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#1 |
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Owner and operator of irc.tenettenba.info
diyAudio Member
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I'm looking to spend about $1,000 on a r2r that is the apsolute best (edited) looking and most reliable tube transport so I don't wear out my brand new vinyls and instead wear out my tapes, I have a strong preference to tube based units.
Can I please have some suggestions on what I should be looking for, the obvious are too expensive and transistor based, but if someone can direct me to some tube based models that would help me out a great degree. Thank you for your time.
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Last edited by freax; 29th December 2012 at 10:07 AM. |
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#2 |
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diyAudio Member
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cheap, transparent and valve driven.
Pick two...
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hoping to pick up some things. |
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#3 | |
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diyAudio Moderator
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Quote:
Drop another zero at the end of your cost target and you MIGHT get something which works 95% as well as a $200 sound card.
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If there's a sucker born every minute, where do the rest of them come from? |
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#4 |
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Owner and operator of irc.tenettenba.info
diyAudio Member
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Done, but reduced my expectations a little.
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#5 |
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diyAudio Moderator
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OK, once you're up to five figures, you can start looking at a rebuilt Ampex (I have restored several 350/351s over the years). A half-track 15 or 30 ips transport with heads in good condition (or replace with something like an ATR800 headstack) can be bought for ~$4-5k, then rebuild the electronics (which were nothing special). If you want something reasonably transparent, don't even consider lower speeds or 1/4 track.
Tape cost will also be staggering. I sold off my last tube RTR over twenty years ago and never looked back. No way I'd even consider one today.
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If there's a sucker born every minute, where do the rest of them come from? |
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#6 |
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Owner and operator of irc.tenettenba.info
diyAudio Member
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Ok thanks heaps for that observation SY, I will consider the options.
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#7 |
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diyAudio Member
Join Date: Nov 2010
Location: Prescott, Arizona
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I know you asked for tube based equipment but in case you should change your mind, I can make the solid state circuits of the various Scully machines available to you, that is, the erase, record, bias and play-back circuit diagrams.
Sincerely, Ralf |
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#8 |
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diyAudio Member
Join Date: Mar 2009
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Try the TAPE PROJECT FORUM
Bob |
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#9 |
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diyAudio Member
Join Date: May 2001
Location: Norway, -north of the moral circle..
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Somehow I'd expect tape wear to be conciderably higher than the wear of the vinyl, using a HQ TT and PU, of course.....
Add to that, the fact that tape is going the way of the dodo, and what is left may be of dubious quality from improper storage.......... or is there still any production left??? Instrumentation tape is no more, I think..... we still have one large 14 track B&H left in our lab..... mostly for nostalgic reasons IMO......
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While the Lie leapt from Bagdad to Constantinopel, the Truth was still looking for it's sandals! Last edited by AuroraB; 29th December 2012 at 11:47 PM. |
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#10 |
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diyAudio Member
Join Date: Jan 2010
Location: Jeffersonville, Indiana USA
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I've got a Roberts RtR from very early sixties, that is so heavy it has to be tubes. You need one of those, then rebuild the electronics to eliminate the compromises. Of course, it is probably only 1/2 track 1/4" tape. I picked it up at the flea market, $25.
There are some 1" and 1/2" x 12" reels of tape going surplus out of Nashville, TN on craigslist, but who knows how many passes across the head those had. In 1/4" I found a shrink wrapped AFEES price tagged 7" reel of Scotch black box at Goodwill, last month, $2. With the rarety of that media, I think I will reserve it for arranging of music, where I record it at 7 1/2" and play back at 3 3/4" so I can figure out what the artist on the record is doing. Liz Story"s Greensleeves on Windham Hill is my next project, for next winter. Then there is the guy on Bowling Green, KY Craigslist, trying to sell an entire studio: wide reel to reel, hundreds of boxes of tape, preamps, mikes etc. All obsolete stuff; I think the price was $38000 no guarentee.
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