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#1 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Hi,
Please do you know a website where I can see some graphs about LP " lathe etcher" ? I am interested in performance about frequency response and channel separation Vs frequency. Perdone my poor english , I'm searching to learn about LP production phases/ process. Thanks for the help Cheers, Paolo |
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#2 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Excuse me,
I 'm referring obyouvsly to the stylus etcher of the lathe machine. Cheers, Paolo |
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#3 |
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diyAudio Member
Join Date: Nov 2004
Location: Surrey, UK
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Hi, I think the answer depends on the lathe - like asking "what is the response of a cartridge"
You should be able to get some expert advice here: http://lathetrolls.phpbbweb.com/ It's a forum dedicated to record cutting.
__________________
Analogue stuff at www.audiomods.co.uk |
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#4 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Yes Jeff, you are right!
Perdone me, I was curious to see if a "very-good" stylus heatcher has the same issues as like a "good" MC cartridge .........to say a channel separation of about 30dB or even worse! Very thanks for the link, probabily it is the best place to ask for ! Cheers, Paolo |
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#5 |
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diyAudio Member
Join Date: Jan 2002
Location: Belgium
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__________________
bring back dynamic range |
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#6 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Fantastic Werner!!
It is exatcly what I need. Just one question befor read all the link : Is this the stylus for the production of the "master LP"first piece, am I right? Then , from this master, they derivate all the copies for sell, no? Perdone my basics question , I am newbie on analogue! Thanks very much, Paolo |
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#7 |
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diyAudio Member
Join Date: Jan 2002
Location: Belgium
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Yes.
But this is for a 'modern' Ortofon head developed for 4-channel recordings. These were/are not often used for commercial LPs. I assume that the performance of the more often used Neumann SX-66 and SX-74 cutter heads is a bit worse.
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bring back dynamic range |
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#8 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Thanks! you are very kind
I have a strange question: Suppose we make the first Master piece with that Ortofon machine, we have about 30dB of separation ( approx, just for understand). When we take the master and derivate all the copies can we assume approx we are loosing others 6 dB thus in total our final product is 30-6 = 24dB approximatively? Cheers, Paolo |
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#9 |
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diyAudio Member
Join Date: Jan 2002
Location: Belgium
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I don't think the further process of making mothers, stampers, and finally records does much harm to channel separation.
I have often measured separation in excess of 30dB using commercial test records, so this is definitely possible. On the other hand, expect treble response to suffer severely from the production.
__________________
bring back dynamic range |
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#10 |
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diyAudio Member
Join Date: Aug 2004
Location: Italy
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Excuse me,I don't understand.
If I make a second "read" from master to write the copies, I am making the process two times so you have 30db separation on the "residual" presents in the master, or not ? Am I totally wrong in my reasoning? Cheers, Paolo |
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