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#1 |
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diyAudio Member
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A friend sent me these scans of a DIY tonearm project from Japan.
Pictures here Looks like he's hoping to eliminate tracking error. Lot of parts, though. Anyone here understand Japanese? |
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#2 |
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diyAudio Member
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Very interesting design!
Anyone here understand Japanese? Ciao Guglielmo Italy |
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#3 |
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diyAudio Member
Join Date: Mar 2004
Location: Budapest, Hungary
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This design solved one problem and introduced several others.
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#4 |
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diyAudio Member
Join Date: Feb 2004
Location: Chinook Country.Alberta
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basically it looks like a better quality version of the Garrard tonearm. Said to have tracking error in the same range as a 5' (yup that's feet) tonearm.
The issues are mainly the requirement to pivot the headshell, and to do it while retaining zero play. The Garrard arm's main weakness was the unequal (when compared) length to the actual tonearm "main" arm. I know I have one. I think the concept has a lot of merit. Unfortunately I am not sure it can be realized without too many comprimises. I may try to modify my arm to improve the pivot bearing. stew
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stew ☮ -"A sane man in an insane world appears insane." |
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#5 |
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diyAudio Member
Join Date: Oct 2006
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Hi there,
now this is really great. The pseudo-tangential arms like those from alan william say (implemented on Garrard zero) or its original (?) the Burne-Jones arm. They just deserve to be copied. That means DIY or commercial! How come none of the k€ tonearm companies even try. It must be way easier to sell 'simple' designs for big complex sums http://www.tonarm.ch/home_e.html COOL, but costly. So DIY. I just wish I had studied some japanese. Untill then, I'll have to wait for someone real nice who will translate the article. enjoy your favourite albums! Mark |
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#6 | |
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diyAudio Member
Join Date: Nov 2004
Location: Surrey, UK
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Quote:
Just because an arm has no tracing error doesn't mean it's a linear tracking arm. The huge difference is that a true linear tracker has the stylus forces always acting straght down the arm tube, fed into the bearing at right angles. Result, no bias forces and no changes with dynamic loading. These arms will still both exhibit all of the bias (antiskate) problems of an ordinary arm because they still have (varying) offsets. Given that they introduce a lot of extra parts, joints, friction and mass into the equation I suspect the performance would be much worse in that respect than a normal pivoted arm.
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Analogue stuff at www.audiomods.co.uk |
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#7 | |
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diyAudio Member
Join Date: Oct 2006
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Hi there,
sorry for me being a believer, but I don't see why "the design solved one problem, but introduced several others". I think it's the other way around, actually And for the era concerned, the zero arm was, concidering the asking price, plenty good: Very short, stiff arm; Made of Berrylium (OOOOHH): strong and extremely light so that any rotational inertia objections are simply not valid. Further the design sports a very, very low tracking error. The patent describing the design (e.g. DE2121398A1) mentions an a tracking error of -64 arcseconds at the inner grooveradius. This is really low! And IF one gets all the pivots to work nicely (i.e. truely silent Quote:
Now, if anyone out there can make such a long arm, rigidly and with less than 25 g effective mass, please give me a buzz. I am pretty sure a source of unobtainium would have been discovered in case anyone indeed could....kind regards, Mark |
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#8 |
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diyAudio Member
Join Date: Mar 2007
Location: Canandaigua, NY USA
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The more I study the battle of forces applied to a cantilever, the lower my opinion of offset pivoted arms. IMHO, tracking error is only part of the problem, and maybe not as large an issue as commonly believed. As Jeff says, the introduction of offset is what causes skating force. The Zero 100 arm is a pivoted arm with offset, so it's just not in the same category as a linear tracking arm. It's clever and neat, but it also introduces a lot of complication for what it accomplishes.
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I used to be an audiophool like you but then I took an arrow to the knee. |
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#9 |
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diyAudio Member
Join Date: Nov 2004
Location: Surrey, UK
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Hi Conrad, I believe you are thinking the same way that I am. How is that linear arm project going?
My big concern with these arms is that all of the energy needed to move the extra joints, pulleys, string(!) and the six extra bearings ( Personally, I wouldn't want to trade a bit of tracing error for a huge increase in mass and friction.
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Analogue stuff at www.audiomods.co.uk |
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#10 |
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diyAudio Member
Join Date: Mar 2007
Location: Canandaigua, NY USA
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When the weather gets warm I'm going to start cutting metal and experimenting, but I'm a bit frustrated. Like everyone who's come before, I can't solve all the problems in any one design. Arms are a nasty trade-off! I also find, in spite of any protestations to the contrary, I'm swayed by aesthetics. If a design looks "bad", I have trouble considering it, even if the math says it's the greatest thing since sliced bread. BTW, the things on your web site are brilliant! I'm surprised you don't already have a linear arm up there.
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I used to be an audiophool like you but then I took an arrow to the knee. |
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| Thread | Thread Starter | Forum | Replies | Last Post |
| Another DIY Tonearm | johnmarkp | Analogue Source | 18 | 18th May 2008 10:15 PM |
| Linear tracking tonearm vs. Pivoting tonearm | Don Nebel | Analogue Source | 1 | 4th November 2007 10:49 PM |
| interesting amp & interesting problem | m6tt | Tubes / Valves | 9 | 14th August 2007 06:28 PM |
| What tonearm is this and how to set it up? | neutron7 | Analogue Source | 8 | 24th December 2006 03:23 PM |
| very interesting info about tonearm alignment | federico moreno | Analogue Source | 1 | 23rd September 2005 01:49 PM |
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