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#1381 | |
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diyAudio Member
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Quote:
It might be interesting to offer an update since the devices specified are listed as obsolete. I found it funny that Pete also discovered Dick Burwen's work, 46 years old. I think basicly the discrete op-amp ground was well covered 40 yr. ago.
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Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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#1382 |
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diyAudio Member
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They aren't noiseless, but they are not too bad. However the manufacturer of those depletion-mode devices offers no data, no guarantees, and they are sole-sourced. Not a bother for diy but the devil for production.
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#1383 | |
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diyAudio Member
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Quote:
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#1384 |
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diyAudio Member
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Often (not always) power on latch up can be handled by assuring both + and - supplies come up together. Often this complicates a dual reg supply design. This can be done many ways but the simplest way (thus my favorite) is to use a large value cap across the + and - rails.
As a byproduct, it cancels differential mode noise and aids in keeping the two rail voltages equal. Last edited by RNMarsh; 30th September 2012 at 04:08 PM. |
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#1385 | |
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diyAudio Member
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Quote:
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#1386 |
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diyAudio Member
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I just love it when Scott puts up a circuit! This refinement on the first is a Very nice blend of volt and current feedback concepts. Still flexible re adjusting open/closed loop gain for DIY'ers to play with to learn about that issue. I was happy with the first design put up. Now this! Its getting dialed in... wont be long now (?) and we can build something. :-) Thx -RNM
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#1387 |
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diyAudio Member
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OK here is the Rush cascode version 200V/us into 600 Ohms not to shabby.
__________________
Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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#1388 |
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diyAudio Member
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Scott,
Being a complete newbie here and trying to follow what I can here I'm am lost as to the feedback circuit. Where does the r6 and r12 get in the circuit? |
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#1389 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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What seems to be lost here, is: WHAT IS IMPORTANT? Of course, many discrete op amp design ideas were developed more that 40 years ago, but not all! The OPTIMUM designs are usually elegant, as well as relatively easy to source parts, etc. Unfortunately, then the OPTIMUM design changes with source availability, as well as added circuit tricks.
What is important is how linear and/or how quiet the circuit is, how fast, etc. |
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#1390 |
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diyAudio Member
Join Date: May 2011
Location: Little Rock
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A *real* opamp needs to start with a Telefunken ECC83 marked "GAP/R". The rest just follows! (Or a 6SL7 for traditionalists).
Thanks, Chris |
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