDA8946AJ DC-controlled volume element sounds. According to the datasheet and comparing the figures with those for the same amp minus the volume control (TDA8946J) there's some additional THD so I was curious to hear how transparent it is.
There are transformers both on the input and the output of this. On the input to match levels (4:1 step down) and to do unbal-bal conversion. On the output again for the same reasons, except bal-unbal to drive my phones which I've not modified for 4 wire operation. The trafos are ferrite (=very cheap) RM10 for the input (under the board) and RM12 for output (behind the board). In order to be able to match a variety of phones, I've wound 4 identical secondaries so they can be combined in series or parallel.
From the pic you'll see the customary array of caps - I need to order up some lowESR (preferably NCC) 1800uF caps to do better justice to the rails. Last night I experimented with some ceramics...
On seeing the Gilmore circuit again the thought process re. a Sapphire+Gilmore went something as follows,
"Toss out op amp, convert the Gilmore dual-LTP front end to bipolar, bolt the Sapphire3 buffer stage to the back, and substitute in the Sapphire3 current sources. Wrap in a mild feedback loop."
The result is shown attached. The Vbe multiplier is still a simple resistor (R33) ... that may need to be refined to add thermal throttling. The offset servo is not shown, but the action is shown as Vadj. Alternatively a trim pot would be placed between R30 and R32 to provide a small measure of offset adjustment. Most of the open loop gain is controlled by R14,R15 ... it seems to me that some work could still be done in that area. Despite going...
The Schitt Yggy DAC has already created something of a stir over on Head-Fi amongst those who've heard pre-production prototypes. Its of interest not just because of the pre-launch buzz but also because the designer (Mike Moffat) is one of the long-time seasoned guys in the field. He says this is the best practical DAC he knows how to build. And its priced ISTM very reasonably given the amount of tech it embodies ($2300) - the DAC chips come from ADI and are $64 a piece on the manu's website. He's using 4 of them but says he had to address the glitching of the DAC without using a sample-hold which sounds like ***.
The chip is the AD5791BRUZ which ADI designed for industrial/scientific/medical applications rather than for audio. Datasheet attached.
Having looked over the DS what strikes me as interesting is that this is a 20bit DAC (1ppm) yet the 1kHz THD performance (p4) isn't anything to write home about (-97dB) and that figure is given at a very low sample rate...
Was wondering if any one can help with how to contact... http://electronics.dantimax.dk/
I have placed a order for three remote boards and three motorized alps pots.
all of the contact links do not go through that is supplied on his sights. Hopefully someone has a email address or contact information that has worked for them and can share it.
Posted 25th February 2015 at 01:24 PM byrjm Updated 26th February 2015 at 12:41 AM byrjm
Ok, so why donít you like the K702s?
I didnít say I didnít like them. Just that I think the HD600s are better.
Itís pretty simple really:
The K702s have a strident, hard upper-midrange "bump" that I find disagreeable. Yes, it makes tracks sound more ďliveĒ, but itís also fatiguing and a bit clinical, and - as many others before have noted - makes the sound overall somewhat thin. In direct comparison the HD600s seem full the point of boominess, but I'm willing to accept that midbass plumpness for the Sennheiser's warmer, luxurious midrange. In imaging, the K702s trend to a wide, distant, airy soundstage while the HD600s run towards a closed in, intimate presentation. In that sense the K702 are more like listening to speakers, and I can certainly see people being attracted to that.
These are both top-shelf headphones at the top of their game, I don't mean to imply that the AKGs are bad. The two...