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Tweeter line level passive XO

Posted 13th June 2014 at 04:47 AM by abraxalito
Updated 16th June 2014 at 04:51 AM by abraxalito

I'm really impressed with the bang for the buck with my 228rmb speakers, but have a theory they're rather being limited by their crossover. Especially the first order tweeter crossover which hasn't enough LF rejection.

In search of a steeper XO for the tweeter I've decided to go the whole hog and design a kick-*** filter that'll allow me to fully activate these puppies and see just how much they're limited by their electronics. kinku just pointed me to a filter design program called AADE which I've just finished using to design my first LC bandpass filter.

Its bandpass because I want to stick it straight after the DAC and it needs the anti-imaging function, meaning a steep low pass around 18kHz. The tweeter doesn't need this as they're fairly low on IMD, but the tweeter amp sure benefits from having no ultrasonics. Hence here is my first attempt at a tweeter bandpass filter, to go between the DAC and a dedicated tweeter amp.

For now I'll use the TDA1521...
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Old

How Beats Conquered The World (via The Verge)

Posted 13th June 2014 at 12:04 AM by rjm
Updated 13th June 2014 at 12:44 PM by rjm

Original article, by Ben Popper

~ my spin ~

There was the iPod. It was cool, and the distinctive while earbuds that came with it showed people you had an iPod, so they were cool, too. A few audiophiles invested in better IEMs, but they tended to be expensive and discreet and anyway were only ever a niche thing.

Meanwhile the Japanese headphone makers - JVC-Kenwood, Sony, Audio Technica - tried competing with the iPod, and they came up with a spectrum of earbuds and headphones of every shape, price, and color. They sold as commodities, but none developed any real kind of identity or reputation. Certainly there was little effort at building a brand.

On the other side, Grado, AKG, and Sennheiser continued doing pretty much what they always did, making nice, expensive headphones for home/studio/DJ use.

Neither group addressed the obvious hole in the market: non-audiophiles wanting "good" sounding over-ear...
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