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#23991 |
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diyAudio Member
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Vikings are sold here in the more luxurious DIY home centers.
Lacanche and Molteni are more my thing. (i've cooked on a classic Aga, tricky stuff) My point is that a reel to reel still is mundane, and Tascam was the last of a dying race, relatively cheap too in the final years. (as is Viking, Sub Zero fridges are cool though)
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Not so much,.......if it says "ZM" in the corner. Last edited by jacco vermeulen; 20th June 2012 at 09:53 PM. |
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#23992 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Sorry, those are 30+ year old schematics, and all I have left, after the firestorm.
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#23993 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Lousy analog tape electronics and tape is forgettable. Quality analog tape electronics AND fortunate tape recordings, from the past, are unforgettable.
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#23994 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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I have a whole bunch of reel-to-reel recorders, mostly modified better than stock, in storage. I might just get 1 or 2 out, and listen, today, for myself.
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#23995 | |
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diyAudio Member
Join Date: Nov 2011
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I should start with disclaimer first: I am neither against DIGITAL nor ANALOG. They both happily coexist in my world
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John, why don't you design post DA stage using "Vendetta's" style topology and be done with it? Transconductance amp, that is capable of withstanding fast transients is what is needed there. Saying that one has 192k-24 capable equipment is about as informative as saying that he/she has amplifier with 0.0001% THD. Besides, sound cards are never high end. Think of environment they're operating. Yes, digital has its problems, but are people, those that are raving about analog tape recording/playback, aware of problems and unavoidable errors it has? Where should I start? 1. Head bumps due head geometry. 2. Gap loss. 3. Spacing loss. 4. Azimuth errors. 5. Cable C and head L resonance. 6. Phase errors due to non complimentary pre-/deemphasis. 7. Freq. response errors inevitably created by differences between various calibration tapes. 8. Tape noise. Yes, noise ![]() 9. HF loss by tape some time after recording. 9. Post or pre-echo due to tape storage. 10. Flutter. 11. Scrape flutter. 12. Speed stability. 13. Tape moving up and down due to imperfect tape path. 14. Generation loss (when dealing with copies of "master tapes"). Did I miss anything? |
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#23996 | |
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diyAudio Moderator
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Quote:
Speaking of the 80s, we were still using 30ips then on our Studer and other tape machines. 15ips was for home recording sissies.
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Take the Speaker Voltage Test! |
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#23997 | |
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diyAudio Member
Join Date: May 2008
Location: Front Row Center
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Quote:
![]() You should , yanked the Teac out a couple years ago , with good tapes the sound is good and I'm sure with refurbished caps and PSU it would be a lot better . While not as good as my digital , it impressed all who have heard it sing ... Last edited by a.wayne; 21st June 2012 at 01:05 AM. |
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#23998 |
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diyAudio Member
Join Date: May 2011
Location: Little Rock
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#23999 |
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diyAudio Member
Join Date: Nov 2011
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#24000 |
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diyAudio Member
Join Date: May 2008
Location: Front Row Center
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Measurements dont matter ......
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