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#18871 |
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diyAudio Member
Join Date: Nov 2008
Location: Oakmont PA
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Demian
The noise has my noise generator added to the normal stuff that is there. We agree it is almost impossible to get rid of it. It is also at this point of very low source impedance. That is why I prefer not to couple it into the output. Although the gain is one, using a standard follower allows other active parts to reduce the noise in the drive path. ES Thinking about it the voltage gain on the power rails noise is actually above one and will vary during operation! Last edited by simon7000; 9th December 2011 at 03:53 PM. |
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#18872 | |
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth where censorship of Ideas is frowned upon
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Hi,
Quote:
I do my measurements with 10K loads and I always design for 10K loads. Ciao T |
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#18873 | ||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth where censorship of Ideas is frowned upon
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Hi,
Quote:
Quote:
Ciao T |
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#18874 | |
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diyAudio Member
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Quote:
![]() You may try, as hard as you can, to find such pleasing distortion pattern; I doubt you can find one.
__________________
If I disappear suddenly, that means I finally created a time machine and pushed wrong button that brought me to Stalin's Russia. In any experiment any result is the result. Even if it is negative. |
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#18875 | |||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth where censorship of Ideas is frowned upon
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Hi,
Quote:
Quote:
At the absolute minimum I use CRC Filter (yes, for poweramp's) with the second capacitor bypassed and snubbered. I normally set the R in RC filter to appx 30% of the effective DCR of the supply (that is if the supply drops 1V output voltage for 1A load I use 0.33 Ohm - 0.33 Ohm & 10,000uF form a 50Hz lowpass. In AMR's amplifiers I design some R L directly into the PCB Layout, the big am has a 4 Cell RC filter at 100Hz per section and THEN a regulated supply... For my current Pet Project I ordered some 1mH/50mOhm/10A chokes wound on Manganese/Iron torroid cores and a bunch of 18,000uF/71V Elna "For Audio" PSU Cap's. Each supply will use a separate transformer winding, hybrid fast/soft & schottky rectifier bridge two cap's and two chokes with one choke in each line. This supply has around a 10Hz turnover and -20dB at 100Hz with only 0.1 Ohm added DCR. Due to the ESR of the Cap's (including bypass) resonance of the Chokes the filtering is limited at 120dB around 500Kz but filtering remains significant (> 60dB) well into the lower two digit MHz. Sorry, but working mostly with open loop circuits I have a fetish about PSU filtering and damping any resonances in the supplies. Even in circuits with ton's of feedback I find the audible problems introduced with generic circuitry rather troublesome. Quote:
If you use a standard Sziklai circuits with Lateral FETs you have a small Fet (say 2SK214) driving a bunch of big Fets of the opposite Sex (say 2SJ162). The fun part of this is of course that output of the first stage is High Z and referenced to the (potentially noisy) rail which forms the reference for the input of the power transistor, which will now resist rather strongly coupling rail noise into the load... ![]() My "really push the boat out" 300B SE Amps had less than 0.1mV noise, almost pure 50Hz, coupled into the circuit by the driver stages anode load and grid chokes and not the power supplies. Any noise from the supplies was much further down. That used used a CLCLC supply with no electrolytucs incidentally (10uF/8H/50uF/6H/100uF) and further circuit design features that allowed around 26dB better PSRR at all frequencies than classic circuitry... I expect to do much better with solid state as it is much easier work to get quiet... Ciao T |
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#18876 |
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diyAudio Member
Join Date: Nov 2008
Location: Oakmont PA
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T
OK I misread what you were doing. I avoid Sziklai bipolar outputs since all the ones I am familiar with fail long term. It seems you have a good handle on how to handle power supply noise, although a bifilar common mode choke is often used to avoid dc saturation. I like to use small caps across the rectifier diodes as they not only help damp any residual switching noise, but all four also end up as equal to just one straight across the filter cap. The inductance of the diode to cap wire helps to form an RF filter. So how do you handle the Vas stage to avoid the same voltage rail issue? Looking a bit more at it you will have some rail noise voltage gain in the output devices reduced a bit by Cis. As the rail impedance is almost zero and the load above that the issue still creeps in. Last edited by simon7000; 9th December 2011 at 06:37 PM. |
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#18877 | |
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diyAudio Member
Join Date: Sep 2002
Location: Sacramento, CA
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Quote:
se
__________________
The Audio Guild |
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#18878 |
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diyAudio Member
Join Date: Nov 2008
Location: Oakmont PA
