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#11 |
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diyAudio Member
Join Date: Jan 2010
Location: Jeffersonville, Indiana USA
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My parents had a couple of FM radios that worked great in 1960-70 and didn't in 2008 after I inherited them. So I replaced the electrolytic caps. All the way up into the territory with the inductors and stuff. Much better. No alignment tools, no manual. If the tuner is working and the sound is bad don't mess with the tuner, but if the sensitivity went away don't be afraid to shotgun replace the dried up wet caps. What is it worth anyway, E1? I had a great working without antenna 1980's analog pocket radio that used for a tuner on my hifi, but then I dropped it, so I spent $35 about 2005 on a Sony pocket radio, probably digital. What a piece of ****. No walkman tape section, a dedicated Sony radio that didn't work. A crystal set would have had more sensitivity. It works okay as a digital watch after the power goes out and the clocks have to be reset. I fished an eighties Luxman pocket tape/radio out of the trash at work that works better than the Sony, after I replaced the E-caps and the trash volume control. Nice unisonic IC, picks up just based on the cable to the mixer as an antenna.
Antennas, the good radios don't need them. Good thing, because roof antennas in Indiana attract lightning, and must be disconnected before every storm. I do that for the television, every time I leave the house for more than a day I disconnect the roof antenna. Yeah, there are ground spark traps on the cable outside etc, here is a hint, they don't work. On FM I'm picking up a 750 W high school station in the next county right now with the 1975 14 transistor radio I inherited from my father and re-e-capped. I re-e-capped all the way up into the tuner sections - 1 uf with a plus end in 1975 does not equal 1 uf in 2011. Uses the built in telescoping rod antenna.
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Dynakit ST70, ST120, PAS2,Hammond H182(2 ea),H112,A100,10-82TC,Peavey CS800S,1.3K, SP2-XT's, T-300 HF Proj's, Steinway console, Herald RA88a mixer, Wurlitzer 4500, 4300 Last edited by indianajo; 7th December 2012 at 12:11 PM. |
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#12 |
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diyAudio Member
Join Date: Jan 2010
Location: The Netherlands, near the German border
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All radio communication requires an antenna! otherwise you wouldn't be able to receive/send anything
![]() What type of antenna you need will differ, and will depend on a lot of factors. A important one is tuner sensitivity, but this is by no means the only thing to consider.
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Music is art - Audio is psychoacoustics & engineering |
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#13 | |
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diyAudio Member
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Quote:
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Signature Transresistance Current-Feedback BIGBT Amplifier; Push -->>{{ }}<<-- there.
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#14 | ||
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diyAudio Member
Join Date: Jul 2012
Location: EU
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Quote:
Thanks, Steve. Sounds really good info center. I have more and more interest on analogue tuners. Wish I could find now a Kenwood L-07TII. Really love that design. Folks, I had no absolute idea that tuners were suffering from misalignment. It seems that everything is inside those IF inductor, right? The vintage Sansui TU-317 here has a little hiss whereas the digital Luxman does not! Maybe the Sansui needs a more sensitive antenna or it's a sign that it could be a bit misaligned? Thank you all ----- Quote:
Last edited by Karl vd Berg; 7th December 2012 at 07:32 PM. |
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#15 |
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diyAudio Member
Join Date: May 2007
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Tuners vary in their sensitivity and in their ultimate signal-noise ratio. These two are related in a tuner with well-designed AGC, but may become decoupled in others.
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#16 | |
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diyAudio Member
Join Date: Jul 2012
Location: EU
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Quote:
I noted also that in some stations the Sansui has an equal reception (signal) to the Luxman. Possible? |
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#18 |
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diyAudio Member
Join Date: Jan 2011
Location: Fosser, Aurskog-Holand, Akershus, Norway.
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There isn't much to do about alignment of theese synthesizer tuners actually.
Unless You have a generatr, a wobler, a oscilloscope and other nice instruments. There would be to tune up the small coils in the frontend, to get the most out of the signals present. Then the IF wich in this case I think is some SAW-filters, ant not possible to trim. The IF in this tuner is possibly attended by a IC. Strange enough, theese IF-ICs tend to drift off, and replacement could often give several dB advantage on the reception. 'but without the proper instruments this is a fairly "dangerous" thing to start with when You don't really know where to start.
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Sooner or later you end up with TANDBERG |
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#19 |
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diyAudio Member
Join Date: Sep 2006
Location: Mar del Plata, a BIG seasonal getaway city, can see the Ocean from our residence.
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Frankly if the tuners are working fine, I wouldnt try to improve on them, yes they do require specialized gear $$$$!!
One can go crazy with antennas.........I had a ten element Yagi Uda, two meters long, bought at RS many years ago. Living in Portland Oregon at the time, I missed some stations in Eugene OR. , some 100 miles distant....hooked up to my new Marantz 2220B at an altitude of maybe 500 feet, this antenna brought those stations in like they were right next-door. You could get a similar multi-element with an antenna rotater & bring in stations in a 100 mile radius, or more, depends on how many elements on your antenna. __________________________________________________ ___Rick...... |
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#20 | |
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diyAudio Member
Join Date: Jan 2010
Location: The Netherlands, near the German border
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Quote:
Maybe, I don't know him.. If you want to try simming RF and IF stages (to get a feel for how they work and how sensistive they are) try this SW: AADE Filter Design and Analysis easy to use & free, good place to start. But I still highly recommend learning how superhet tuners work, once you got that "nailed" you can look at your tuners and try identifying the various circuits and what they should do. Also interesting and probably usefull is this link (a starting point): http://en.wikipedia.org/wiki/Surface_acoustic_wave Another good read (basics of AM modulation, imho the most basic form of "modern" radio, sparkgap transmitters are even more basic): http://www.google.nl/url?sa=t&rct=j&...nZ8TIwcJA95Riw And another one: http://www.ni.com/white-paper/3014/en
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Music is art - Audio is psychoacoustics & engineering Last edited by Mark.Clappers; 8th December 2012 at 08:52 AM. |
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