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#1 |
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diyAudio Member
Join Date: Aug 2001
Location: Cape Town, South Africa
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I'm having crazy dreams of transplanting the SP10 Mk11 motor and platter into an ultra-modern plinth of the X- or T-shaped variety.
My greatest fear is destroying the synergy of the original design and ending up with something so-so. So, I'm begging ideas from the Collective Analogue Brain. My preference is to use a one-piece material such as acrylic or corian (as opposed to constrained layers). So, what do you think of the: a) shape b) material c) solid or layered d) good/bad idea anyway e) shielding of motor wires f) mass of the plinth g) suspension (yes/no) Any advice much appreciated.
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Shaun Onverwacht |||||||||| DON'T PANIC |||||||||| |
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#2 |
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diyAudio Member
Join Date: Nov 2003
Location: Brighton UK
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Hi,
Your best bet is IMO to knock up a copy of the obsidain plinth, polished slate ? http://www.vinylengine.com/library_m...ted_model=SP10 /sreten.
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#3 |
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diyAudio Member
Join Date: Aug 2001
Location: Cape Town, South Africa
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Well, I'm fortunate to have 2 of these gems. The first SP10 is mounted in a plinth made of plywood and MDF laminations. It's quite solid and I estimate sufficiently massive.
Kaneta replaced the metal chassis and electronics (Kaneta SP10) with alternating solid wood laminations. His final form factor was a conventional square plinth. I want to do something similar, but more stylish (excluding replacing the electronics).
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Shaun Onverwacht |||||||||| DON'T PANIC |||||||||| |
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#4 | |
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diyAudio Member
Join Date: Aug 2005
Location: Scottish Borders - Kelso; on the famous Tweed River!
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Quote:
I also have two of these great TTs. One is fully modded in a late all obsidian plinth. And I am trying to get the seconfd returned to me from London where it is on loan. That one is on a BBC board with all the cuing gear, nasty arm and speed controls mounted alongside the TT proper. This second TT I will try in a Kaneta plinth, though I will try and follow the external shape of the obsidian plinth. I intend using beech wood block (from the cut-outs for sink and hob from a new kitchen - = free!). But I will transfer the boards from the TT to inside the large PS case which comes with these ex-broadcasting decks. IF this is a really worthwhile exercise there will be an obsidian plinth for sale in the classifieds as I will repeat the exercise with the other deck! The point of my post is to say that I think that it is very necessary to remove the boards to an external case. This can be joined by a trunk of shielded shielded pairs, all in an external shield grounded at the PS end. Good luck with your project. |
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#5 | |
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diyAudio Member
Join Date: Aug 2001
Location: Cape Town, South Africa
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Quote:
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Shaun Onverwacht |||||||||| DON'T PANIC |||||||||| |
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#6 |
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diyAudio Member
Join Date: Aug 2005
Location: Scottish Borders - Kelso; on the famous Tweed River!
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The boards had already been moved off-board to the PS case when I bought the TT. There is absolutly no hum, and the background noise level is as low as I have ever (not) heard. Certainly MUCH lower than on a previous totally normal SP10 (NOT the "P" version)
This has been achieved by the use of a 12 (each shielded) pair Vanne Damm LC-OFC cable. It is attached to the motor via a tag board and to the PS by a computer plug&socket. The earth shields are taken via a ground rail to a single poit on the motor chassis. I will try to borrow a digital camera and post some pix. Regarding the plinth, I believe that if you were to run the motor wires to a computer socket at the rear of the plinth you would keep the integrity of the Kaneta design-concept: to leave room for the boards within the plinth would severly compromise that concept and probably all you would have would be a decent heavyweight plinth. When I get to it that is what I intend doing. Best luck. |
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#7 | |
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diyAudio Member
Join Date: Aug 2001
Location: Cape Town, South Africa
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Quote:
Well, it's good to know that it's been done successfully before. Pics would be nice. What is the approximate length of the interconnecting cable? Edit: PS: interference would not be detectable as "hum" (a term usually associated with 100Hz/120Hz audible interference), but rather at whatever frequency that the motor drive signal is running at.
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Shaun Onverwacht |||||||||| DON'T PANIC |||||||||| |
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