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#3271 | |
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diyAudio Member
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Quote:
If you want I can calculate the "best" values for each channel but I need the 3k3 values. You can leave the 68p for now because my calc indicate aprox 16.0n for each channel as is ![]() Look at the simulator results based on your previous indications. The green cells indicate the best value, above are aproximations I gave you before. |
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#3272 |
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diyAudio Member
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Stg
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#3273 |
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diyAudio Member
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#3274 | |
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diyAudio Member
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Quote:
The bold values are mine right values. Tomorrow I measure mine special R1 trimmers & let you know the exact value. Ok I leave the 68pF in both channels. I can't understand the simulator values, only understands green best values but see only Left channel in both simulations? |
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#3275 | |
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diyAudio Member
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Quote:
I see that your made new measurements so I must restart again. Please send me the following values Left and Right: R1 3k3 R3 47k R4 6k8 R5 1M I will use your previous info: C2 46.3n both channels C3 16n both channels |
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#3276 |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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My guess is that he is over compensating with R1 trimmer for bias voltages and mismatch for the burned duet. Which is normal for when he was seeking bias to make it initially just work. If he can set them for 3.3k sharp, and the bias voltages will be still in acceptable bracket, then you will have a reference point. I also run a Lipshitz inverse feeder in his circuit. The main arbitrary points are R1 and C3. With his now bold typeface deviations, it seems that a basic C3 without the extras, can lift it a bit, because it looks indeed dropping enough, especially if he had overshoot 3k3.
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#3277 |
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diyAudio Member
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Ok
With the new value of R4 right, the picture looks much better now: My suggestions are: Left channel place a 1M4 over R3 and a 470p over C2 Right channel place a 1M9 over R3 and a 450p over C2 LEFT R1 3k3 R3 47k // 1M4 R4 6k8 R5 1M13 C3 15n6 + 330p + 68p C2 46.3n // 470p RIGHT R1 3k3 R3 46k8 // 1M9 R4 6k79 R5 998k C3 15n6 + 330p + 68p C2 46.4 // 450p |
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#3278 |
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diyAudio Member
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Off course, just lifting the 330p and 68p from C3, will lift everything producing imediate high definition but IMO, bypassing R3 with the big resistors will add so much more presence in bass and highs that C3 should be kept as is 16n.
After the big resistors, bass can become overwelming so I would increase C2 by 470p to bring back Low mids and snap. |
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#3279 |
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diyAudio Chief Moderator
Join Date: Oct 2002
Location: Athens-Greece
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Fixed 3k3 is key for any attempt non the less.
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