|
|||||||
| Home | Forums | Rules | Articles | Store | Gallery | Blogs | Register | Donations | FAQ | Calendar | Search | Today's Posts | Mark Forums Read | Search |
| Analog Line Level Preamplifiers , Passive Pre-amps, Crossovers, etc. |
|
Please consider donating to help us continue to serve you.
Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving |
|
| Thread Tools | Search this Thread |
|
|
#2401 | |
|
diyAudio Member
|
Quote:
There's a lot in your post I agree to fully. I just want to make one comment: You mention 'designers that confess not being able to hear differences between cables'. This may be your interpretation of some posts, just like you seem to think that 'all objectivist only measure and not listen'. This is not really the case, although sometimes it is. Did you really find anybody here to say that he cannot hear differences in cables? Some may have said that audible differences between cables can generally be attributed to measured differences but thta's something else of course. So I reall ything you should be more carefull to put labels on people which are not existing. Another thing: I can give you an inside tip to listen to cable differences. Connect a separate preamp with its input *across* the cable you want to check. For instance on a speaker canble, connect the speaker hot side to the preamp hot, with a screened cable, and connect the screen /ground input of the preamp to the power amp output hot. (The preamp should NOT be connected to earth ground or you can damage your power amp). Listen to the preamp signal with headphones, and try to be away from the speaker on that cable to isolate you from that sound. You now can actually listen to the sound that the cable takes away from the amp output. You can hear: almost nothing, or a softer version of the music but undistorted, or a softer version but distorted. Each case has different implications. If you do this, you really get great insight to what a cable actually does to your sound. Very illuminating! jd
__________________
/New Linear Audio publication: Baxandall & Self on Audio Power! |
|
|
|
|
|
#2402 |
|
R.I.P.
Join Date: Dec 2001
Location: Schaffhausen Switzerland
|
John,
You ask: "Allen, what are you trying to say? Why 68 ohms?" The IKEDA sounded exceesivly bright on 47k, so I just kept lowering the loading until I had killed the life in the thing alltogether, and then came back up again until I had found a happy medium where it was alive, dynamic but sounding "right". One of the best cartridges I have ever heard, with this 68 ohms loading! Josuha: Step up transformers are a different ball game to resitive loading of an MC cart, and I can not offer any suggestions - except try running without the traffo. And if you haven't done any VTA adjustments for a while - my experience says you may be well off optimium - I don't know what "by the book" means but if it means having the arm tube parallel with the record surface - you will be WELL off optimum. I suggest you, and all vinyl fans, try my Guru Alignment method: http://www.vacuumstate.com/fileupload/GuruSetUp.pdf with the protractor at: http://www.vacuumstate.com/fileuploa...protractor.pdf It may take you some time, but I assure you the results will be well worth it! Regards, Allen (Vacuum State) |
|
|
|
|
#2403 | |
|
diyAudio Moderator
|
Quote:
__________________
"...we stumble and get up, we are sad, confident, insecure, feel loneliness and joy and love. There is nothing more; but I want nothing more.” - Christopher Hitchens 1949-2011 |
|
|
|
|
|
#2404 |
|
R.I.P.
Join Date: Dec 2001
Location: Schaffhausen Switzerland
|
SY,
Hoe do you make such a calculation? No, I never bothered making any measurements - it sounded great and that was the task done. Yes, it was with my RTP3D preamp, with a bipolar/tube cascode (differential) input stage. Regards, Allen (Vacuum State) |
|
|
|
|
#2405 |
|
diyAudio Moderator
|
The cartridge has a Thevenin equivalent of a voltage generator in series with a 3R (according to the maker's specs). This forms a voltage divider with the load impedance. 20 log (68/71).
__________________
"...we stumble and get up, we are sad, confident, insecure, feel loneliness and joy and love. There is nothing more; but I want nothing more.” - Christopher Hitchens 1949-2011 |
|
|
|
|
#2406 |
|
diyAudio Member
Join Date: Nov 2008
Location: Israel
|
Jan,
What you wrote may apply to some people while what I wrote may apply to some others. Allen, Thank you. Once the speakers will be broke in and once the amplification will be finalized I'll check again the VTA. SY, There may be differences between simulation and actual measurements. |
|
|
|
|
#2407 | |
|
diyAudio Member
|
Quote:
What I say applies to almost all people here, with maybe a few exceptions. Have you found the exceptions? If not, I would ask to stop using those labels. jd
__________________
/New Linear Audio publication: Baxandall & Self on Audio Power! |
|
|
|
|
|
#2408 |
|
diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
|
OK, let's cut the parsing (on my part, this time). SY I have you 'by the short hair' and you should well know it. Who are YOU to decide what is 'obvious' from listening and what is NOT? i.e. what you call 'extraordinary claims' is just your CHOICE of when you believe enough in something, to trust your ears. Sometimes MEASUREMENTS don't show much. IF ANYTHING.
Your rationalization that the slight gain change is important is bogus too, because I ALREADY said that this could be easily compensated for. After all, why not just change the gain slightly, to get the optimum sound, rather than change the loading? What we have here is something that virtually everyone, from both sides accepts as a real change, YET it is difficult if not impossible to measure under real playback conditions comparable to how it was detected in the first place. Look at the evidence, or even better, many of you should get off your 'duffs' and TRY to measure a few things, before you rely EXCLUSIVELY on measurements to form your opinions about what can sound different from something else. Allen, you were probably 'dead on' with your 68 ohms. I was trying to get you to more closely clarify what you had done to find this. You just can't make a statement like that, in this environment, without being dismissed as a 'crank'. With the VENDETTA RESEARCH, we have continuous variable loading, from 10 ohms to 47K. It is generally most useful to about 300 ohms. After that, just 47K. We have done this for more than 25 years. Customers of mine, like Dave Wilson and Brian Cheney (VMPS) have given me numbers like 167 ohms or 84 ohms for a particular high quality MC cartridge. Why do we do it, why do we add such a control? BECAUSE WE CAN HEAR THE DIFFERENCE, THAT'S WHY! Yet, it is almost impossible to measure. It is simply lost in the rest of the distortion, noise, etc. OF COURSE, something is happening, it is not magic, it is just hard to measure. Last edited by john curl; 9th November 2009 at 04:55 PM. |
|
|
|
|
#2409 | ||
|
diyAudio Moderator
|
Quote:
Quote:
__________________
"...we stumble and get up, we are sad, confident, insecure, feel loneliness and joy and love. There is nothing more; but I want nothing more.” - Christopher Hitchens 1949-2011 |
||
|
|
|
|
#2410 |
|
diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
|
Please show proof of measurable change. Without measurements, then I have to take your word for it. I have never seen or measured it, so I have to doubt your observations too, if they are not backed up by hard measurement. ;_)
(looks like I just missed, congratulations ;-) ) Last edited by john curl; 9th November 2009 at 08:41 PM. |
|
|
| Currently Active Users Viewing This Thread: 3 (2 members and 1 guests) | |
| john curl, riccoryder |
| Thread Tools | Search this Thread |
|
|
| New To Site? | Need Help? |
| Page generated in 0.33014 seconds (68.86% PHP - 31.14% MySQL) with 11 queries |