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#18879 | |||||
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Previously: Kuei Yang Wang
Join Date: Nov 2002
Location: Somewhere nice on planet earth where censorship of Ideas is frowned upon
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Hi Ed,
Quote:
With Bipolar outputs incidentally I would classic followers with a normal Bias Spreader, which is AFAIK what JC does. Quote:
CMC's are okay to deal with common mode noise, but their rejection of differential noise is near existing. Their advantage is they are dirt cheap. They have their uses. The Manganese/Iron cores are made for rather esotheric high power SMPS applications. They have the needed saturation levels and incredibly high Al, so very few turns are needed (which aids pushing the resonance frequency WAY UP) while getting high inductance at high DC current. The problem is finding a supplier who is willing to make you a modest QTY of unusual custom parts (they will all make a single sample, even free, but that does not go very far) without hitting you with a 1K Bucks small run fee... Long story, a guy who lives now again in hong kong made his money (a fair bit I gather) with chinese restaurants in germany. He now often drinks at a place with good german beer at Knutsford Terrace I like to go to (think of it as heck city, where the grass is green and the girls are pretty without beer goggles) and we got talking and occasionally meet for a few brews. One day when we where going to have a chat and a beer he comes in a wet behind the ears guy in tow. Turns out another German two years out of uni. He works for a German company that make precisely these "esotheric high power SMPS Chokes and transformers" somewhere on the Mainland (some place that sounded like it Sh..t in the name). So I ask him "Can you make this?"? He says - I'll send you a sample. So I say "I need 8pcs, but I have no idea if I ever actually buy any...". So he says "How about you buy the next few rounds..?". A week later I had my chokes. Life has a funny way of helping you out. So instead of Common mode chokes with no differentail filtering, I can have 0.5mH common mode and 2mH differential mode in a modest size package. Quote:
Quote:
CCS will be in the 100K Impedance region to well past 10KHz and have an added choke (the inductors version of bypass Cap's - I use that trick a lot). The Shunt Reg has around 50mOhm Z up to a few 100KHz (it is tres primitive with few active pars and no - it's not a Salas), above that the cap's take over. Basically the usual... To be honest, I have found that there is no such thing as "overdesigned powersupplies" in Audio. This Amp we talk about will have a 1.5KVA Doughnut, even though it is expected to only do 180W/8R and 250W/4R per channel... I'd like bigger, but there is no space. Stuff past a few MHz I don't worry, the Amp will have the bandwidth padded to 200KHz at the VAS output and run open loop except the LatFetSziklai (is that a Lfikai?) outputs... Doing final calcs, the complementary bipolar LEFVAS (Load Effect Free VAS) stage will have nearly 50dB Degeneration (which really is funking funloving truckload), the input stage will have around 20dB degeneration and the J-Fet input stage will likely dominate the THD. I expect < 0.01% or so while not going past quarter power pretty much at any frequency within the operating BW and without going to extreme circuitry (too much hard work), with some trimming can be better but I cannot be bothered anymore, my speakers are a little more than 0.1% THD between 300Hz and 3KHz, below and above you don't want to know... Oh and and under 0.1 Ohm Zout.. I guess I am doing it mainly because I'm cheesed off by those who consistently insist you cannot make an Amp that measures well without NFB. Quote:
In the end you have to draw the line somewhere. With >60dB noise rejection from the first cap in the PSU system at around 10MHz with the current intended PSU arrangement (I did run the actual parts to be used through a decent RLC analyser, so these are quite realistic numbers using realistic models) I refuse to loose sleep worring about it instead of loosing sleep by hopping on the good foot and do the bad thing if I have to loose sleep... But you do raise a good point to most (CH, JC, GD et moi excluded - in fact GD outdoes me on powersupplies in a bad way and that takes some doing), powersupplies matter a lot. Often I can affect greater changes in sound by "tuning" the PSU a little then by dramatically changing the "active" side. Ciao T PS, GD is Gary Dews of Border Patrol, he once made a version of my Tube/LCR equalised Phonostage that used the kind of PSU I used for my build covering the whle Phono times four (one for each tube) and followed it by glowtube shunt regulators for each tube... We never compared our builds, but have a suspicion his sounds better.... My own supply was CLCLCLCLC with GZ34 rectifier, plus the mains transformer out of a Mullard 5-10 Poweramp for the HT... That is 10uF/20H/120uF/20H/120uF/20H/120uF/20H/360uF with all caps film types and each choke two 10H pieces one in each supply line... |
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#18880 | |
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diyAudio Member
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The Model 50 was based on the earlier module series but that picture was certainly our art department. I like to credit folks that have been possibly forgotten, forgive me this nit. The cascoded VAS was a useful addition. Both schematics follow each other in Walt's history. ADI - Analog Dialogue | Op Amp Applications Handbook
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Clay is embedded in our subconscious. It has been there for at least 50,000 years. |
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