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Technics SE-9060

Posted 19th May 2014 at 12:04 AM by rjm
Updated 19th May 2014 at 11:58 PM by rjm

There was a series of relatively slim (2U chassis rather than 4U), upmarket audio separates put out by Technics in 1977: the ST-9030T tuner, SU-9070 preamplifier, and SE-9060 amplifier. They are two degrees of separation from the top of the line models at the time, the range went 9600>9200>90x0.

I recently acquired the tuner (more on that some other time) and have the others in my sights.

For educational purposes, the amplifier schematic for the SE-9060 is shown below. The input stage and voltage amplifier was driven from regulated 55 V supplies (Va+ Va-), while the driver stage was powered directly by the rectified DC at about 50 V (Vb+ Vb-) filtered with 18,000 uF per rail per channel.

Note that there were 9060 and 9060II as well as 9070 and 9070II models in Japan, but the export model of the preamp which sold as the 9070 was actually the 9070II rather than the 9070 domestic version. Likewise the SE-9060 shown below (from a European...
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Old

ESI Juli@ analog card interface details

Posted 15th May 2014 at 04:21 PM by 1audio

Attached is a decode of the cards interface connector to allow interfacing to external DAC's and ADC's.

I'm searching for the pins on the big Via chip that indicate the sample rate/master clock frequency. I'll post those when I find them.
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Old

Video Blog#1 Posted

Posted 7th May 2014 at 10:16 PM by Michael Rothacher

Video Blog #1 is posted here:

https://www.youtube.com/watch?v=mWTy...KhQ2ow&index=2
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Old

Ziggurat passive shunt for chipamp

Posted 5th May 2014 at 04:34 AM by abraxalito
Updated 23rd May 2014 at 12:34 AM by abraxalito

Two tiers in order to achieve the lowest ESR - top is using 4700uF and bottom, 15,000uF. Total around 0.8F, 25V.

I plan to try this out first with my TDA8566 but that's limited to 18V so if that sounds promising I'll look for a new chip which can handle the full 25V supply capability.

Update1 : Wired the top tier only underneath my new TPA3116 class D amp board from Taobao. Seems here the dynamics aren't limited by the capacitance on the output stage supply, rather on the analog supply (pin17 of the TPA3116) which goes to an internal LDO regulator. No amount of capacitance on this pin (I went up to 100,000uF) gives the chip the LF dynamics of my class AB amp so I've been off in search of a class D chip which doesn't have an internal reg so might be amenable to a hexacap on its supply...

Update2 - NXP's TDA8932 is on order now - this is a chip which can be DIYed because its in a manageably small SO32 package, so no need to order up an eval board. Over...
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Old

Stack-a-DAC filter module taking shape

Posted 28th April 2014 at 01:27 PM by abraxalito
Updated 29th April 2014 at 12:36 AM by abraxalito

I'm prototyping this baby which will probably be the first Ozone board to go to PCB layout. It implements the 10th order Chebyshev filter shown earlier and is intended to be mounted atop a 'hexacap' passive shunt. The DAC stack in the centre is made up of six TDA1387s. Input will be I2S and output unbalanced audio 40mV RMS.

Update - over on a thread about AD815 Eldam asked about the inductors - how many I need to buy to get the values in the schematic - so I'll talk about that a little here.

I have bought a big reel of 1k pieces of these 680uH inductors. The price was around $100 but I think I probably should have paid a little more as although the reel is marked up as TDK, they might well be fakes. I suspect that because their appearance isn't as professional as some 1mH parts I bought earlier from another seller. Added to that is the spread of values - having measured at least 100, only one has shown up as 680uH (within 10uH). The rest have varied from 800uH...
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First transportable Ozone incarnation

Posted 27th April 2014 at 02:48 PM by abraxalito
Updated 28th April 2014 at 05:33 AM by abraxalito

I took this to the park this morning, it survived the journey in my backpack but it exposed a dodgy RCA connector. The case I used (temporarily) for it is a cylindrical tea carton - the red 'tower' behind. Battery power comes from 3 NiMH AA cells giving around 10hrs of listening.

I've just done a mental estimate of the BOM cost of this DAC (labour cost is way dominant, but this is DIY right?) and it turns out to be dominated by the cost of the caps in the top three tiers (the small black ones). These are real Japanese Rubycons, chosen for their diminutive height (16mm) vs the Chinese ones at 25mm height. So if you didn't mind adding 3cm to the overall neight you could build this with all Chinese caps and save a few dollars. As it is the total parts cost is under $30 including batteries. If you wanted S/PDIF input (currently its I2S) you'd add a couple more $.
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Old

Gemini Amp - and an idea for yet another headphone amp output stage

Posted 25th April 2014 at 10:13 PM by rjm
Updated 26th April 2014 at 07:19 AM by rjm

As a companion post to the GeminiPS I thought I'd throw the amplifier circuit out there too...

It's not something you'd have any reason to built today I think, but some of the ideas are worth revisiting.

The output stage is what is normally referred to as a complimentary Sziklai pair. The LTSpice circuit below uses the same output, but with the diamond buffer type bias, with it all scaled down to headphone-amplifier voltages and loads. It would be interesting to compare it against i.e. the conventional diamond buffer used in the Sapphire headphone amp. Maybe I'll get around to it. The simulation shows a bit more transient peaking than the straight diamond buffer, ideally there could be some way of adding compensation / reducing the bandwidth to more reasonable levels.
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Old

Voltage regulators for (line level?) audio: The GeminiPS

Posted 22nd April 2014 at 01:40 AM by rjm
Updated 23rd April 2014 at 11:40 PM by rjm

Part of a series.

The GeminiPS is another discrete series voltage regulator, with a Zener reference and bipolar pass transistor. It's an old circuit, published in Practical Electronics in 1970-71, and written by D.S. Gibbs and I.M. Shaw. I happen to have a reprint, but there's a nice overview here.

For reference it might be worth checking back to the two transistor regulator. The GeminiPS circuit is related in the sense that it is a more sophisticated take on the same basic principle. With just a handful of components we have a stabilized, 30 W output with soft turn on and short circuit protection. The circuit can be scaled up and down relatively easily, and the complimentary (negative output) version is an easy modification.

The pass transistor (TR2/3, Q2/3) is between the circuit common and the rectifier anodes. This may seem odd, but it was relatively common back in the day when high voltage transistors were both expensive and rare. The...
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Old

Ozone Chebyshev filter

Posted 18th April 2014 at 02:39 AM by abraxalito

I've munged the earlier 8 inductor filters down to only 5 - this one is using off-the-shelf TDK inductors, SLF7045-681, albeit they need to be hand-selected to get the correct values as the production tolerance is 20%. X7R caps sound just fine, surprisingly

FR is -3dB at 17,8kHz with around 0.25dB of passband ripple.
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Old

How good can the sound get?

Posted 12th April 2014 at 02:40 AM by fas42

This will be a collection of ideas developed and experiences encountered in my personal foray into the world of audio. In part, this is to counter much of the negativity and beliefs out there about the limitations of bog-standard, vin ordinaire, reproduced sound from conventional recordings, heard via a normal pair of speakers.

First of all, the sound can get very, very, very good. Far beyond normal hifi, better than "live" much of the time ... so how can that be so? Because, typically for the recording session the positioning of the microphones, and acoustics, are optimised and tweaked by the sound engineers to pick up a "quality" well beyond what you as an ordinary audience member, concert goer, would experience.

So, how good? Well, for a start you can get "invisible" speakers, meaning that they can't be perceived as being the source of the sound; even if you go up to them and stare at them very closely, and move from side to side...
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