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#121 | |
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diyAudio Member
Join Date: Dec 2002
Location: UK
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I don't have any personal experience when using considerably lower rail voltages for these TDA chips, but I am sure that you are right here in that the distortion is reduced under these circumstances. That being the case, one could doubtless get away with the 'enhancements' due to using Caddock TF020 for I/V or V-Ref, and still enjoy the resultant sound. With 8+v like I use there is already far too much distortion for my liking to risk adding anything which is not sonically-benign in these locations, and the results are surprisingly good still - so long as all other components are very carefully chosen. Especially in shunt applications, these naked Vishays (also if used universally in any one circuit) can give rise to a somewhat 'bland' sounding performance, but where accuracy and lack of added artifacts are concerned, the only resistor which beats the TX2352 in series locations is the TX2575. I haven't experienced any damage after handling several hundreds of TX2352 and a few TX2575 resistors (yet!), but like you I don't like their cost at all! Imagine the production costs for a remote-controlled 6 channel 64-step relay-switched attenuator which I developed for a commercial project a few years ago. This was a constant input impedance design with absolutely accurate 1dB steps from 0dB to - 63dB (0.1% tol. resistors calculated and made to 5 decimal places), and it used all TX2352s for both shunt and series locations. It is the most 'transparent' attenuator I have ever (not!) heard and it has been used for demos in the UK, and I still use the prototype in my domestic system. I have promised myself that one day I will construct the same circuit with all TX2575s whenever I am rich again (!), or perhaps if another commission comes along for such a good-sounding attenuator. Regards,
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Bob |
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#122 | |
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diyAudio Member
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Quote:
thanks Walter |
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#123 | |
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diyAudio Member
Join Date: Dec 2002
Location: UK
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Quote:
I have been using variations of this relatively simple series reg for a long time, and have tried a great many alternative components along the way. It is not a very critical circuit except that the AD811 is quite a 'fast' chip and needs some care in layout etc to avoid any stability problems. For this DAC the best sonic results for me were (unsurprisingly!) using Black Gate caps and bulk-foil Vishay resistors, although I have not constructed this circuit using all naked vishays (TX2352s) throughout. As usual with uncomplicated building blocks like this, the choice of components used does have a marked affect on the sonic results, and for resistors I have tried Holco, Caddock MK132, Takman, & PRP, but ended-up with mainly Vishay VSRJ which have the same resistive element and construction as S102, but with fractionally wider lead-spacings. I also tried alternative nom. 1v2 voltage regs for VR1 but stayed with the type Peter shows on the schematic, although almost any low-noise well-specified component would probably be similar in results, I guess. Maybe Peter will comment as he drew the schematic, but I wonder if the cap attached to pin 3 of the chip is an unfortunate error here as it is shown, although maybe he tried 10N and found it to be a good result. This cap will help to reduce noise & ripple, and I would normally suggest at least 10uF here, although during listening-trials I have run the reg in circuits with merely a BG 0.1uF. Again, I would suggest a 10uF BG myself, but I have also had good results when bypassing this cap with a 0.1uF BG (NX Hi-Q) which will spice-up the results a little, if this is desirable. I didn't care for the results when going a lot larger than 10uF (with BGs) as the sound seemed to become heavier and a litle 'lazy' as if slugged or over-damped, but using a 10uF BG 'N' in parallel with a 0.1uF BG NX Hi-Q does provide a very revealing result if the remainder of the system is up to this. A single 33uF 16v BG 'N' was somehow less-interesting and less lively-sounding in this location, although I have experienced worse results with other experiments! Some capacitance is also desirable close to the output, and normally I would use at least a 10uF BG very near to the output, and the original circuit for the TDA chip used 47uF which is also fine, although the sonic results are slightly altered. Making changes in these caps especially (and to a lesser-extent the resistors), can (and does!) have quite a marked effect overall and is a handy method of fine-tuning the 'voicing' of the DAC to one's own preference. With relatively few components involved, using more-costly parts is not (quite) such a problem for me, and very rarely do I find that using better quality parts gives a less-good result, so it is usually worthwhile 'investing' in HQ parts for the best overall results, in my opinion. Regards,
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Bob Last edited by Bobken; 1st August 2011 at 12:08 PM. Reason: Spelling! |
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#124 | |
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diyAudio Member
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I don't recall now what was my reasoning here, but as usually, it's recommended to try the other options as well.
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www.audiosector.com “Do something really well. See how much time it takes. It might be a product, a work of art, who knows? Then give it away cheaply, just because you feel that it should not cost so much, even if it took a lot of time and expensive materials to make it.” - JC |
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#125 | |
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diyAudio Member
Join Date: Dec 2002
Location: UK
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Quote:
I misunderstood the schematic value here because I took it to read 10n (F), whereas you obviously intended it to be a 10uF 'N' BG cap, but this has at least clarified the matter for anyone in doubt. I fully agree with others trying variations for themselves, and to be quite clear for members I have never suggested that what I have recommended is the absolute best choice which can ever be found, of course. It will simply be the best overall result that I have discovered (so far!) and I will have tried a great many alternatives before making any suggestions for others to try-out. As you know, its not unusual for me to find an even better result at a later date, after some improvements in an alternative region of the DAC circuit have increased the overall resolution, and this is all part of the iterative process for me. Indeed, I am presently working (once again!) on the TDA chip P.S. reg and its choice of associated caps in the hope of achieving some better subjective results in the extreme HF regions, so watch this space! Regards,
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Bob |
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#127 |
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diyAudio Member
Join Date: Aug 2003
Location: Frankfurt am Main
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And, perchance, to switch to a regulator that involves no feedback loop. Hmm...
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#128 |
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diyAudio Member
Join Date: Jun 2007
Location: Czyżeminek, near Łódź
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Hi everyone, I have only noticed this thread recently, and I wasn't aware that Peter posted my mods list here. I wrote it before I actually did anything, and I would change a few things now.
I would start modifications with the destructive mods, as they seem to have the biggest impact on the sound. Swapping one capacitor type for another (one resistor for another etc.) only alters the "flavour" of the sound, and doesn't change the fundamental qualities. So my list of mods would now look more like this:
Now, from here, you have the choice of:
And I think this pretty much exhausts the current state of my knowledge I'm sure Peter / Bobken will correct if anything is wrong, or is no longer recommended.
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Studio Zèy - natural, hand-crafted components for hi-end audio. "Dare to be different, and you may stumble upon something amazing." |
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#129 |
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diyAudio Member
Join Date: Jan 2007
Location: Eugene, OR
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Hey All,
Anyone here willing and able to implement current "pushing the limits" mods for a bit of "pin money"? I'm no solder slinger but don't want to be left out. Please PM me if you can accommodate one of the less gifted music lovers out here. Erik
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MacBook Air i7 -> Peter Daniels USB DAC-> AbraxasAudio SET/SEP KT88 -> Pioneer PE16's in Bentwood Audio Cornerhorns |
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#130 |
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diyAudio Member
Join Date: Jan 2007
Location: Eugene, OR
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Peter kindly responded and has offered to make the necessary modifications. Thanks to Peter.
Erik
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MacBook Air i7 -> Peter Daniels USB DAC-> AbraxasAudio SET/SEP KT88 -> Pioneer PE16's in Bentwood Audio Cornerhorns |
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