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#1 |
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diyAudio Member
Join Date: Apr 2010
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Hi
I'm a newbie here and this is my first post. ![]() I have been obsessing (there is no other word for it!) about how to get better performance out of my Rega P2. Having already upgraded the platter, subplatter and arm, the weakes link is now the plinth, so I've decided it has to go. At first I thought it would be fairly easy to come up with something massive, inert and rigid enough to take the place of the existing particle board plinth, but after reading a lot of forum posts here and elsewhere it seems that mass is not the solution. Back to square one. I am now thinking of a two tier system, with the upper plinth supporting the bearing and arm, and the motor assembly mounted beneath it's own plinth. I have in mind using composite layers of material such as aluminium, rubber and 3mm mdf to build the upper plinth. Not sure if I should proceed the same way with the lower deck, but time will tell. What concerns me most is how lock it together and still achieve optimal decoupling. I have heard of people using spikes and cones, but not really sure how this would work. Obvioulsy I want to avoid any lateral shift. Currently I am thinking of using some form of rod, bolt or dowel as a locator, tightly fastened to the lower plinth, but with the upper just resting on it to avoid lateral movement. Im wondering if anyone has any ideas on this or other methods I could try. Thanks in advance Sean |
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#2 |
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diyAudio Member
Join Date: Jun 2004
Location: ontario
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I had similar thoughts, but I'm nowhere trying them out yet. I was considering a layer of sorbothane or similar between the plinths. The top would be secured to the bottom with bolts going through a hole larger than the bolt so it doesn't touch the lower plinth, and a sorbothane washer would then decouple the bolt. I have no idea if this is feasible, just an idea.
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#3 | |
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diyAudio Member
Join Date: Apr 2010
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Quote:
I like the idea of using bolts as locators. Have been thinking about ball bearings also. |
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#4 |
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diyAudio Member
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When using Sorbothane to isolate you do have to do some math and work out what surface area, durometer rating and thickness or material you will need to isolate at the required frequency. You can't just drop any old slab of it under a part and expect it work right across the audible range, that's not what it does.
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hoping to pick up some things. |
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#6 |
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diyAudio Member
Join Date: Feb 2004
Location: Chinook Country.Alberta
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use a nut/washer/bolt (or machine screw/washer/nut) through the top plinth, skewer a squash ball, go through 2nd plinth, add a washer, then a nut. Worked very well in the rehab of a knackered Roksan Xerxes. Very little tension (or none) is required as you tighten the nut, really it's there only to provide some sort of locating mechanism.
__________________
stew ☮ -"A sane man in an insane world appears insane." |
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#7 |
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diyAudio Member
Join Date: Nov 2009
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A few months ago I wanted to find the best way to decouple loudspeaker cabinets vibration and spoke with a fellow at Roush Engineering (they have a department involved with vibration and isolation control).
His suggestion was to use EAR grommets, which can be found in Michael Percy's catalog (page 19). |
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#8 |
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diyAudio Member
Join Date: Jan 2008
Location: East Sussex
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Check this project out which sounds somethink likeyou are tryin to achieve
Split-Plinth Rega Clone Turntable http://sdbhost.com/AudioPages/RegaDroid/DSC01619.JPG
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