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#11 |
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diyAudio Member
Join Date: May 2008
Location: On a mushroom
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Perfectly correct guys -- I have stripped back the design - I found the MPP thread informative especially on detailing performance and input impedance on the different types of current mirrors.
I've never done a discrete RIAA stage before and I'm having fun with this... If you look at Krell, Mark Levinson and Naim - they are all transistor - I wonder if this gives designers more choices to make in producing the high end kit? This idle curiousity of mine continues because I'm going to now convert those two op-amps into all transistor as the big hi-fi names have and see what design compomises can be attacked.
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Hum likes to have a nice "Noise to Signal" ratio ![]() To "Hum" is to be noticed Quality hum is when it pours out of Electrostatic speakers
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#12 |
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diyAudio Member
Join Date: Feb 2001
Location: illinois
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the input devices, q3 and q10, need a dc path to ground. you were on the right track before; you needed to pick another value than 47K to parallel with the 100K to get 47K.
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#13 | |
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diyAudio Member
Join Date: Nov 2009
Location: Los Angeles
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Quote:
G² |
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#14 | |
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diyAudio Member
Join Date: Nov 2009
Location: Cape Town
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Because it's fun?
![]() Opamps are boring - 90% of the work is done for you. Quote:
Vinyl is noisy anyway. You have to screw up a preamp pretty bad before the electronic noise is worse than the surface noise. I remember some phono preamps using shunt feedback getting good reviews because they sounded good, despite their "high" noise. [OT] I actually built a phono preamp once with a single 741 - stereo input with a couple of "blend" resistors and mono output. I expected it to be terrible, but it actually sounded OK (in a lo-fi context). Noise wasn't too bad subjectively. Disclaimer Maybe I should have prefixed the above with "Hello, my name is Godfrey and I have a confession..." It was an emergency build. After a burglary, I was left with no audio electronics. Short term, the only way to hear music involved digging into the junkbox to see what I had that could possibly be fashioned into a preamp. Result: a breadboard with a 741 and some passives that got it almost in the ballpark of RIAA. IIRC, the power supply involved a car battery charger and some caps. Picture that lying on the floor, hooked up to a horrible Maplin-style power-amp module nailed to a piece of wood via loose trailing wires and a naked pot as a volume control. Audiophile quality: NO, but it sounded better than I expected and at least I could hear music again. I was happy! ![]() That's probably the most rewarding "DIY audio" project I've ever done. Purists, feel free shriek now (if you haven't already started). [/OT] Cheers - Godfrey Last edited by godfrey; 24th March 2010 at 10:50 AM. |
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#15 |
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diyAudio Member
Join Date: Dec 2005
Location: Kuala Lumpur
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A simple 50 Hz low pass would not sound THAT different from a correct RIAA circuit, just a bit dull
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#16 |
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diyAudio Member
Join Date: Nov 2008
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Hi,
This post may be of interest Turntable Forum :: View topic - The HART RIAA Phono Stage I use this JLH discrete phono preamp with my Systemdek 11x900. David. |
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#17 |
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diyAudio Member
Join Date: Mar 2007
Location: Canandaigua, NY USA
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It only takes a couple active devices to make a surprisingly good sounding RIAA preamp. See here. IMO, you should first build a very good inverse RIAA network. I found this to be quite interesting (scroll down to the RIAA article) and it's the one I built. Still, I run a fairly conventional circuit using the National LME opamps. It's hard to beat 'em, and their app note for an RIAA preamp is a very good place to start.
CH
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